Mary Talbot – författare

Discover the stunning graphic novel from the Costa Award-winning authors of Dotter of her Father's Eyes.Sally Heathcote: Suffragette is a gripping inside story of the campaign for votes for women. A tale of loyalty, love and courage, set against a vividly realised backdrop of Edwardian Britain, it follows the fortunes of a maid-of-all-work swept up in the feminist militancy of the era. Sally Heathcote: Suffragette is another stunning collaboration from Costa Award winners, Mary and Bryan Talbot. Teamed up with acclaimed illustrator Kate Charlesworth, Sally Heathcote's lavish pages bring history to life.

Set against the background of violence and state repression in a turbulent period of French history, The Red Virgin and the Vision of Utopia chronicles the incredible and outrageous life of Louise Michel, the revolutionary feminist dubbed ‘The Red Virgin of Montmartre’. A utopian dreamer, notorious anarchist, teacher, orator and poet, she was decades ahead of her time. Always a radical, she fought on the barricades defending the short-lived Paris Commune of 1871 against the reactionary regime that massacred thousands of French citizens after the Commune’s defeat. Deported to a penal colony on the other side of the Earth, she took up the cause of the indigenous population against French colonial oppression.Celebrating the utopian urge in nineteenth-century literature and politics and the origins of science fiction, The Red Virgin and the Vision of Utopia is the third collaboration of best-selling academic and graphic novelist Mary M. Talbot with her husband, the graphic novel pioneer Bryan Talbot. Their first book together, Dotter of her Father’s Eyes, won the 2012 Costa Biography Award.

Many of women's everyday experiences and pleasures are tied up inextricably with consumption. Women have had a lifelong relationship with the marketplace. In research into consumer culture, it tends to be the activities, interests and expertise of women who take centre stage. This collection provides a range of different perspectives on women as consumers. The volume focuses on popular culture and its female consumers; this includes examinations of popular media and their targetting of female audiences, issues and themes associated with produce purchase, placement and promotion, and commodification.

This book explores key areas of modern society in which language is used to form power and social relations. These are presented in five sections:Language and the MediaLanguage and OrganisationsLanguage and GenderLanguage and YouthMultilingualism, Identity and EthnicityWith a unique combination of selected readings and student-centred tasks in a single volume, the book covers contemporary issues in language and power, ranging from the global to the interpersonal. Each area - and each reading chosen to explore it - is substantially contextualised and discussed through a detailed introduction and then followed up with related activities.Each section comprises:*a substantial, specific introduction which draws students’ attention to key themes and issues relevant to its topic; *a set of four or five selected readings which encourages students to locate critically these issues in context; *a task, or set of tasks, obliging students to undertake ‘hands-on’ linguistic analysis of data and engage in more sophisticated discussion of pertinent issues.*In-depth exploration of a variety of approaches to the study of language and power*Unique combination of advanced readings, student-centred tasks and editorial guidance*Hands-on activities at the end of each chapter

This lively and accessible study of media and discourse combines theoretical reflection with empirical engagement, and brings together insights from a range of disciplines. Within media and cultural studies, the study of media texts is dominated by an exclusive focus on representation. This book adds long overdue attention to social interaction.The book is divided into two sections. The first outlines key theoretical issues and concepts, including informalisation, genre hybridisation, positioning, dialogism and discourse. The second is a sustained interrogation of social interaction in and around media. Re-examining issues of representation and interaction, it critically assesses work on the para-social and broadcast sociability, then explores distinct sites of interaction: production communities, audience communities and ‘interactivity’ with audiences. Key features* The book is rich with fascinating examples involving British and US media, including radio, television, magazines and newspapers and their Internet spin-offs.* It brings together insights from conversation analysis, critical discourse analysis, cultural studies and media anthropology.* It is key reading for advanced undergraduates and postgraduates doing media studies, communication and cultural studies and journalism studies.

This lively and accessible study of media and discourse combines theoretical reflection with empirical engagement, and brings together insights from a range of disciplines. Within media and cultural studies, the study of media texts is dominated by an exclusive focus on representation. This book adds long overdue attention to social interaction.The book is divided into two sections. The first outlines key theoretical issues and concepts, including informalisation, genre hybridisation, positioning, dialogism and discourse. The second is a sustained interrogation of social interaction in and around media. Re-examining issues of representation and interaction, it critically assesses work on the para-social and broadcast sociability, then explores distinct sites of interaction: production communities, audience communities and ‘interactivity’ with audiences. Key features* The book is rich with fascinating examples involving British and US media, including radio, television, magazines and newspapers and their Internet spin-offs.* It brings together insights from conversation analysis, critical discourse analysis, cultural studies and media anthropology.* It is key reading for advanced undergraduates and postgraduates doing media studies, communication and cultural studies and journalism studies.

Since its first publication in 1998, Mary Talbot’s Language and Gender has been a leading textbook, popular with students for its accessibility and with teachers for the range and depth it achieves in a single volume. This anticipated third edition has been thoroughly revised and updated for the era of #MeToo, genderqueer, Trump, and cyberhate. The book is organized into three parts. An introductory section provides grounding in early ‘classic' studies in the field. In the second section, Talbot examines language used by women and men in a variety of speech situations and genres. The last section considers the construction and performance of gender in discourse, reflecting the interest in mass media and popular culture found in recent research, as well as the preoccupation with social change that is central to Critical Discourse Analysis. Maintaining an emphasis on recent research, Talbot covers a range of approaches at an introductory level, lucidly presenting sometimes difficult and complex issues. Each chapter concludes with a list of recommended readings, enabling students to further their interests in various topics. Language and Gender will continue to be an essential textbook for undergraduates and postgraduates in linguistics, sociolinguistics, cultural and media studies, gender studies and communication studies.

Since its first publication in 1998, Mary Talbot’s Language and Gender has been a leading textbook, popular with students for its accessibility and with teachers for the range and depth it achieves in a single volume. This anticipated third edition has been thoroughly revised and updated for the era of #MeToo, genderqueer, Trump, and cyberhate. The book is organized into three parts. An introductory section provides grounding in early ‘classic' studies in the field. In the second section, Talbot examines language used by women and men in a variety of speech situations and genres. The last section considers the construction and performance of gender in discourse, reflecting the interest in mass media and popular culture found in recent research, as well as the preoccupation with social change that is central to Critical Discourse Analysis. Maintaining an emphasis on recent research, Talbot covers a range of approaches at an introductory level, lucidly presenting sometimes difficult and complex issues. Each chapter concludes with a list of recommended readings, enabling students to further their interests in various topics. Language and Gender will continue to be an essential textbook for undergraduates and postgraduates in linguistics, sociolinguistics, cultural and media studies, gender studies and communication studies.

A stunning new graphic novel and rallying cry to protect the planet, from the Costa-award-winning authors of Dotter of Her Father’s EyesSet against the backdrop of disastrous flooding in the North of England, Rain dramatically chronicles the developing relationship between two young women, one of whom is a committed environmental campaigner. Their wild Brontë moorland is being criminally mismanaged. Birds and animals are being slaughtered. Across the country, crops are being systematically poisoned, even the soil itself. Rain centres on one relatively small example of moorland ownership by an elite group that impacts catastrophically on the unlanded majority living in the valley below. But the campaigners know that ‘a million other valleys need saving’. They need saving not just for the sake of their human inhabitants, but for the insects and plants, birds and mammals and all the other inhabitants large and small that we share this planet with – our non-human fellow earthlings.Rain is the first contemporary graphic novel from Bryan and Mary Talbot, dealing with the here and now of environmental degradation that threatens us all. The story follows the everyday experiences of ordinary people, while engaging with pollution, climate change, moorland mismanagement and the disruption, misery and loss that these things bring. The characters are fictitious; what's happening around them is shockingly real.