James Acheson – författare

This vibrant collection of original essays sheds new light on all of Fowles' writings, with a special focus on The French Lieutenant's Woman as the most widely studied of Fowles' works. The impressive cast of contributors offers an outstanding range of expertise on Fowles, providing fresh reassessments and new perspectives.

The thirteen essays in this collection, published here for the first time, survey the work of some of the most major British and Irish novelists of the past thirty years. Featured in it are several writers - Doris Lessing, Iris Murdoch and William Golding, amongst others - who established themselves before 1960, and whose work since then has continued to develop in interesting new ways. Most of the essays, however, deal with novelists who have made their appearence since 1960, and who illustrate some of the distinctive characteristics of British and Irish fiction of the last three decades.;James Acheson is co-editor of "Beckett's Later Fiction and Drama: Texts for Company", and has published essays on Beckett and other modern writers in various edited collections and journals.

John Fowles has the distinction of being both a best-selling novelist and one whose work has earned the respect of academic critics. In this clear and concise book, James Acheson traces the development of Fowles' novels from The Collector, The Magus and The French Lieutenant's Woman, each concerned with the quest for self-knowledge, through to The Ebony Tower and Daniel Martin. He shows how the sexual element of Fowles' early novels is interwoven with the author's interest in French existentialism as, in his first three works of fiction, Fowles' main characters are obliged not only to struggle with sexual issues but to choose between living a life of humdrum conventionality, on the one hand, or seeking to discover a sense of their own 'authenticity' on the other. By the 1970s, however, Fowles' interest in existentialism had begun to wane, his disillusionment taking different forms in The Ebony Tower, a collection of short stories, and in Daniel Martin, the novel that followed it. In A Maggot, his most recent work of fiction, he abandons existentialism in favour of a more generalised philosophical issue - the limits of human knowledge.

This collection of 15 essays surveys the work of some of the most major British and Irish dramatists since 1960. Included are four dramatists - Samuel Beckett, Harold Pinter, Peter Shaffer and Peter Nichols - who began writing plays before 1960, and whose work has since continued to develop. Most of the dramatists considered, however, are those who have begun writing more recently, and who illustrate some of the distinctive characteristics of British and Irish drama of the present.;James Acheson is co-editor of "Beckett's Later Fiction and Drama: Texts for Company" and editor of "The British and Irish Novel since 1960".

Written by some of the world’s finest contemporary literature specialists, the newly commissioned essays in this volume examine the work of more than twenty major British novelists: Peter Ackroyd, Martin Amis, Iain (M.) Banks, Pat Barker, Julian Barnes, A.S. Byatt, Angela Carter, Janice Galloway, Abdulrazak Gurnah, Kazuo Ishiguro, James Kelman, A.L. Kennedy, Hanif Kureishi, Ian McEwan, Caryl Philips, Salman Rushdie, Zadie Smith, Graham Swift, Rose Tremain, Marina Warner, Irvine Welsh and Jeanette Winterson.The book will be of interest not only to students, teachers and lecturers, but to the general reader seeking help in approaching the often baffling novels of the recent past.Key Features:*Literary critical 'isms' are described in clear, jargon-free language.*Focuses on British fiction since 1980 giving coverage of established authors such as Angela Carter and Ian McEwan as well as little addressed novelists such as James Kelman and Zadie Smith.*Essays are by leading scholars in contemporary fiction.

This collection of original essays focuses on new and continuing movements in British Poetry. It offers a wide ranging look at feminist, working class, and other poets of diverse cultural backgrounds.Devoted to close readings of poets and their contexts from various postmodern perspectives, this book offers a wide-ranging look at the work of feminists and "post feminist" poets, working class poets, and poets of diverse cultural backgrounds, as well as provocative re-readings of such well-established and influential figures as Donald Davie, Ted Hughes, Geoffrey Hill, and Craig Raine.Contributors include many respected theorists and critics, such as Antony Easthope, C.L. Innes, John Matthias, Edward Larrissy, Linda Anderson, Eric Homberger, Alastair Niven, R.K. Meiners, and Cairns Craig, in addition to new writers working from new theoretical perspectives. Their approaches range from cultural theory to poststructuralism; each essayist addresses a general audience while engaging in debates of interest to postgraduates and specialists in the fields of twentieth-century poetry and cultural studies. The book's strength lies in its diversity at every level.

This collection of original essays on Virginia Woolf by leading scholars in the field opens up new debates on the work of one of the foremost modernists of the 20th century. The collection also looks at some of Woolf's own essays, discussing her theory of fiction and devotion to 'stream of consciousness' writing. Its thirteen contributors place this discussion of Woolf's artistic theory and practice within the context of her association with the Bloomsbury Group and her interest in spirituality, feminism, homosexuality, pacifism and psychoanalysis.

This collection of original essays on Virginia Woolf by leading scholars in the field opens up new debates on the work of one of the foremost modernists of the 20th century. The collection also looks at some of Woolf's own essays, discussing her theory of fiction and devotion to 'stream of consciousness' writing. Its thirteen contributors place this discussion of Woolf's artistic theory and practice within the context of her association with the Bloomsbury Group and her interest in spirituality, feminism, homosexuality, pacifism and psychoanalysis.

The essays in this collection survey the work of some of the most important British and Irish novelists of today. They not only consider afresh the work of novelists who established their reputations before 1960, such as Doris Lessing and William Golding;

The fifteen essays in this collection, published here for the first time, survey the work of some of the major British and Irish dramatists since 1960. Included are four dramatists - Samuel Beckett, Harold Pinter, Peter Shaffer and Peter Nichols - who began writing plays before 1960, and whose work since then has continued to develop interestingly.

Written by some of the world's finest contemporary literature specialists, the specially commissioned essays in this volume examine the work of more than twenty major British novelists, including Peter Ackroyd, Martin Amis, Iain (M.) Banks, Pat Barker, Julian Barnes, A.S.

Written by some of the world's finest contemporary literature specialists, the specially commissioned essays in this volume examine the work of more than twenty major British novelists, including Peter Ackroyd, Martin Amis, Iain (M.) Banks, Pat Barker, Julian Barnes, A.S.