Kentucky Voices – serie

The eleven stories in Nothing Like An Ocean confirm the promise of Jim Tomlinson's award-winning debut, Things Kept, Things Left Behind. Set in and around the fictional town of Spivey, Kentucky, the stories spotlight small-town lives that are thrown into quiet turmoil by unexpected events or outsiders: a man's broken-down car prompts a bittersweet hometown reunion; a husband is surprised to find that the idyllic spot where he courted his wife has been obliterated by mountaintop removal; a waitress watches in fascination as a regular customer blossoms as muse to an artist from Belarus.Adept at juxtaposing light and dark elements, Tomlinson displays compassion for characters searching for moments of found grace and earned redemption. The title story, about a divorced man who receives an anonymous invitation to a church social for middle-aged singles, carries tragic undertones as the protagonist is continually reminded of his son's accidental death and the subsequent dissolution of his marriage. With a strong sense of place and clear, poetic language, Tomlinson breathes new life into timeless stories, creating for the reader a world that is foreign and yet deeply familiar.

"Our only sin was not having what they thought was enough. And being forced to take what they called help."Pain and anger resonate deeply in the voice of New Covenant Bound's central narrator. Forced from her homeland on the Tennessee River in the 1930s, she recounts the memory of upheaval and destruction caused by the Tennessee Valley Authority.The Western Kentucky area that now boasts beautiful, expansive bodies of water was once home to some 20,000 people, their houses, farms, townships and ancestral history. Residents were subjected to three waves of forced relocation to make way for Kentucky Lake in the 1930s, Lake Barkley in the 1950s, and Land Between The Lakes National Recreation Area in the 1960s.Renowned poet T. Crunk intersperses narrative prose and vivid lyric verse to explore the devastation one family experienced in this often overlooked episode in Kentucky history. The voices of a grandmother and grandson speak to each other over time, evoking the relentless advance of irrevocable forces that changed the land, forever.

Author, activist, feminist, teacher, and artist bell hooks is celebrated as one of the nation's leading intellectuals. Born in Hopkinsville, Kentucky, hooks drew her unique pseudonym from the name of her grandmother, an intelligent and strong-willed African American woman who inspired her to stand up against a dominating and repressive society. Her poetry, novels, memoirs, and children's books reflect her Appalachian upbringing and feature her struggles with racially integrated schools and unwelcome authority figures. One of Utne Reader's "100 Visionaries Who Can Change Your Life," hooks has won wide acclaim from critics and readers alike. In Appalachian Elegy, bell hooks continues her work as an imagist of life's harsh realities in a collection of poems inspired by her childhood in the isolated hills and hidden hollows of Kentucky. At once meditative, confessional, and political, this poignant volume draws the reader deep into the experience of living in Appalachia. Touching on such topics as the marginalization of its people and the environmental degradation it has suffered over the years, hooks's poetry quietly elegizes the slow loss of an identity while also celebrating that which is constant, firmly rooted in a place that is no longer whole.

Born in the small, eastern Kentucky coal-mining town of Harlan, George Ella Lyon began her career with Mountain, a chapbook of poems. She has since published many more books in multiple genres and for readers of all ages, but poetry remains at the heart of her work. Many-Storied House is her fifth collection.While teaching aspiring writers, Lyon asked her students to write a poem based on memories rooted in a house where they had lived. Working on the assignment herself, Lyon began a personal journey, writing many poems for each room. In this intimate book, she strives to answer lingering questions about herself and her family: "Here I stand, at the beginning," she writes in the opening lines of the volume, "with more questions than / answers."Collectively, the poems tell the sixty-eight-year-long story of the house, beginning with its construction by Lyon's grandfather and culminating with the poet's memories of bidding farewell to it after her mother's death. Moving, provocative, and heartfelt, Lyon's poetic excavations evoke more than just stock and stone; they explore the nature of memory and relationships, as well as the innermost architecture of love, family, and community. A poignant memoir in poems, Many-Storied House is a personal and revealing addition to George Ella Lyon's body of work.

Weaving together universal themes of family, geography, and death with images of America's frontier landscape, former Kentucky Poet Laureate Joe Survant has been lauded for his ability to capture the spirit of the land and its people. Kliatt magazine has praised his work, stating, "Survant's words sing.... This is storytelling at its best."Exploring the pre-Columbian and frontier history of the commonwealth, The Land We Dreamed is the final installment in the poet's trilogy on rural Kentucky. The poems in the book feature several well-known figures and their stories, reimagining Dr. Thomas Walker's naming of the Cumberland Plateau, Mary Draper Ingles's treacherous journey from Big Bone Lick to western Virginia following her abduction by Native Americans, and Daniel Boone's ruminations on the fall season of 1770. Survant also explores the Bluegrass from the perspectives of the chiefs of the Shawnee and Seneca tribes.Drawing on primary documents such as the seventeenth-century reports of French Jesuit missionaries, excerpts from the Draper manuscripts, and the journals of pioneers George Croghan and Christopher Gist, this collection surveys a broad and under-recorded history. Poem by poem, Survant takes readers on an imaginative expedition -- through unspoiled Shawnee cornfields, down the wild Ohio River, and into the depths of the region's ancient coal seams.

Appalachia is no stranger to loss. The region suffers regular ecological devastation wrought by strip mining, fracking, and deforestation as well as personal tragedy brought on by enduring poverty and drug addiction. In Driving with the Dead, Appalachian poet, teacher, and artist Jane Hicks weaves an earnest and impassioned elegy for an imperiled yet doggedly optimistic people and place. Exploring the roles that war, environment, culture, and violence play in Appalachian society, the hard-hitting collection is visceral and unflinchingly honest, mourning a land and people devastated by economic hardship, farm foreclosures, and mountaintop removal.With empathy and a voice of experience, Hicks offers readers a poignant collection of poems that addresses themes of grief and death while also illustrating the beauty, grace, and resilience of the Appalachian people. Invoking personal memories, she explores how the loss of physical landscape has also devastated the region's psychological landscape.Graphic, bold, and heartfelt, Driving with the Dead is an honest and compelling call to arms. Hicks laments the irreplaceable treasures that we have lost but also offers wisdom for healing and reconciliation.

When Kathleen Driskell tells her husband that she's gone to visit the neighbors, she means something different than most. The noted poet -- whose last book, Seed across Snow, was twice listed as a national bestseller by the Poetry Foundation -- lives in an old country church just outside Louisville, Kentucky. Next door is an old graveyard that she was told had fallen out of use. In this marvelous new collection, this turns out not to be the case as the poet's fascination with the "neighbors" brings the burial ground back to life.Driskell frequently strolls the cemetery grounds, imagining the lives and loves of those buried beside her property. These "neighbors," with burial dates as early as 1848, inspire poems that weave stories, real and imagined, from the epitaphs and unmarked graves. Shifting between perspectives, she embraces and inhabits the voices of those laid to rest while also describing the grounds, the man who mows around the markers, and even the flocks of black birds that hover above before settling amongst the gravestones.Next Door to the Dead transcends time and place, linking the often disconnected worlds of the living and the deceased. Just as examining the tombstones forces the author to look more closely at her own life, Driskell's poems and their muses compel us to examine our own mortality, as well as how we impact the finite lives of those around us.

Make no mistake: Martha Bragg Picket is a headstrong southern woman with a rebellious spirit, a characteristic her son Michael shares. Yet to see her after almost twenty years of marriage, it might no longer seem clear. A Yankee contractor's arrival in town catalyzes her dissatisfaction, leading her to turn her life upside down -- unaware that her son will follow suit. Both heartfelt and shrewdly humorous, this widely acclaimed first novel from author Fenton Johnson is an affecting look at one woman's reawakening and her son's coming of age in the heartland of America.

Along with his siblings, Raphael Hardin left his childhood home in rural Kentucky. Grappling with an AIDS diagnosis, he returns to care for his dying father. Told from the perspectives of Raphael, his family, and their lifelong neighbor, Fenton Johnson's landmark novel reveals the blood struggles and binding loves of a broken family made whole.

From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive.Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love -- and love that's handed down -- can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

The residents of Water Street are hardworking, God-fearing people who live in a seemingly safe and insulated neighborhood within a small Kentucky town: "Water Street is a place where mothers can turn their backs to flip a pancake or cornmeal hoecake on the stove and know our children are safe." But all is not as it seems as the secret lives of neighbors and friends are revealed in interconnected tales of love, loss, truth, and tragedy. In this critically acclaimed short story collection, Crystal Wilkinson peels back the intricate layers that form the fabric of this community and its inhabitants -- revealing emotionally raw, multifaceted tales of race, class, gender, mental illness, and interpersonal relationships. The thirteen succinct stories offer fragmented glimpses of an overarching narrative that emerges, lyrical and fierce. Featuring a new foreword and a new afterword which illuminate Wilkinson's artistic achievement, this captivating work is poised to delight a new generation of readers.

As the title implies, this beautifully written collection bursts with stories reminiscent of blackberries----small, succulent morsels that are inviting and sweet, yet sometimes bitter. Crystal Wilkinson provides an almost voyeuristic glimpse into the lives of her characters: Two misfit teenagers seek stolen moments of love and acceptance in the cloak of night ("Hushed"); a woman spends every waking hour obsessed with dying yet ironically watching her loved ones pass away before her ("Waiting on the Reaper"); a wife confronts her husband's mistress in a diner over potato skins and cornbread ("Need"); and a pious young woman's torment erupt in a violent and unsuspecting resolution ("No Ugly Ways").The stories in this award-winning collection are terse and transient, like snippets taken from random dreams, thoughts, or conversations. Wilkinson is able to embed a vibrancy into each stunningly descriptive and evocative tale. Infused with humor, sadness and honesty, this provocative and haunting work features a new foreword and a new afterword by nationally acclaimed authors Nikky Finney and Honorée Jeffers.

From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive.Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love -- and love that's handed down -- can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

Nationally acclaimed poet, photographer, filmmaker, and novelist James Baker Hall has long been regarded as one of Kentucky's most profound artists. Hall's growing body of work is an essential part of Kentucky's literary tradition, and yet his poetry in particular transcends the borders of the Commonwealth. The Total Light Process collects poems spanning Hall's celebrated career as well as new poems that have never before been published. The subjects of Hall's poems range from humorous and revealing portraits of his fellow writers and friends Wendell Berry, Ed McClanahan, and Gurney Norman, to the traumatic experience of his mother's suicide when he was eight years old, to the Israeli-Palestinian conflict and the tragic murder of Matthew Shepherd.

The mountain is a lonely place. Welcome to Sourwood, a small Kentucky town inhabited by men and women unique and yet eerily familiar. Among its joyful and tragic citizens we meet the crafty, spirited Caleb and his curious younger brother; Pearl, a suspected witch, and her sheltered daughter, Thanie; superstitious Eli; and the doomed orphan Girty. In Sourwood, the mountain is both a keeper of secrets and an imposing, isolating presence, shaping the lives of all who live in its shadow.Strong in both the voice and sensibilities of Appalachia, the stories in Miss America Kissed Caleb are at turns heartbreaking and hilarious. In the title story, young Caleb turns over his hard-earned dime to the war effort when he receives a coaxing kiss from Miss America, who sweeps into Sourwood by train, "pretty as a night moth." Caleb and his brother share in the thrills and uncertainties of growing up, making an accidental visit to a brothel in "Fourth of July" and taming a "high society" pooch in "The Jimson Dog." These stories invoke a place and a time that have long passed -- a way of living nearly extinct -- yet the beauty of the language and the truth revealed in the characters' everyday lives continue to resonate with modern readers.

In his sixth novel, The Cave (1959), Robert Penn Warren tells the story of a young man trapped in a cave in fictional Johntown, Tennessee. His predicament becomes the center of national attention as television cameras, promoters, and newscasters converge on the small town to exploit the rescue attempts and the thousands of spectators gathered at the mouth of the cave.

"A rich tale of healing, redemption, and social responsibility." -- Publishers Weekly "A compelling, skillfully told story…. Lyon's finest achievement." -- Lexington Herald-Leader "Lyon gives readers a story rich in precise, gorgeous language that glows like a sword on the forge and cuts as deep…. Tragedies old and new weave a tiny Kentucky town into the center of the universe." -- Booklist (starred review) "Lyon consistently reveals in her work an ability to render the peculiarities of the people and the places she knows best, while at the same time exploring concerns that lend her stories and poems universal appeal. The same is true of With a Hammer for My Heart, a powerful first novel that catapults Lyon into the ranks of other well-respected contemporary novelists." -- Southern Register

Mary Ann Taylor-Hall's highly acclaimed first novel, Come and Go, Molly Snow, introduces us to Carrie Marie Mullins, a gifted Kentucky bluegrass fiddler and singer in the Hawktown Road band. After moving to Lexington to develop her talents, Carrie becomes infatuated with the band's leader, Cap Dunlap. Her romantic distraction prevents Carrie from saving her five-year-old daughter, Molly, when she careens down the driveway and is killed by a truck. Overwhelmed with grief, Carrie breaks down. Cap finds Carrie in this state of distress and takes her to Ona and Ruth Barkley, two elderly sisters living in an old farmhouse. It is on the sisters' farm that Carrie is able to slowly come to terms with her heartache and guilt over Molly's death. As she picks up the pieces of her shattered life, Carrie draws on the two women's friendship, her inner strength, and finally, the healing power of music.

In 1995, Chris Holbrook burst onto the southern literary scene with Hell and Ohio: Stories of Southern Appalachia, stories that Robert Morgan described as "elegies for land and lives disappearing under mudslides from strip mines and new trailer parks and highways." Now, with the publication of Upheaval, Holbrook more than answers the promise of that auspicious debut. In eight interrelated stories set in Eastern Kentucky, Holbrook again captures a region and its people as they struggle in the face of poverty, isolation, change, and the devastation of land and resources at the hands of the coal and timber industries. In the title story, Haskell sees signs of disaster all around him, from the dangers inherent in the strip-mining machinery he and his coworkers operate to the accident waiting to happen when his son plays with a socket wrench. Holbrook employs a native's ear for dialect and turns of phrase to reveal his characters' complex interior lives. In "The Timber Deal," two brothers -- Russell, a recovering addict recently released from prison, and Dwight, who hasn't worked since being injured in a coal truck accident -- try to convince their upwardly mobile sister, Helen, to agree to lease out timber rights to the family land. Dwight is unable to communicate his feelings, even as he seethes with rage: "Helen can't see past herself, is what it is. If John James had fractured his back in two places, it'd be a different story. If he'd broke his neck, it'd be a different story told." Written with a gritty, unflinching realism reminiscent of the work of Larry Brown and Cormac McCarthy, the stories in Upheaval prove that Holbrook is not only a faithful chronicler and champion of Appalachia's working poor but also one of the most gifted writers of his generation.