Michigan Classical Press – serie

Tradition and originality, the interplay of present and past, are a concern of poets in any age. Peter Bing's seminal monograph, The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets, chases this idea through the thickets of Hellenistic poetry and particularly among the lines of Callimachus' Hymn to Delos. In this carefully argued and stimulating study, the author investigates the era in which the written work - the book - superseded the assumption of oral composition and performance. In this and in other respects, as this study demonstrates, Hellenistic poets saw themselves as now being part of a new world, remote from the great genres and achievements of the earlier literary tradition. That sense of distance from the past gave authors freedom to experiment. At the same time, it incited them to view their poetic heritage as something deserving intense scholarly study. The author examines one fundamental result of this attitude, the Hellenistic tendency toward learned allusion, and what this meant to a period pursuing a different literary approach. The Well-Read Muse concludes with an analysis of Callimachus' Hymn to Delos as a paradigmatic instance of the play between present and past, tradition and originality that typified the age. Here the author sheds important light on the poet's choice not to make Apollo his theme, as his models had, but to focus rather on the diminutive, slender island, through which the god of song was born. Accompanied by a new Introduction by the author and corrections to the text and notes, as well as by an extensive bibliography and indices of passages and subjects discussed, The Well-Read Muse provides an important understanding of this turning point in Greek poetical development. There was no escaping the new world of which these poets were a part: Peter Bing's impressive work examines the ways in which poets confronted this new reality.

Original in conception and powerful in scope, Generic Composition in Greek and Roman Poetry remains one of the most important books on early Greek, Hellenistic and Roman poetry in a generation. First published in the philological climate of the early 1970s, Francis Cairns' book was among the first works that sought to further our comprehension of difficult or obscure ancient poems by applying new literary-critical conventions and terminology, notably the concept of genre. Ancient literary studies have grown more sophisticated over the last years, and Generic Composition in Greek and Roman Poetry now finds itself very much in the midst of current debates. The new edition includes a new Postscript by the author, and important corrections to the text, notes, and indices. The original publisher remarked, "This is the first serious attempt to formulate a system of literary criticism for ancient poetry, derived wholly from ancient evidence. It is based on methods of generic analysis, assignment and interpretation applicable to all Greek and Roman poetry. It outlines what the author deduces are the creative principles informing ancient poets' approach to their subject matter, and establishes criteria that enable an objective discussion of the poems' originality and merit." Generic Composition in Greek and Roman Poetry examines uses of topoi and categories of genres, and offers detailed and insightful interpretations of many individual poems in both languages. It also highlights five specific generic sophistications, among them inversion and inclusion. The work is accompanied by extensive notes and indices, together with translations of the original texts that make it accessible and valuable to classicists and non-classicists alike. One of the great contributions of Francis Cairns' work has been firmly to move the study of ancient poetry away from the realm of fictive literary biography, while grounding critical analysis in the techniques that were employed by ancient authors to create meaning.

John Matthews' brilliant analysis of Ammianus and his world is foundational for the study of the Roman Empire in the fourth century CE. Matthews' Ammianus is a man very much in touch with his times, engaged in many of the exciting events that he describes, and a commentator motivated by a passionate devotion to justice. The empire that he depicts in The Roman Empire of Ammianus is undergoing a profoundly important intellectual transition as Christians and non-Christians dealt with each other in new ways, and a profoundly important political transition as Rome's ability to control its frontiers was severely challenged. This new edition of the volume offers a new Introduction by the author, and corrections to the original text. In Matthews' brilliantly researched and compellingly written pages we encounter brigands, philosophers, bishops, barbarians and one of the most extraordinary figures in all of Roman history: the Emperor Julian, who occupies for Matthews - as he did for Ammianus - a central place in the history of these times. Ammianus has been recognized for centuries as the last great historian of the Classical Latin tradition. It is thanks to Matthews that we can at last begin to appreciate the brilliance and complexity of the tapestry he wove with his words.

This latest volume from accomplished literary critic Franco Ferrari offers extraordinary new insight into the life and works of Sappho, one of the most individualistic and evocative poets of antiquity. Sapphos Gift: The Poet and Her Community presents the fragmentary papyrological evidence about the poems, and considers Sapphos iconography, the types of poems and their occasions, her audience, and milieu. Important for those new to Sappho, this volume also offers fresh readings that will be of interest to scholars who are well familiar with the poems.