Modern Novelists – serie

John Fowles has the distinction of being both a best-selling novelist and one whose work has earned the respect of academic critics. In this clear and concise book, James Acheson traces the development of Fowles' novels from The Collector, The Magus and The French Lieutenant's Woman, each concerned with the quest for self-knowledge, through to The Ebony Tower and Daniel Martin. He shows how the sexual element of Fowles' early novels is interwoven with the author's interest in French existentialism as, in his first three works of fiction, Fowles' main characters are obliged not only to struggle with sexual issues but to choose between living a life of humdrum conventionality, on the one hand, or seeking to discover a sense of their own 'authenticity' on the other. By the 1970s, however, Fowles' interest in existentialism had begun to wane, his disillusionment taking different forms in The Ebony Tower, a collection of short stories, and in Daniel Martin, the novel that followed it. In A Maggot, his most recent work of fiction, he abandons existentialism in favour of a more generalised philosophical issue - the limits of human knowledge.

Much good criticism of Mrquez came in the wake of One Hundred Years of Solitude and the perception of his fiction has been dominated by that novel. It seemed the implicit goal to which the earlier fiction has been striving. By concentrating on the later novels, including The General in his Labyrinth, this study brings out the internal dialogue between the novels so that One Hundred Years of Solitude then stands out, like Don Quixote in Cervantes' oeuvre, as untypical yet more deeply representative. Behind the popular impact of its 'magical realism' lies Mrquez' abiding meditation on the nature of fictional and historical truth.