Maggie Andrews - Böcker

Many of women's everyday experiences and pleasures are tied up inextricably with consumption. Women have had a lifelong relationship with the marketplace. In research into consumer culture, it tends to be the activities, interests and expertise of women who take centre stage. This collection provides a range of different perspectives on women as consumers. The volume focuses on popular culture and its female consumers; this includes examinations of popular media and their targetting of female audiences, issues and themes associated with produce purchase, placement and promotion, and commodification.

The media have played a significant role in the contested and changing social position of women in Britain since the 1900s. They have facilitated feminism by both providing discourses and images from which women can construct their identities, and offering spaces where hegemonic ideas of femininity can be reworked. This volume is intended to provide an overview of work on Broadcasting, Film and Print Media from 1900, while appealing to scholars of History and Media, Film and Cultural Studies.This edited collection features tightly focused and historically contextualised case studies which showcase current research on women and media in Britain since the 1900s. The case studies explore media directed at a particularly female audience such as Woman’s Hour, and magazines such as Vogue, Woman and Marie Claire. Women who work in the media, issues of production, and regulation are discussed alongside the representation of women across a broad range of media from early 20th-century motorcycling magazines, Page 3 and regional television news.

This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since.Looking outside of the familiar representations of wartime women as nurses, munitionettes, and land girls, it introduces the reader to lesser-known aspects of women’s war experience, including female composers’ musical responses to the war, changes in the culture of women’s mourning dress, and the complex relationships between war, motherhood, and politics. Written during the war’s centenary, the chapters also consider the gendered nature of war memory in Britain, exploring the emotional legacies of the conflict today, and the place of women’s wartime stories on the contemporary stage.The collection brings together work by emerging and established scholars contributing to the shared project of rewriting British women’s history of the First World War. It is an essential text for anyone researching or studying this history. This book was originally published as a special issue of Women’s History Review.

The media have played a significant role in the contested and changing social position of women in Britain since the 1900s. They have facilitated feminism by both providing discourses and images from which women can construct their identities, and offering spaces where hegemonic ideas of femininity can be reworked. This volume is intended to provide an overview of work on Broadcasting, Film and Print Media from 1900, while appealing to scholars of History and Media, Film and Cultural Studies.This edited collection features tightly focused and historically contextualised case studies which showcase current research on women and media in Britain since the 1900s. The case studies explore media directed at a particularly female audience such as Woman’s Hour, and magazines such as Vogue, Woman and Marie Claire. Women who work in the media, issues of production, and regulation are discussed alongside the representation of women across a broad range of media from early 20th-century motorcycling magazines, Page 3 and regional television news.

The First World War was won not just on the battlefields but on the Home Front, by the men, women and children left behind. This book explores the lives of the people of Pershore and the surrounding district in wartime, drawing on their memories, letters, postcards, photographs, leaflets and recipes to demonstrate how their hard work in cultivating and preserving fruit and vegetables helped to win the Great War. Pershore plums were used to make jam for the troops; but ensuring these and other fruits and vegetables were grown and harvested required the labour of land girls, Boy Scouts, schoolchildren, Irish labourers and Belgian refugees. When submarine warfare intensified, food shortages occurred and it became vital for Britain to grow more and eat less food. Housewives faced many challenges in feeding their families and so in 1916 the Pershore Women’s Institute was formed, providing many women with practical help and companionship during some of Britain’s darkest hours in history.

Suffragettes learned jiu-jitsu, repelled policemen with their hatpins, burnt down football stadiums and planted bombs. They rented a house near to Holloway Prison and sang rebel anthems to the Suffragettes inside. They barricaded themselves into their homes to repulse tax collectors. They arranged mass runs on Parliament. They had themselves posted to the Prime Minister, getting as far as the door of No. 10. Indomitable older members applied for gun licences to scare the government into thinking they were planning a revolution. Rebels. Warriors. Princesses. Prisoners. Pioneers. Here are 101 of the most extraordinary facts about Suffragettes that you need to know.

Historically seen as figures of pity and foreboding – poverty stricken receivers of charity, tragic figures dressed in black and even sometimes sexually voracious predators or witches – widows have been subject to powerful stereotypes that have endured for centuries. But for many women, widowhood unfolded into a vastly more complex story. From being property of men and housekeepers – the owners of nothing – they found themselves suddenly enfranchised, empowered and free to conduct themselves however they wished. From suffrage campaigners and politicians, to entrepreneurs and newly self-made women, the effect of widows’ might can be seen throughout history. In Widows historians Maggie Andrews and Janis Lomas pull together the stories of fascinating women, both famous and unknown, and their exploits after being widowed. They show how throughout history widows have carried on with everyday life in the face of poverty or isolation, their struggles for political power and the ways that many of them have contributed to improving the lives of women today.

This lively collection of essays showcases recent research into the impact of the conflict on British women during the First World War and since.Looking outside of the familiar representations of wartime women as nurses, munitionettes, and land girls, it introduces the reader to lesser-known aspects of women’s war experience, including female composers’ musical responses to the war, changes in the culture of women’s mourning dress, and the complex relationships between war, motherhood, and politics. Written during the war’s centenary, the chapters also consider the gendered nature of war memory in Britain, exploring the emotional legacies of the conflict today, and the place of women’s wartime stories on the contemporary stage.The collection brings together work by emerging and established scholars contributing to the shared project of rewriting British women’s history of the First World War. It is an essential text for anyone researching or studying this history. This book was originally published as a special issue of Women’s History Review.

Groups of young evacuees, standing on railway stations with gas masks and cardboard suitcases have become an iconic image of wartime Britain, but their histories have eclipsed those of women whose domestic lives were affected. This book explores the effects of this unparalleled interference in the domestic lives of women, looking at the impact on everyday experience and on ideas of femininity, domesticity and motherhood. Maggie Andrews argues that wartime evacuation is important for understanding the experience and the contested meanings of domesticity and motherhood in the 20th century. As this book shows, evacuation represents a significant and unrecognised area of women's war work, and precipitated the rise of competing public discourses about domestic labour and motherhood.

The lives of women changed immeasurably during the twentieth century, not just because of technological and economic advances, but as a result of a multiplicity of small and large, local, national and international political campaigns by women. The activities of the Edwardian suffrage campaigns are the most well-known example of this, but in less well-known, political struggles women fought with equal tenacity, sacrifice, and inventiveness, to demand, for example, equal pay, analgesics for women and childbirth, an end to virginity testing at airports or wages for housework. This book focuses on 15 such campaigns and the thousands of women who sought to influence decision making, exercise and challenge power in the twentieth century. These political activities were sometimes small-scale and short-lived or seemingly unsuccessful but together they helped to bring about immeasurable changes in women’s lives during the twentieth century.With limited financial resources and hefty domestic responsibilities, women have often chosen to pick their political battles very carefully. Some fought for workers’ rights or the right to education, some prioritised stopping male violence on the streets, in the home or between nations, others like Radcliffe Hall campaigned so women could define their own sexuality. Women organised self-help childcare, rape crisis centres and peace camps. They set up birth control clinics and women’s refuges. Ordinary women took on exploitive landlords, immigration officers, international companies, local councils, the media and successive governments.A few of the hundreds of thousands of these political women, like Maggie Wintringham and Nancy Astor, were MPs; others became local councillors. However, women’s access to traditional areas of political power was limited, even when Britain had its first woman prime minister in 1979, she was one of only 19 women MPs in parliament. Consequently, women sought other spheres of activity through which to fight for change, using all the resources and imagination at their disposal to challenge injustice and abuse. They employed deeds and words, petitions and protests, legal and illegal devices, peaceful and violent strategies to further their political aims. Their motivations and contributions were varied, many made sacrifices to be involved in political battles, but this book seeks to celebrate some of these unsung heroines who tried to make a difference.

Groups of young evacuees, standing on railway stations with gas masks and cardboard suitcases have become an iconic image of wartime Britain, but their histories have eclipsed those of women whose domestic lives were affected. This book explores the effects of this unparalleled interference in the domestic lives of women, looking at the impact on everyday experience and on ideas of femininity, domesticity and motherhood. Maggie Andrews argues that wartime evacuation is important for understanding the experience and the contested meanings of domesticity and motherhood in the 20th century. As this book shows, evacuation represents a significant and unrecognised area of women's war work, and precipitated the rise of competing public discourses about domestic labour and motherhood.

This title provides an exploration of how the domestic reception of broadcasting shaped the medium, from the 1920s to the present day. Using case studies and analytical overviews this book explores the relationship between broadcasting and the intimate domestic sphere into which it is broadcast. It focuses on the period from the 1920s, when broadcasting was established in the UK, to the present day when both domesticity and broadcasting have become areas of anxiety and contestation. The entry of the 'wireless', and later television, into the home changed men and women's experience of domesticity, offering education and reducing isolation. But broadcasting did not merely change domestic leisure patterns, it actively intervened in constructing domesticity. The supposedly natural relationship between femininity and domesticity has structured the nature of broadcasting, and also the discourses which have emerged concerning the consumption of broadcast media. Contemporary broadcasting continues to be obsessed by domesticity, both in an idealised sense as well as portraying the domestic world as one of turmoil and crisis.This volume demonstrates that the relationship between broadcasting and domesticity is a key, and often neglected, feature of the cultural history of Britain in the last 100 years.

The British Women's Institute is more often associated with jam and Jerusalem than radical activity, but in this book Maggie Andrews explores the WI's relationship with feminism from the formation of the organisation in 1915 up to the eve of British feminism's renaissance in the late 1960s. The book aims to challenge, not only common sense perceptions about the Women's Institute but also those about feminism, interrogating preoccupations with domestic spaces and skills. This makes it is valuable reading for those interested in both historical and contemporary feminism, as well as, more broadly, the history of the twentieth century. Attention is given to the female cultural space and the value system provided by the WI, and the campaigns that articulated the needs of rural women and attempted to meet them. In this 100th anniversary year of the founding of the WI, this celebrated text is re-published in a new and completely revised edition. Maggie Andrews's new afterword considers the resurgence of interest in the WI amongst young women in the twenty-first century, and the relationship between this and the contemporary cultural enthusiasm for the domestic.There is also a new chapter on the formation of the WI in the First World War and substantial additions to existing chapters, including discussions of the WI involvement with radio in the inter-war years, and with evacuation in the Second World War.

This book seeks to place children and young people centrally within the study of the contemporary British home front, its cultural representations and its place in the historical memory of the First World War.

This book seeks to place children and young people centrally within the study of the contemporary British home front, its cultural representations and its place in the historical memory of the First World War.