Lawrence & Wishart Ltd – serie

In For the People: Left Populism in Spain and the US Jorge Tamames offers a stimulating comparative study of Spain’s Podemos and the Bernie Sanders movement in the US. Left populism emerges as a potential powerful antidote to rising inequality in both Europe and America.Recent years have witnessed dramatic challenges to established politics across Europe and America. Opposition to business-as-usual has not been limited to the radical right: left populist movements with transformative agendas offer a very different – if equally radical – response to the status quo. Focusing on left populist movements in the contrasting political landscapes of Spain and the US, For the People brings together insights from Karl Polanyi, Ernesto Laclau and Chantal Mouffe to offer a bold new explanatory framework for today’s left populism.   The book will be a key text for activists, students of politics, and anyone interested in the current political landscape of Europe and America. It grounds its insights in a careful excavation of recent political history in the two countries, tracing the emergence and advance of left parties and movements from the early days of neoliberalism in the 1970s, through the political landslides that followed the 2008 financial crisis and the post2011 protest cycle, up to the present day.   In the age of Trump and Brexit, For the People offers an indispensable mix of theoretical, historical and practical insights for all those interested in and inspired by the radical potentials of left populism.

This book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839. Decolonising the Camera trains Mark Sealy’s sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus. The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human by such images, then we remain hemmed within established orthodoxies of colonial thought concerning the racialised body, the subaltern and the politics of human recognition. With detailed analyses of photographs – included in an insert – by Alice Seeley Harris, Joy Gregory, Rotimi Fani-Kayode and others, and spanning more than 100 years of photographic history, Decolonising the Camera contains vital visual and written material for readers interested in photography, race, human rights and the effects of colonial violence.

The British Women's Institute is more often associated with jam and Jerusalem than radical activity, but in this book Maggie Andrews explores the WI's relationship with feminism from the formation of the organisation in 1915 up to the eve of British feminism's renaissance in the late 1960s. The book aims to challenge, not only common sense perceptions about the Women's Institute but also those about feminism, interrogating preoccupations with domestic spaces and skills. This makes it is valuable reading for those interested in both historical and contemporary feminism, as well as, more broadly, the history of the twentieth century. Attention is given to the female cultural space and the value system provided by the WI, and the campaigns that articulated the needs of rural women and attempted to meet them. In this 100th anniversary year of the founding of the WI, this celebrated text is re-published in a new and completely revised edition. Maggie Andrews's new afterword considers the resurgence of interest in the WI amongst young women in the twenty-first century, and the relationship between this and the contemporary cultural enthusiasm for the domestic.There is also a new chapter on the formation of the WI in the First World War and substantial additions to existing chapters, including discussions of the WI involvement with radio in the inter-war years, and with evacuation in the Second World War.

Jeremy Corbyn is the epitome of the anti-leader: he would, by impulse, shy away from the very idea of `Corbynism’. Yet when a general election is called, Corbyn’s Labour promises to force a break with the current consensus every bit as historic as those of Attlee in 1945 and Thatcher in 1979. Corbyn is a phenomenon that has been purposely misrepresented and wilfully misunderstood, with supporters derided as `Corbynistas’, fans and cultists. This book of specially commissioned essays explores the true nature of Jeremy Corbyn’s leadership; expectations of how Labour might fulfil its promise of a new kind of politics; and the limits to what Labour can achieve; as well as offering tools for transforming the party from the bottom up. Building on the work of Mark Perryman’s previous book The Corbyn Effect, this new collection is vital reading for all those interested in left politics and the future of the Labour Party. It presents a comprehensive account of Jeremy Corbyn’s Labour Party: where it came from, how it has begun a process of radical change, and the party it promises to become.