Henry Bradshaw Society Subsidia – serie

New research into the liturgy of Anglo-Saxon history, with important implications for church history in general.The essays in this volume offer the fruits of new research into the liturgical rituals of later Anglo-Saxon England. They include studies of individual rites, the production, adaptation and transmission of texts, vernacular gospeltranslations, liturgical drama and the influence of the liturgy on medical remedies, poetry and architecture; also covered are the tenth-century Benedictine Reforms and the growth of pastoral care. It will be valuable for anyoneinterested in later Anglo-Saxon England as well as medieval liturgy and church history.

Evidence of the spread of the cults of English saints in medieval Scandinavia is revealed by detailed detective work in fragmentary manuscripts.The process of Christianising the Scandinavian countries in the tenth to the thirteenth centuries was spearheaded in the earliest phases by missionaries from Anglo-Saxon England. It is likely that such missionaries took with themthe books that would have been essential for church services - Bibles, Gospel-books, Psalters, Breviaries - along with saints' relics, thus introducing the cults of the saints venerated at the time in England. A remarkable quantity of mainly fragmentary manuscripts have survived from this activity and from Scandinavia manuscripts produced in imitation of the imports. Almost all of them were gathered together at the Reformation as redundant and used mainlyto provide covers and bindings for provincial accounts from the sixteenth and seventeenth centuries; they are preserved largely in the National Archives in Copenhagen, Helsinki, Oslo and Stockholm. Materials for some seventy-fourEnglish saints are recorded in this volume, giving an idea of the extent of their presence in the liturgies of medieval Scandinavia. They include all occurrences of the saints in surviving liturgical calendars, martyrologies, missals, breviaries, etc; where the texts are not otherwise attested, they are reproduced in full. It will be an essential point of reference for all scholars working on the English saints and on the spread of Christianity in the middle ages.

The definitive guide to the development of early Roman liturgy by one of the twentieth century's great liturgical scholars.The liturgy which developed at Rome during the early centuries of the Christian era was to establish the pattern for religious observance in the Latin West from the sixth century to the twentieth. Yet, for a variety of reasons, the origins and early development of this liturgy are far from clear. Evidence must be teased out of the various incidental references to be found in the writings of the early Church Fathers; Hippolytus, Cyprian, Ambrose, Augustineand ultimately Gregory the Great.In this book the late G.G. Willis draws on a lifetime's intimate knowledge of the liturgical evidence for early Roman practice in order to present a refreshingly clear guide to the early Roman liturgy - a subject for which there exists no accessible introduction in English. He provides a new synthesis of the most significant developments in the form of the Roman mass, calendar, episcopal services, rites of baptism andordination up to the time of Gregory the Great (590-604).

An examination of the papal adventus ceremony, deriving from the ritual reception performed for the ruler in antiquity, and the changes it underwent during the century.This book examines the character and significance of the adventus ceremonies which were accorded to medieval popes and for which there is much evidence in the twelfth-century sources. The papal adventus, hitherto unstudied in anylanguage, retained the framework and much of the familiar symbolism of the ritual reception performed for the ruler in antiquity. During the twelfth century it was performed for popes with unprecedented frequency, providing, in particular, a vital part of the papal accession ritual. On such occasions adventus represented a demonstration of consent to rule, a sense that was expressed through traditional idioms evoking the triumph of the ruler. But the meaning of the ritual altered towards the end of the century as a result of the breakdown of relations between the papacy and the Romans, and the adventus provided an opportunity for the Romans to express their own agenda wherein consent meant the right of acceptance or veto by the people.Dr SUSAN TWYMAN teaches in the Faculty of Continuing Education, Birkbeck College, London University.

First full-scale survey and examination of liturgical practice and its fundamental changes over four centuries.At the heart of life in any medieval Christian religious community was the communal recitation of the daily "hours of prayer" or Divine Office. This book draws on narrative, conciliar, and manuscript sources to reconstruct the history of how the Divine Office was sung in Anglo-Saxon minster churches from the coming of the first Roman missionaries in 597 to the height of the "monastic revival" in the tenth century.Going beyond both the hagiographic "Benedictine" assumptions of older scholarship and the cautious agnosticism of more recent historians of Anglo-Saxon Christianity, the author demonstrates that the early Anglo-Saxon Church followed a non-Benedictine "Roman" monasticliturgical tradition. Despite Viking depredations and native laxity, this tradition survived, enriched through contact with varied Continental liturgies, into the tenth century. Only then did a few advanced monastic reformers conclude, based on their study of ninth-century Frankish reforms fully explained for the first time in this book, that English monks and nuns ought to follow the liturgical prescriptions of the Rule of St Benedict to the letter. Fragmentary manuscript survivals reveal how monastic leaders such as Dunstan and Æthelwold variously adapted the native English liturgical tradition - or replaced it - to implement this forgotten central plank of the "Benedictine Reform".Jesse D. Billett is Assistant Professor in the Faculty of Divinity, Trinity College, Toronto.

The influence of Rome on medieval plainsong and liturgy explored in depth.Containing substantial new studies in music, liturgy, history, art history, and palaeography from established and emerging scholars, this volume takes a cross-disciplinary approach to one of the most celebrated and vexing questions about plainsong and liturgy in the Middle Ages: how to understand the influence of Rome? Some essays address this question directly, examining Roman sources, Roman liturgy, or Roman practice, whilst others consider the sway ofRome more indirectly, by looking later sources, received practices, or emerging traditions that owe a foundational debt to Rome. Daniel J. DiCenso is Assistant Professor of Music at the College of the Holy Cross; Rebecca Maloy is Professor of Musicology at the University of Colorado Boulder.Contributors: Charles M. Atkinson, Rebecca A. Baltzer, James Borders, Susan Boynton, Catherine Carver, Daniel J. DiCenso, David Ganz, Barbara Haggh-Huglo, David Hiley, Emma Hornby, Thomas Forrest Kelly, William Mahrt, Charles B. McClendon, Luisa Nardini, Edward Nowacki , Christopher Page, Susan Rankin, John F. Romano, Mary E. Wolinski