Nikky Finney – författare

Love Child's Hotbed of Occasional Poetry is a twenty-first-century paean to the sterling love songs humming throughout four hundred years of black American life. National Book Award winner Nikky Finney's fifth collection contains lighthouse poems, narrative hotbeds, and treasured artifacts - copper coins struck from a new matrix for poetry, one that testifies from the witness stand and punctuates the occasional lyric within a new language of 'docu-poetry.'  The ancestors arise and fly, and the black female body is the 'insurgent sensualist,' hunted but fighting to live and love in the ways it wants and knows best: "I loved being / a black girl but had not yet learned / to play dead . . ."  The tenderness of a father's handwritten notes shadows the collection like a ghost, while the treasured, not-for-sale interiority of a black girl's fountainhead takes over every page. "One yellaw gal with an all-black tongue has gone missing." Finney has composed a new black spiritual, and one of the great voices of our time again stamps her singular sound into the new day.

The poems in Nikky Finney’s breathtaking collection Head Off & Split sustain a sensitive and intense dialogue with emblematic figures and events in African American life: from civil rights matriarch Rosa Parks to former secretary of state Condoleezza Rice, from a brazen girl strung out on lightning to a terrified woman abandoned on a rooftop during Hurricane Katrina.

"Deep in the center of every tree, you'll find the heartwood. The characters in this new book by poet Nikky Finney are the heartwood of their small Kentucky communities. You'll meet Buck Jones and Mae Bennet, whose anger has twisted them up inside, Queenie Sims and Arizona Scott, who can see the good in people, and Trina Sims and Jenny Bryan, two young women who discover how much they are alike despite their different skin color.

Deep in the center of every tree, you'll find the heartwood. This wood is the very soul of a tree.   The characters in this book by poet Nikky Finney are the heartwood of their small Kentucky communities. You'll meet Buck Jones and Mae Bennet, whose anger has twisted them up inside, Queenie Sims and Arizona Scott, who can see the good in people, and Trina Sims and Jenny Bryan, two young women who discover how much they are alike despite their different skin color.  Set in rural Kentucky, this story is filled with the sights and sounds, hopes and hurts of a land and its people. Breathing with life and vitality, Heartwood moves its readers to speak out and remind the world of the goodness it so easily forgets. The characters of  Heartwood lead the way for us in this beautiful story.

From the foreword:"In Perfect Black, Crystal Wilkinson walks us back down the road she first walked as a girl, wanders us through the trees that lined the road where she grew up, where her sensibilities as a woman and a writer were first laid bare. In one of the first poems that opens the collection she is a woman looking back on her life, on the soil and mountains that first stamped the particular sound of her voice and she is deeply inquisitive about how it all fell into place: "The map of me can't be all hills& mountains even though I've been country all my life. The twang in my voice has moved downhill to the flat land a time or two."  Perfect Black is a book of poems and legends about ancestry, culture, and the terrain of a Black girl becoming. It is a narrow and spacious terrain that enters the bloodstream of this black writing girl's body early. It is a country that she never truly exits even though different zip codes continue to fly through her wild, wondrous, winding life. We read and we hold on too.

As the title implies, this beautifully written collection bursts with stories reminiscent of blackberries----small, succulent morsels that are inviting and sweet, yet sometimes bitter. Crystal Wilkinson provides an almost voyeuristic glimpse into the lives of her characters: Two misfit teenagers seek stolen moments of love and acceptance in the cloak of night ("Hushed"); a woman spends every waking hour obsessed with dying yet ironically watching her loved ones pass away before her ("Waiting on the Reaper"); a wife confronts her husband's mistress in a diner over potato skins and cornbread ("Need"); and a pious young woman's torment erupt in a violent and unsuspecting resolution ("No Ugly Ways").The stories in this award-winning collection are terse and transient, like snippets taken from random dreams, thoughts, or conversations. Wilkinson is able to embed a vibrancy into each stunningly descriptive and evocative tale. Infused with humor, sadness and honesty, this provocative and haunting work features a new foreword and a new afterword by nationally acclaimed authors Nikky Finney and Honorée Jeffers.