Richard Skelton – författare

If you're red-blooded and somewhere between 35 and 50 the chances are that your first bike was a sports moped. This book takes you on a nostalgic full throttle trip back to the heady days of the 1970s and early 80s when these fabulous little superbikes were available to 16-year-olds. Packed with photos from past and present, this book will revive wonderful memories of the machines, the people, the fashions, and even the music of the time. Includes coverage of AJW, Batavus, Casal, Cimatti, Derbi, Fantic, Flandria, Garelli, Gilera, Gitane, Honda, Kreidler, KTM, Malaguti, Motobecane, Negrini, NVT, Puch, Suzuki, Testi, Yamaha and Zundapp.

Born in Shropshire soon after the end of the First World War, venerable motoring writer W de Forte has driven everything from his grandfather's first Daimler, to modern-day supercars … ridden everything from vertiginous Victorian penny farthings, to high velocity twenty-first century superbikes … travelled everywhere from the permafrost of the Arctic Circle to the baking sands of the Baja Peninsula … and met everyone from Tazio Nuvolari to Valentino Rossi.W de Forte enjoyed an eventful career as a top-level journalist, spanning 75 years, during which time he tested many thousands of cars and reported on countless automotive events around the world. This made him uniquely qualified to comment on all aspects of classic and vintage motoring and motorcycling. Relatively undimmed by age and ague, even in his 90s, de Forte had no plans to retire, but, in early 2011, a high-speed prang while testing a wayward Rudge Ulster at a racing circuit in Belgium brought him up with a jolt, both literally and metaphorically. After recuperating in hospital, he settled down to write his long-awaited and much requested autobiography.This unique and insightful book is the result. Packed with fascinating stories about classic cars and motorcycles, A Life Awheel – the ‘Auto’ Biography of W de Forte is an account of an extraordinary motoring life, and the story of motoring in the 20th century.

Stranger in the Mask of a Deer conjures an elemental, dreamlike narrative ranging from the present to the Late-Upper Palaeolithic, when the British peninsula was gradually reoccupied by humans and animals returning from the greater continent after the Ice Age.Richard Skelton began this book-length poem many years ago with the intention of exploring the history of Britain’s landscape, only for the text to transform into a kind of literary seance, involving both human and other-than-human voices. Its transforming power lies in the accumulative magic of the word as ritual. Skelton's is a mesmeric lyric, probing the edges of consciousness towards a place where ‘there are always presences / always inherences / things beyond sight.’'An incredibly moving, essential meditation on where we have come from, where we are, and where we are headed.'Kerri ní Dochartaigh

Richard Skelton spent nearly half a decade living in a small valley high in the Furness hills of Cumbria, in northern England. When not writing or composing music, most of his days were spent beating the valley's bounds, exploring its network of paths, streams and walls. Beyond the Fell Wall is a distillation of his observations and thoughts about this particular patch of land. It is a poetic enquiry into the life of an seemingly inanimate landscape - its otherwise unheard melodies and unseen movements. It considers both vast geological epochs and brief moments of intimacy, and in turn it asks us to consider sentience in all things, whether animal, vegetable or mineral. At the heart of the book is the fell wall itself: vast and serpentine - a vessel for the lives, voices and myths of the landscape.