Key Concerns in Media Studies – serie

Challenging the opinion that public service broadcasting is a thing of the past, David Hendy explains its importance in the present – and in the future. Written by a leading expert in the field, this book explores the development of public service broadcasting, outlining the key debates and issues, while situating them within wider cultural contexts.Hendy uses media history to consider the outlook for broadcasters such as the BBC, and other networks and stations around the world. He analyzes how these institutions shape society, culture, and politics, focusing on how key ethical and cultural values - such as enlightenment, impartiality, service, choice, and trust – have been constantly reinvented to ensure that broadcasting can carry on being a public 'good' as well as a commercial product.Clear, concise, and contemporary, Public Service Broadcasting is invaluable reading for all students of media and broadcasting, and for anyone interested in a strand of media that has had - and continues to have - an enormous social and cultural impact, not only in Britain, but across the globe.

Media, Place and Mobility offers a new understanding of media uses as place-making practices in everyday living.

Culture and the Media looks at the relationship between what we term 'media' and 'culture', asking the question: where does one end and the other begin? Written in a lively and accessible style, this book introduces and contextualises the range of different approaches to the study of both of these fields.Using a lively range of examples and case studies - including moral panics in the British media around punk rock in the 1970s, critiques of consumerism in the films Fight Club and American Psycho, and the YouTube-captured 'violence' of protests against student fees – Culture and the Media shows how theoretical and disciplinary debates over the meaning of the media and culture relate to our everyday cultural experiences. PAUL BOWMAN teaches media and cultural studies at Cardiff University. His other books include: Interrogating Cultural Studies (2003), The Truth of Žižek (2006), Post-Marxism versus Cultural Studies (2007), Deconstructing Popular Culture (2008), Theorizing Bruce Lee (2010), The Rey Chow Reader (2010), Reading Rancière (2011), and Beyond Bruce Lee (2013).Key Concerns in Media StudiesSeries Editor: Andrew Crissell

The landscape of the media is changing - and at an ever-increasing pace. New technologies are fast transforming the way we consume information, and the way we live our lives. New Technologies and the Media by Proffessor Gerard Goggin (University of Sydney) is an authoritative exploration of the impact of the internet, the iPad, and Wikileaks on contemporary news, journalism and broadcasting. Steering clear of technological jargon, this is a short, sharp, simple guide through this complex subject.This book is essential reading for all media students and researchers - and for anyone interested in getting to grips with the ways in which media is becoming a progressively more pervasive, intimate and powerful part of life in the 2010s. It engagingly examines the the issues raised by the presence of new technologies across news, television, internet and mobiles. Under discusson are: new audiences forming around user-generated content; the future of news and journalism; the rapid shape-shifting of broadcasting in the face of the internet; an explosion of devices; the viewer as "couch-commander"; blogging, social media and citizen journalism and public-service media; the cultural politics of digital cultures and technologies.Featuring fascinating case studies of modern phenomena such as the iPhone, this book examines current cutting-edge technologies by situating them within the broader context of communications and media history. Written by an expert in the field, it cuts through the controversial and confusing debate surrounding the use of new technologies in the media and gives a clear, considered account of the major issues involved.By accessibly introducing the key theories of technology, this book will equip its readers with a solid critical approach that they can use across their studies, invesitigations and work in media. It provides the tools needed by students and researchers to accurately analyse and effectively evaluate how new technologies shape, and are shaped by, media.New Technology and the Media offers an excellent insight into an important, exciting, expanding area of interest.

We think of radio and television as live media. Yet much of their output is pre-recorded. And if we value liveness so highly, why do we often consume their output some time after it has been broadcast? This book provides some unexpected answers about the meaning of 'liveness' and 'recording', the complexity of their relationship, and their significance not just for television and radio but the popular music which is radio's mainstay.Written in a clear and lively style, the book sets television and radio in the context of other media and traces the history of liveness and recording. To the relationship between these qualities it ascribes the rise of the serial programmes that characterise so much broadcasting. Citing well-known examples of broadcast output and making extensive use of BBC 1 as a case-study, it supports its arguments by taking illustrations and parallels from theatre, philosophical writing and even poetry.

This lively and engaging text introduces students to the key contemporary issues in the study of gender and the media. Integrating cultural theory with text-based criticism, Gender in the Media analyses recent debates in feminist cultural theory, masculinity studies and queer theory, before applying these cultural paradigms to critical readings in relevant media contexts. Richardson and Wearing address a wide range of new media texts and topics, covering television dramas, make-over shows, life-style magazines, internet dating and more. Critical, current and far-reaching, this book is invaluable for all students of media and gender studies, as well as for anyone interested in gender representation in different media forms.

An engaging introduction to the key terms, concepts, dilemmas and issues that are central to the study and critical understanding of celebrity, exploring the impacts of celebrity culture on the modern media and examining the influence that celebrity has on the way people place themselves in the modern world.

In this critical interrogation of the meaning of media professionalism and the efficacy of training in the digital age, Niblock presents one of the very first texts to scrutinise professional norms and question the scope of the media's power. The book's synthesis of practice and theory makes it ideal for media and journalism students.

This concise, integrated introduction to the complex relationship between disability and the media offers a roadmap to the key areas of participation, access and representation. Bringing together international theoretical work and research on disability, with analysis and examples across a diverse range of media forms – from radio, to news, popular television and new digital technologies – this unique text explores the potential for establishing a more diverse, rich and just media. Providing an approachable but critical introduction to the field, Katie Ellis and Gerard Goggin show how disability – like the closely connected areas of race and gender – is a pervasive issue in how the media represent society.Engaging and accessible, this is an invaluable resource for students of Media and Communication Studies, Cultural Studies and Disability Studies, as well as teachers, researchers, media professionals, policy makers, and anyone interested in the intersections of disability and media.

This core textbook examines the economic paradigms at work in media industries and markets, enabling analysis of the media system as a whole. In addition to succinct accounts of neo-classical and critical political economics, this insightful text offers fresh perspectives for understanding media drawn from two ‘heterodox’ approaches: institutional economics and evolutionary economics. Applying these paradigms to vital topics and case studies, Stuart Cunningham, Terry Flew and Adam Swift stress the value – and limits – of contending economic approaches in understanding how the media operates today.Succinct and accessible, this text is essential reading for all students of media and communication studies, as well as those from economics, policy studies, business studies and marketing backgrounds with an interest in the media.

Media, Place and Mobility offers a new understanding of media uses as place-making practices in everyday living.

We think of radio and television as live media. Yet much of their output is pre-recorded. And if we value liveness so highly, why do we often consume their output some time after it has been broadcast? This book provides some unexpected answers about the meaning of ''liveness'' and ''recording'', the complexity of their relationship, and their significance not just for television and radio but the popular music which is radio''s mainstay.Written in a clear and lively style, the book sets television and radio in the context of other media and traces the history of liveness and recording. To the relationship between these qualities it ascribes the rise of the serial programmes that characterise so much broadcasting. Citing well-known examples of broadcast output and making extensive use of BBC 1 as a case-study, it supports its arguments by taking illustrations and parallels from theatre, philosophical writing and even poetry.

We live in a world of proliferating media devices, social media usage, media convergence and mobility. In a culturally diverse world, the globalisation of media calls for a comparative understanding of the legal and ethical issues that are confronting the user and the practitioner in his unique social context. Legal and Ethical Issues in the Media offers a concise and much-needed discussion of the social issues and ramifications of media interaction around the world. Using different national examples, and an accessible style, Dwyer explores key frameworks and concepts that will engage and challenge the contemporary reader''s ideas about media practice.Legal and Ethical Issues in the Media foregrounds the rapidly changing media and communications industries and offers:- Accessible and contemporary discussion of key ethical and legal concepts for the student beginning his or her media career- Overviews of crucial ethical frameworks for understanding responsible media practice- Comparisons of international legal and media systems- Key examples of traditional and new media- Brief summaries of complex areas of media law, regulation and policy

The landscape of the media is changing - and at an ever-increasing pace. New technologies are fast transforming the way we consume information, and the way we live our lives. New Technologies and the Media by Proffessor Gerard Goggin (University of Sydney) is an authoritative exploration of the impact of the internet, the iPad, and Wikileaks on contemporary news, journalism and broadcasting. Steering clear of technological jargon, this is a short, sharp, simple guide through this complex subject.This book is essential reading for all media students and researchers - and for anyone interested in getting to grips with the ways in which media is becoming a progressively more pervasive, intimate and powerful part of life in the 2010s. It engagingly examines the the issues raised by the presence of new technologies across news, television, internet and mobiles. Under discusson are: new audiences forming around user-generated content; the future of news and journalism; the rapid shape-shifting of broadcasting in the face of the internet; an explosion of devices; the viewer as "couch-commander"; blogging, social media and citizen journalism and public-service media; the cultural politics of digital cultures and technologies.Featuring fascinating case studies of modern phenomena such as the iPhone, this book examines current cutting-edge technologies by situating them within the broader context of communications and media history. Written by an expert in the field, it cuts through the controversial and confusing debate surrounding the use of new technologies in the media and gives a clear, considered account of the major issues involved.By accessibly introducing the key theories of technology, this book will equip its readers with a solid critical approach that they can use across their studies, invesitigations and work in media. It provides the tools needed by students and researchers to accurately analyse and effectively evaluate how new technologies shape, and are shaped by, media.New Technology and the Media offers an excellent insight into an important, exciting, expanding area of interest.

This core textbook offers a concise and interdisciplinary overview of the relationship between diversity and the media. Focusing on media regulation in democratic societies, each chapter explores how different conceptions of diversity relate to media audiences, media workforces, media outlets and media content. Drawing on research approaches grounded in the political economy of media, political communication, media economics and critical media industry studies, this insightful book analyses a wide range of current and historical examples from the UK, the US and Europe.This far-reaching and inclusive text is an invaluable resource for students and academics from media, communication studies, journalism, cultural studies and sociology backgrounds. Clear and accessible, it will also appeal to members of non-governmental organizations or activist groups involved in media policy and reform.

This core textbook offers a concise and interdisciplinary overview of the relationship between diversity and the media. Focusing on media regulation in democratic societies, each chapter explores how different conceptions of diversity relate to media audiences, media workforces, media outlets and media content. Drawing on research approaches grounded in the political economy of media, political communication, media economics and critical media industry studies, this insightful book analyses a wide range of current and historical examples from the UK, the US and Europe.This far-reaching and inclusive text is an invaluable resource for students and academics from media, communication studies, journalism, cultural studies and sociology backgrounds. Clear and accessible, it will also appeal to members of non-governmental organizations or activist groups involved in media policy and reform.

Challenging the opinion that public service broadcasting is a thing of the past, David Hendy explains its importance in the present and in the future. Written by a leading expert in the field, this book explores the development of public service broadcasting, outlining the key debates and issues, while situating them within wider cultural contexts.Hendy uses media history to consider the outlook for broadcasters such as the BBC, and other networks and stations around the world. He analyzes how these institutions shape society, culture, and politics, focusing on how key ethical and cultural values - such as enlightenment, impartiality, service, choice, and trust have been constantly reinvented to ensure that broadcasting can carry on being a public ''good'' as well as a commercial product.Clear, concise, and contemporary, Public Service Broadcasting is invaluable reading for all students of media and broadcasting, and for anyone interested in a strand of media that has had - and continues to have - an enormous social and cultural impact, not only in Britain, but across the globe.

In this critical interrogation of the meaning of media professionalism and the efficacy of training in the digital age, Niblock presents one of the very first texts to scrutinise professional norms and question the scope of the media''s power. The book''s synthesis of practice and theory makes it ideal for media and journalism students.

An engaging introduction to the key terms, concepts, dilemmas and issues that are central to the study and critical understanding of celebrity, exploring the impacts of celebrity culture on the modern media and examining the influence that celebrity has on the way people place themselves in the modern world.

This lively and engaging text introduces students to the key contemporary issues in the study of gender and the media. Integrating cultural theory with text-based criticism, Gender in the Media analyses recent debates in feminist cultural theory, masculinity studies and queer theory, before applying these cultural paradigms to critical readings in relevant media contexts. Richardson and Wearing address a wide range of new media texts and topics, covering television dramas, make-over shows, life-style magazines, internet dating and more. Critical, current and far-reaching, this book is invaluable for all students of media and gender studies, as well as for anyone interested in gender representation in different media forms.

The relationship between the media and its audiences has always been a topic of research and debate. Media Audiences provides a comprehensive and succinct overview of the field of audience studies from the time of the printing press to an era characterized by online digital connectivity. Written in an engaging and accessible style, this book offers a wealth of personal insight into the experience of undertaking audience research in order to illustrate the key methodological issues and challenges in the field. Addressing such topics as technologies, content and the people who are the subjects of audience research, the author challenges readers to think about the value of such research for themselves and for society at large.Comprehensive yet concise, this is essential reading for students of Media with an interest in audience studies.

The relationship between the media and its audiences has always been a topic of research and debate. Media Audiences provides a comprehensive and succinct overview of the field of audience studies from the time of the printing press to an era characterized by online digital connectivity. Written in an engaging and accessible style, this book offers a wealth of personal insight into the experience of undertaking audience research in order to illustrate the key methodological issues and challenges in the field. Addressing such topics as technologies, content and the people who are the subjects of audience research, the author challenges readers to think about the value of such research for themselves and for society at large.Comprehensive yet concise, this is essential reading for students of Media with an interest in audience studies.

This concise, integrated introduction to the complex relationship between disability and the media offers a roadmap to the key areas of participation, access and representation. Bringing together international theoretical work and research on disability, with analysis and examples across a diverse range of media forms – from radio, to news, popular television and new digital technologies – this unique text explores the potential for establishing a more diverse, rich and just media. Providing an approachable but critical introduction to the field, Katie Ellis and Gerard Goggin show how disability – like the closely connected areas of race and gender – is a pervasive issue in how the media represent society.Engaging and accessible, this is an invaluable resource for students of Media and Communication Studies, Cultural Studies and Disability Studies, as well as teachers, researchers, media professionals, policy makers, and anyone interested in the intersections of disability and media.

This core textbook examines the economic paradigms at work in media industries and markets, enabling analysis of the media system as a whole. In addition to succinct accounts of neo-classical and critical political economics, this insightful text offers fresh perspectives for understanding media drawn from two ''heterodox'' approaches: institutional economics and evolutionary economics. Applying these paradigms to vital topics and case studies, Stuart Cunningham, Terry Flew and Adam Swift stress the value and limits of contending economic approaches in understanding how the media operates today.Succinct and accessible, this text is essential reading for all students of media and communication studies, as well as those from economics, policy studies, business studies and marketing backgrounds with an interest in the media.

Culture and the Media looks at the relationship between what we term ''media'' and ''culture'', asking the question: where does one end and the other begin? Written in a lively and accessible style, this book introduces and contextualises the range of different approaches to the study of both of these fields.Using a lively range of examples and case studies - including moral panics in the British media around punk rock in the 1970s, critiques of consumerism in the films Fight Club and American Psycho, and the YouTube-captured ''violence'' of protests against student fees – Culture and the Media shows how theoretical and disciplinary debates over the meaning of the media and culture relate to our everyday cultural experiences. PAUL BOWMAN teaches media and cultural studies at Cardiff University. His other books include: Interrogating Cultural Studies (2003), The Truth of Žižek (2006), Post-Marxism versus Cultural Studies (2007), Deconstructing Popular Culture (2008), Theorizing Bruce Lee (2010), The Rey Chow Reader (2010), Reading Rancière (2011), and Beyond Bruce Lee (2013).Key Concerns in Media StudiesSeries Editor: Andrew Crissell

The relationship between the media and its audiences has always been a topic of research and debate. Media Audiences provides a comprehensive and succinct overview of the field of audience studies from the time of the printing press to an era characterized by online digital connectivity. Written in an engaging and accessible style, this book offers a wealth of personal insight into the experience of undertaking audience research in order to illustrate the key methodological issues and challenges in the field. Addressing such topics as technologies, content and the people who are the subjects of audience research, the author challenges readers to think about the value of such research for themselves and for society at large.Comprehensive yet concise, this is essential reading for students of Media with an interest in audience studies.

An engaging introduction to the key terms, concepts, dilemmas and issues that are central to the study and critical understanding of celebrity, exploring the impacts of celebrity culture on the modern media and examining the influence that celebrity has on the way people place themselves in the modern world.

This core textbook examines the economic paradigms at work in media industries and markets, enabling analysis of the media system as a whole. In addition to succinct accounts of neo-classical and critical political economics, this insightful text offers fresh perspectives for understanding media drawn from two ''heterodox'' approaches: institutional economics and evolutionary economics. Applying these paradigms to vital topics and case studies, Stuart Cunningham, Terry Flew and Adam Swift stress the value – and limits – of contending economic approaches in understanding how the media operates today.Succinct and accessible, this text is essential reading for all students of media and communication studies, as well as those from economics, policy studies, business studies and marketing backgrounds with an interest in the media.

This lively and engaging text introduces students to the key contemporary issues in the study of gender and the media. Integrating cultural theory with text-based criticism, Gender in the Media analyses recent debates in feminist cultural theory, masculinity studies and queer theory, before applying these cultural paradigms to critical readings in relevant media contexts. Richardson and Wearing address a wide range of new media texts and topics, covering television dramas, make-over shows, life-style magazines, internet dating and more. Critical, current and far-reaching, this book is invaluable for all students of media and gender studies, as well as for anyone interested in gender representation in different media forms.