Of all weathers, snow is the one that has always affected Marcus Sedgwick the most. While many people's idea of the perfect holiday involves sun, sea an sand, he instead makes trips to cold, snowy parts of the world: Russia, Scandinavia or the Arctic Circle. A few years ago he bought a mountain home, an old chalet d'alpage high in the Haute Savoie, and for the first time he began to understand what it is to live in an environment where extreme snowfall is frequent.Like the six sides of a snowflake, the book has six chapters, each exploring the art, literature and science of snow, as well as his own experiences and memories, asking whether it really did snow more during his boyhood in Kent and whether changing climate patterns might mean,that for some areas of the world, snow may become a thing of the past. He also wonders why snow is so powerful for our imagination, so transformative and as fundamental as our response to darkness, to sunlight.

Iain Sinclair, the celebrated author and psycho-geographer, walks back along the blue-grey roads and cliff-top paths of his childhood in south Wales, rediscovering the Gower peninsula. Provoked by the strange and enigmatic series of paintings Afal du Brogwyr (Black Apple of Gower) made by the artist Ceri Richards in the 1950s, Sinclair leaves behind the familiar "murky elsewheres" of his life in Hackney, London, carrying an envelope of photographs and old postcards, along with fragments of memory. He soon realises that a series of walks over the same ground - Port Enyon Point to Worm's Head have become significant waymarks in his life. His recollections of a meeting with the poet Vernon Watkins, the art of Richards and the poetry of Dylan Thomas lead him to his final quest, the Paviland Cave where in 1823 human remains 36,000 years old were discovered.

Richard Skelton spent nearly half a decade living in a small valley high in the Furness hills of Cumbria, in northern England. When not writing or composing music, most of his days were spent beating the valley's bounds, exploring its network of paths, streams and walls. Beyond the Fell Wall is a distillation of his observations and thoughts about this particular patch of land. It is a poetic enquiry into the life of an seemingly inanimate landscape - its otherwise unheard melodies and unseen movements. It considers both vast geological epochs and brief moments of intimacy, and in turn it asks us to consider sentience in all things, whether animal, vegetable or mineral. At the heart of the book is the fell wall itself: vast and serpentine - a vessel for the lives, voices and myths of the landscape.

Of all weathers, snow is the one that has always affected Marcus Sedgwick the most. While many people's idea of the perfect holiday involves sun, sea an sand, he instead makes trips to cold, snowy parts of the world: Russia, Scandinavia or the Arctic Circle. A few years ago he bought a mountain home, an old chalet d'alpage high in the Haute Savoie, and for the first time he began to understand what it is to live in an environment where extreme snowfall is frequent.Like the six sides of a snowflake, the book has six chapters, each exploring the art, literature and science of snow, as well as his own experiences and memories, asking whether it really did snow more during his boyhood in Kent and whether changing climate patterns might mean,that for some areas of the world, snow may become a thing of the past. He also wonders why snow is so powerful for our imagination, so transformative and as fundamental as our response to darkness, to sunlight.

Iain Sinclair, the celebrated author and psycho-geographer, walks back along the blue-grey roads and cliff-top paths of his childhood in south Wales, rediscovering the Gower peninsula. Provoked by the strange and enigmatic series of paintings Afal du Brogwyr (Black Apple of Gower) made by the artist Ceri Richards in the 1950s, Sinclair leaves behind the familiar "murky elsewheres" of his life in Hackney, London, carrying an envelope of photographs and old postcards, along with fragments of memory. He soon realises that a series of walks over the same ground - Port Enyon Point to Worm's Head have become significant waymarks in his life. His recollections of a meeting with the poet Vernon Watkins, the art of Richards and the poetry of Dylan Thomas lead him to his final quest, the Paviland Cave where in 1823 human remains 36,000 years old were discovered.

Richard Skelton spent nearly half a decade living in a small valley high in the Furness hills of Cumbria, in northern England. When not writing or composing music, most of his days were spent beating the valley's bounds, exploring its network of paths, streams and walls. Beyond the Fell Wall is a distillation of his observations and thoughts about this particular patch of land. It is a poetic enquiry into the life of an seemingly inanimate landscape - its otherwise unheard melodies and unseen movements. It considers both vast geological epochs and brief moments of intimacy, and in turn it asks us to consider sentience in all things, whether animal, vegetable or mineral. At the heart of the book is the fell wall itself: vast and serpentine - a vessel for the lives, voices and myths of the landscape.