ANDREW CRISELL is Professor of Broadcasting Studies at Sunderland University, UK. He is the author of Understanding Radio(1994), An Introductory History of British Broadcasting(2002) and A Study of Modern Television(2006), the co-author of Radio Journalism(2009) with Guy Starkey, and the editor of More than a Music Box: Radio Cultures and Communities in a Multi Media World (2004).

• PrefaceAcknowledgementsIntroduction: the scope of the book1. Liveness and broadcasting2. The meaning of 'live'3. What's so special about liveness?4. Television and recording (1): Replacing liveness5. Radio and recording: mostly music6. Television and recording (2): Enhancing liveness7. Real time and reel time: an evening's programmes on BBC 18. Broadcasting and time-shifted consumptionConclusion: Liveness, recording, broadcastingBibliography.

ANDREW CRISELL is Professor of Broadcasting Studies at Sunderland University, UK. He is the author of Understanding Radio(1994), An Introductory History of British Broadcasting(2002) and A Study of Modern Television(2006), the co-author of Radio Journalism(2009) with Guy Starkey, and the editor of More than a Music Box: Radio Cultures and Communities in a Multi Media World (2004).

• PrefaceAcknowledgementsIntroduction: the scope of the book1. Liveness and broadcasting2. The meaning of 'live'3. What's so special about liveness?4. Television and recording (1): Replacing liveness5. Radio and recording: mostly music6. Television and recording (2): Enhancing liveness7. Real time and reel time: an evening's programmes on BBC 18. Broadcasting and time-shifted consumptionConclusion: Liveness, recording, broadcastingBibliography.

ANDREW CRISELL is Professor of Broadcasting Studies at Sunderland University, UK. He is the author of Understanding Radio(1994), An Introductory History of British Broadcasting(2002) and A Study of Modern Television(2006), the co-author of Radio Journalism(2009) with Guy Starkey, and the editor of More than a Music Box: Radio Cultures and Communities in a Multi Media World (2004).

• PrefaceAcknowledgementsIntroduction: the scope of the book1. Liveness and broadcasting2. The meaning of 'live'3. What's so special about liveness?4. Television and recording (1): Replacing liveness5. Radio and recording: mostly music6. Television and recording (2): Enhancing liveness7. Real time and reel time: an evening's programmes on BBC 18. Broadcasting and time-shifted consumptionConclusion: Liveness, recording, broadcastingBibliography.