Language Acts and Worldmaking – serie

'Wise, beautiful, heartbreaking, raw' The Times'A beacon of hope to all of us who will be bereaved' Kathryn Mannix'An unforgettable and achingly beautiful story of enduring love' Lori GottleibInternationally renowned psychiatrist and author Irvin Yalom has devoted his career to counselling those suffering from anxiety and grief. But never had he faced the need to counsel himself until his wife, esteemed feminist author Marilyn Yalom, was diagnosed with cancer. In A MATTER OF DEATH AND LIFE, Marilyn and Irvin share how they took on profound new struggles: Marilyn to die a good death, Irvin to live on without her.In alternating accounts of their last months together and Irvin's first months alone, they offer us a rare window into coping with death and the loss of one's beloved. The Yaloms had rare blessings - a loving family, a beautiful home, a large circle of friends, avid readers around the world, and a long, fulfilling marriage - but they faced death as we all do. With the candour and wisdom of those who have thought deeply and loved well, they investigate universal questions of intimacy, love, and grief.Informed by two lifetimes of experience, A MATTER OF DEATH AND LIFE offers poignant insights and solace to all those seeking to fight despair in the face of death, so that they can live meaningfully.

The incredible memoir by international bestselling author of Where The Crawdads Sing, Delia Owens and her then partner Mark Owens', charting their time researching wildlife in the Kalahari Desert. Reissued and in full colour, for the first time since its original publication. In the early 1970s, carrying little more than a change of clothes and a pair of binoculars, Mark and Delia Owens caught a plane to Africa, bought a third-hand Land Rover, and drove deep into the Kalahari Desert. There they lived for seven years, in an unexplored area with no roads, no people, and no source of water for thousands of square miles. In this vast wilderness the Owenses began their zoology research, working alongside lions, brown hyenas, jackals, giraffes, and the many other creatures they came to know.Cry of the Kalahari is a gripping account of how two young Americans survived the dangers of living in one of the last pristine areas on Earth. Reissued for the first time since its original publication in 1984, this beautiful new edition contains never-seen-before, colour photographs of Mark and Delia on their adventure of a lifetime.'A remarkable story beautifully told . . . Among such classics as Goodall's In the Shadow of Man and Fossey's Gorillas in the Mist' Chicago Tribune'For anyone interested in animals or in real life adventure, this book is a must' Jane Goodall'Extraordinary . . . How the couple overcome the hazards of the desert and came to appreciate its living richness makes fascinating reading . . . Read their remarkable book to be delighted, moved, and awed'People Magazine

One of the most important untold stories of World War II, The Light of Days is a soaring landmark history that brings to light the extraordinary accomplishments of brave Jewish women who inspired Poland's Jewish youth groups to resist the Nazis.Witnesses to the brutal murder of their families and the violent destruction of their communities, a cadre of Jewish women in Poland - some still in their teens - became the heart of a wide-ranging resistance network that fought the Nazis.With courage, guile and nerves of steel, these 'ghetto girls' smuggled guns in loaves of bread and coded intelligence messages in their plaited hair. They helped build life-saving systems of underground bunkers and sustained thousands of Jews in safe hiding places. They bribed Gestapo guards with liquor, assassinated Nazis and sabotaged German supply lines.The Light of Days at last reveals the real history of these incredible women whose courageous yet little-known feats have been eclipsed by time.[A] powerful book . . . The actions of these young women, carefully brought back to life by Batalion, turn much of what we believe we know about the Holocaust on its head. -- Jenni Frazer ? Jewish ChronicleRemarkable and inspiring . . . thanks to Judy's meticulous research, these near century old stories of resistance in the face of overwhelming odds are about to be read once again ? Daily Express

There's no right way to keep a diary, but if there's an entertaining way, David Sedaris seems to have mastered it.If it's navel-gazing you're after, you've come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street; collecting Romanian insults, or being taken round a Japanese parasite museum. There's a dirty joke shared at a book signing, then a dirtier one told at a dinner party-lots of jokes here. Plenty of laughs.These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in fine hotel dining rooms and Serbian motels, records it. The entries here reflect an ever-changing background-new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can't by the end.Sedaris has been compared to Truman Capote and Tennessee Williams, Lewis Carroll and a 'sexy Alan Bennett'. A Carnival of Snackery illustrates that he is very much his own, singular self.

What does it mean to advocate - in translation, for translation, through translation? What does advocacy look like, for those who do the translating or for those whose work is translated? To what extent is translation itself a form of advocacy? These 'what' questions are the driving force behind this collection.Translation as Advocacy highlights the innovative ways in which translator-academics in seven different fields discuss their practice in relation to their understanding of advocacy. The book aims to encourage people to think about translators as active agents bringing new work into the receiving culture, advocating for the writers they translate, for ideas, for practices. As such, the book asserts that the act of translation is a mode of cultural production and a political intervention through which the translator, as advocate, claims a significant position in intercultural dialogue.Featuring seven interrelated chapters, the book covers themes of judgement, spaces for translation, classroom practice, collaboration, intercultural position, textuality, and voice. Each chapter explores the specific demands of different types of translation work, the specific role of each stage of the process and what advocacy means at each of these stages, for example: choosing what is translated; mediating between author and receiving culture; pitching to publishers; social interactions; framing the translation for different audiences; teaching; creating new canons; gatekeepers and prizes; dissemination; marketing and reception. This book repositions the role of the translator-academic as an activist who uses their knowledge and understanding to bring agency to the complex processes of understanding across time and space. Moving critically through the different stages that the translator-academic occupies, using the spaces for research, performance and classroom teaching as springboards for active engagement with the key preoccupations of our times, this book will highlight translation as advocacy for students, educators, audiences for translation and the translation industry.Like all the volumes in the Language Acts and Worldmaking series, the overall aim is two-fold: to challenge widely-held views about language learning as a neutral instrument of globalisation and to innovate and transform language research, teaching and learning, together with Modern Languages as an academic discipline, by foregrounding its unique form of cognition and critical engagement.Specific aims are to:· propose new ways of bridging the gaps between those who teach and research languages and those who learn and use them in everyday contexts from the professional to the personal· put research into the hands of wider audiences· share a philosophy, policy and practice of language teaching and learning which turns research into action· provide the research, experience and data to enable informed debates on current issues and attitudes in language learning, teaching and research· share knowledge across and within all levels and experiences of language learning and teaching· showcase exciting new work that derives from different types of community activity and is of practical relevance to its audiences· disseminate new research in languages that engages with diverse communities of language practitioners.

This volume examines the politics of language teaching and learning, providing a critical appraisal of the institutional, political and professional issues around language teaching and learning. It specifically focuses on how these issues have shaped recent provision at universities, using the UK as a case study, revealing consequences relevant for language departments around the world. By exploring the interface between language policies and strategies and the ways in which these impact the experiences of learning and teaching, this book highlights the complexities at play in language education at tertiary level.Like all the volumes in the Language Acts and Worldmaking series, the overall aim is two-fold: to challenge widely-held views about language learning as a neutral instrument of globalisation and to innovate and transform language research, teaching and learning, together with Modern Languages as an academic discipline, by foregrounding its unique form of cognition and critical engagement.Specific aims are to:· propose new ways of bridging the gaps between those who teach and research languages and those who learn and use them in everyday contexts from the professional to the personal· put research into the hands of wider audiences· share a philosophy, policy and practice of language teaching and learning which turns research into action· provide the research, experience and data to enable informed debates on current issues and attitudes in language learning, teaching and research· share knowledge across and within all levels and experiences of language learning and teaching· showcase exciting new work that derives from different types of community activity and is of practical relevance to its audiences· disseminate new research in languages that engages with diverse communities of language practitioners.

The latest instalment from always funny, sometimes bizarre humourist David Sedaris. Praise for Theft By FindingThe writing here is funnier, (even) sharper . . . There isn't a dull word among these pages (India Knight Sunday Times)Could there be a more delightful American import than the memoirist David Sedaris? Not since the peanut butter and jelly sandwich have we inherited something so sweet and comforting yet so wickedly naughty (The Times)This first of two volumes of his copious diaries takes us from 1977 to 2002, and sees him grow from a despondent21-year-old in menial jobs into the man recognised as possibly the best humorist of the 2000s(Daily Telegraph, Best Books Under the Sun, Summer 2017)So often Sedaris's phrasing is beautiful in its piquancy and minimalism...His life is extraordinary in so many ways - the drug addiction, the eccentric family, the crazy jobs, the fame, the globetrotting - but one of the more unlikely achievements here is in making it all seem quite ordinary. Ultimately, his masterstroke is in acting as a bystander in his own story (Book of the Day, Guardian)He is the American Alan Bennett - or would be, if Bennett had a history of serious substance abuse and a higher tolerance for sick humour (Times Literary Supplement)He makes me laugh so much. In an era when US satire is outpacing our own he's a sharp, humane and hilarious voice that never fails to make you smile - and sometimes weep. Apparently effortless humour is difficult, and precious. He's the real thing (James Naughtie Radio Times)A deadpan, darkly comical portrait of the American underbelly . . . Sedaris shares something of [Alan] Bennett's detached curiosity, and they both have a thirst for amusement (Craig Brown Mail on Sunday)It's like gossiping with an old friend - if that friend were a rather sexy American Alan Bennett with lots of good drug stories (Melissa Katsoulis The Times)Cool, very funnv, sardonic, yet open . . . there is an echo of Truman Capote or Tennessee Williams - with extra quirk. Or even Lewis Carroll . . . one of the biggest comedy writers of his generation (Peter Bradshaw Spectator)Just as in his essays and stories, the young Sedaris is both scandalising and scandalised, surprisingly profound, and very, very funny . . . Sedaris fans will not be surprised to know that he can do darkness and profundity as well as humour. Theft by Finding is full of all three, but what makes it so good is Sedaris's gift for sidling up them all from the least expected angle (Daily Telegraph)

Peter Doherty's is the last of the great rock 'n' roll stories - bad boy and public enemy. To his devoted fans, he is a cult hero, a modern-day Rimbaud. Musically, he has defined the past twenty years of indie rock with his sound, lyrics, lifestyle and aesthetic.Since The Libertines rose to international fame, Doherty has proved endlessly fascinating. A whirlwind of controversy and scandal has tailed him ever since the early 2000s, so much so that all too often his talents as a songwriter and performer have been overlooked; for every award and accolade, there is a scathing review. Hard drugs, tiny gigs on the hoof, huge stadium shows, collaborations, obliterations, gangsters and groupies - Doherty has led a life of huge highs and incredible lows.With his wildest days behind him, Doherty candidly explores - with sober and sometimes painful insight - some of his greatest and darkest moments, taking us inside the creative process, decadent parties, substance-fuelled nights, his time in prison and tendency for self-destruction. With his trademark wit and humour, Doherty also details his childhood years, key influences, pre-fame London shenanigans, and reflects on his era-defining relationship with Libertines co-founder Carl Barât and other significant people in his life. There is humour, warmth, insight, baleful reflection and a defiant sense of triumph.A Likely Lad is Doherty's version of the story - the genuine man behind the fame and infamy. This is a rock memoir like no other.

This book captures an urgent moment for language teaching, learning and research. At its core are a series of debates concerning gender stereotyping, the place of linguistics in modern languages, language activism, multilingualism and modern languages and digital humanities. Taken together, these debates explore the work that languages, and that those who learn and speak them, do in the world as well as the way we think 'through' and 'in' a language and are shaped by it. Language Debates acknowledges the history of language teaching and the current realities of language teaching and learning. It is bold in suggesting ways forward for reform and for policy, setting languages and language learning at the heart of a consciously transformative set of goals. This book is therefore essential reading for academics, language teachers, policy makers, students, activists and those passionate about progressing language learning and teaching. The editors and contributors make up a multilingual and multicultural team who work across languages, cultures and borders with a globally-informed approach to their work. Uniquely, the debates in this volume are based on events with participants in the Language Acts and Worldmaking Debates Series and/or workshops within the wider research project and take into account the ensuing discussions there. Each debate is accompanied by an interview which serves as a model on how to continue the conversation beyond the printed pages of the book. You can also discover ways to join the debate through links on the Language Acts and Worldmaking series website (www.jmlanguages.com/languageacts) which includes recorded debates, additional materials and more information about the series. Like all the volumes in the Language Acts and Worldmaking series, the overall aim is two-fold: to challenge widely-held views about language learning as a neutral instrument of globalisation and to innovate and transform language research, teaching and learning, together with Modern Languages as an academic discipline, by foregrounding its unique form of cognition and critical engagement. Specific aims are to:· propose new ways of bridging the gaps between those who teach and research languages and those who learn and use them in everyday contexts from the professional to the personal· put research into the hands of wider audiences · share a philosophy, policy and practice of language teaching and learning which turns research into action· provide the research, experience and data to enable informed debates on current issues and attitudes in language learning, teaching and research· share knowledge across and within all levels and experiences of language learning and teaching· showcase exciting new work that derives from different types of community activity and is of practical relevance to its audiences · disseminate new research in languages that engages with diverse communities of language practitioners.