George Ella Lyon - Böcker

From George Ella Lyon comes a dynamic and humorous collection examining the transformations of one woman's life as she tries on, takes on, and peels off identities learned from family stories, gender, fairy tales, and myths. She Let Herself Go spirals through girlhood, wifehood, motherhood, and writerhood, through the poet's evolution, casting a discerning -- and often irreverent -- eye on the cultural expectations that have shaped her. Claiming Virginia Woolf as word-mother, these poems converse with powerful feminist poets, including Muriel Rukeyser, Ruth Stone, and Grace Paley.Beginning with the physical ""change of life,"" where the poet is ""Strung / on muscle / of myth and miracle / a uterine knot / of work and words"" Lyon reveals the interiors of previous selves like the opening of a nesting doll. Although the collection upholds a unifying theme, Lyon's work resists homogeneity. As with the many personas the poet assumes and casts aside, the poems take on wildly divergent shapes that must be recognized before the parts can be united in a new way.

" "I don't agree with all the choices people make," says the author. "You probably won't either. My job is to let them tell their stories." And so she does in these thirteen warm, funny, and sad short stories about people making hard decisions for themselves and for their families: · Like Iona, who accidentally accepts a marriage proposal · And Daryll, just about to graduate from high school, whose mother is eager for him to "make something" of himself. · And Lexie and Jeb, deep in debt and already struggling to feed their six children, who find out a seventh is on the way.

" Golden Kite Award winner, 1989 Booklist, Editor's Choice School Library Journal, Best Books of 1988 Publisher's Weekly, Best Books of 1988 Twelve-year-old Amanda Perritt is pitched head-first into adult responsibilities when she has to quit school to care for her newborn brother and invalid mother. She gets an excape, she thinks, when she's offered a trip to stay with her grandmother and her sophisticated Aunt Laura in Memphis. But during the visit, she discovers unexpected parallels between her mother's childhood and her own and comes to understand her own individuality as well as what it means to be part of a family.

A celebration of holiday poetry, fiction, essays, recipes, and songs by more than sixty of the Bluegrass state's finest writers. Gathered here are writings from some of the legendary voices of Kentucky -- and the nation -- as well as original Christmas stories and poetry from some of the state's emerging talents. Among the contributors to this handsome collection are Kentucky's visionaries, storytellers, historians, singers, cooks, children's authors, and poets, including all five Kentucky Poet Laureates. A delight for anyone interested in Kentucky literature, history, or traditions, A Kentucky Christmas promises to be a wonderful holiday gift, a treasured family keepsake, and a necessary addition for libraries and for personal collections.

Born in the small, eastern Kentucky coal-mining town of Harlan, George Ella Lyon began her career with Mountain, a chapbook of poems. She has since published many more books in multiple genres and for readers of all ages, but poetry remains at the heart of her work. Many-Storied House is her fifth collection.While teaching aspiring writers, Lyon asked her students to write a poem based on memories rooted in a house where they had lived. Working on the assignment herself, Lyon began a personal journey, writing many poems for each room. In this intimate book, she strives to answer lingering questions about herself and her family: "Here I stand, at the beginning," she writes in the opening lines of the volume, "with more questions than / answers."Collectively, the poems tell the sixty-eight-year-long story of the house, beginning with its construction by Lyon's grandfather and culminating with the poet's memories of bidding farewell to it after her mother's death. Moving, provocative, and heartfelt, Lyon's poetic excavations evoke more than just stock and stone; they explore the nature of memory and relationships, as well as the innermost architecture of love, family, and community. A poignant memoir in poems, Many-Storied House is a personal and revealing addition to George Ella Lyon's body of work.

"A rich tale of healing, redemption, and social responsibility." -- Publishers Weekly "A compelling, skillfully told story…. Lyon's finest achievement." -- Lexington Herald-Leader "Lyon gives readers a story rich in precise, gorgeous language that glows like a sword on the forge and cuts as deep…. Tragedies old and new weave a tiny Kentucky town into the center of the universe." -- Booklist (starred review) "Lyon consistently reveals in her work an ability to render the peculiarities of the people and the places she knows best, while at the same time exploring concerns that lend her stories and poems universal appeal. The same is true of With a Hammer for My Heart, a powerful first novel that catapults Lyon into the ranks of other well-respected contemporary novelists." -- Southern Register

Sonny is only one of the spies at the Bradshaw house in Mozier, Alabama. But as a child he saw a tray full of dinner come flying across the front hall at his father. His mother's aim was dead on. And Daddy's departure promptly followed.Loretta, Sonny's older sister, spies by eavesdropping. As she tells him, "How else am I going to survive in a family tight-lipped as tombs?"But the kids' spying only scratches the surface of what's really going on in this 1950s family in the deep South. While Deaton, the youngest, worries about pirates and vampires, and Uncle Marty, family protector, serves up scripture with every bite at the Circle of Life donut shop, somebody is watching.Somebody unsuspected by Sonny. But at thirteen he knows something's fishy, and he intends to find out what. That's why one Friday after Uncle Marty pays him for dishwashing at the Circle of Life, he sneaks out of town, first by bike and then by bus. Selma, his mama; Mamby; Nissa; Uncle Sink; Aunt Roo; his sister and brother -- nobody from that all-too-serious but often hilarious crew has a clue where he's gone. And even Sonny can't say exactly what he's after, until those tight-lipped tombs start talking, and life in the house on Rhubarb changes for good.

Faucet wellraincloud sea … from each of these comes water. But where does Water go? To find out, honey, turn the page, dive in with tongue or toes, with eyes and ears and nose— and wonder at the flow of this great world’s life story.

The forest sees every season, from the first snowflake to the blossoming flower buds. The forest sees the ever-moving life in nature and the beauty it emanates. With lyrical language and rich and textured illustrations, What Forest Knows takes you on a hike through the trees, beyond the meadows, between the deer and foxes, and into the heart of the outdoors.

Sails and engines paddles and oars make the trip from shore to shore.Boats float!From steamships to ghostships, to the little and big in-between ships, this fun, rhyming book explores a wide array of boats. The third in George Ella Lyon's transportation series, Boats Float! Takes to the seas with dynamic illustrations that will keep even the youngest of readers eager to turn the page.

Which Side Are You On? tells the story of the classic union song that was written in 1931 by Florence Reece in a rain of bullets. It has been sung by people fighting for their rights all over the world. Florence's husband Sam was a coal miner in Kentucky. Many of the coal mines were owned by big companies, who kept wages low and spent as little money on safety as possible. Miners lived in company houses on company land and were paid in scrip, good only at the company store. The company owned the miners sure as sunrise.That's why they had to have a union. Miners went on strike until they could get better pay, safer working conditions, and health care. The company hired thugs to attack union organizers like Sam Reece.George Ella Lyon tells this hair-raising story through the eyes of one of Florence's daughters, a dry-witted, pig-tailed gal whose vantage point is from under the bed with her six brothers and sisters. The thugs' bullets hit the thin doors and windows of the company house and the kids lying low wonder whether they're going to make it out of this alive; wonder exactly if this strike will make their lives better or end them, but their mother keeps scribbling and singing. "We need a song," she tells her kids. That's not at all what they think they need. Graphic novelist Christopher Cardinale brings Florence's triumphant story to life in true rip-roaring union style.