Myth and Poetics II – serie

In Raja Yudhisthira, Kevin McGrath brings his comprehensive literary, ethnographic, and analytical knowledge of the epic Mahabharata to bear on the representation of kingship in the poem. He shows how the preliterate Great Bharata song depicts both archaic and classical models of kingly and premonetary polity and how the king becomes a ruler who is viewed as ritually divine. Based on his precise and empirical close reading of the text, McGrath then addresses the idea of heroic religion in both antiquity and today; for bronze-age heroes still receive great devotional worship in modern India and communities continue to clash at the sites that have been—for millennia—associated with these epic figures; in fact, the word hero is in fact more of a religious than a martial term.One of the most important contributions of Raja Yudhisthira, and a subtext in McGrath's analysis of Yudhisthira's kingship, is the revelation that neither of the contesting moieties of the royal Hastinapura clan triumphs in the end, for it is the Yadava band of Krsna who achieve real victory. That is, it is the matriline and not the patriline that secures ultimate success: it is the kinship group of Krsna—the heroic figure who was to become the dominant Vaisnava icon of classical India—who benefits most from the terrible Bharata war.

The Transmission of "Beowulf" like The Iliad and The Odyssey, is a foundational work of Western literature that originated in mysterious circumstances. In The Transmission of Beowulf, Leonard Neidorf addresses philological questions that are fundamental to the study of the poem. Is Beowulf the product of unitary or composite authorship? How substantially did scribes alter the text during its transmission, and how much time elapsed between composition and preservation? Neidorf answers these questions by distinguishing linguistic and metrical regularities, which originate with the Beowulf poet, from patterns of textual corruption, which descend from copyists involved in the poem's transmission. He argues, on the basis of archaic features that pervade Beowulf and set it apart from other Old English poems, that the text preserved in the sole extant manuscript (ca. 1000) is essentially the work of one poet who composed it circa 700. Of course, during the poem's written transmission, several hundred scribal errors crept into its text. These errors are interpreted in the central chapters of the book as valuable evidence for language history, cultural change, and scribal practice. Neidorf's analysis reveals that the scribes earnestly attempted to standardize and modernize the text's orthography, but their unfamiliarity with obsolete words and ancient heroes resulted in frequent errors. The Beowulf manuscript thus emerges from his study as an indispensible witness to processes of linguistic and cultural change that took place in England between the eighth and eleventh centuries. An appendix addresses J. R. R. Tolkien's Beowulf: A Translation and Commentary, which was published in 2014. Neidorf assesses Tolkien's general views on the transmission of Beowulf and evaluates his position on various textual issues.

Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face performance, often in a competitive setting, before an audience well versed in mythological and ritual lore. The essays collected here span Martin's acclaimed career and explore ways of reading this poetic heritage using principles and evidence from the comparative study of oral traditions, literary and speech-act theories, and the ethnographic record.Among topics analyzed in depth are the narrative structures of Homer's epics, the Hesiodic Works and Days, and the Homeric Hymn to Apollo; the characterization of poetic and musical performers within the poems; the social context for verses ascribed to the legendary singer Orpheus; the significance of various rituals as stylized by poetic performances; and the interrelations, at the level of diction and theme, among the major genres of epic and hymn, as well as "genres of speaking" such as lament, praise, advice, and proverbial wisdom.

Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face performance, often in a competitive setting, before an audience well versed in mythological and ritual lore. The essays collected here span Martin's acclaimed career and explore ways of reading this poetic heritage using principles and evidence from the comparative study of oral traditions, literary and speech-act theories, and the ethnographic record.Among topics analyzed in depth are the narrative structures of Homer's epics, the Hesiodic Works and Days, and the Homeric Hymn to Apollo; the characterization of poetic and musical performers within the poems; the social context for verses ascribed to the legendary singer Orpheus; the significance of various rituals as stylized by poetic performances; and the interrelations, at the level of diction and theme, among the major genres of epic and hymn, as well as "genres of speaking" such as lament, praise, advice, and proverbial wisdom.

In The Many-Minded Man, Joel Christensen explores the content, character, and structure of the Homeric Odyssey through a modern psychological lens, focusing on how the epic both represents the workings of the human mind and provides for its audiences—both ancient and modern—a therapeutic model for coping with the exigencies of chance and fate.By reading the Odyssey as an exploration of the constitutive elements of human identity, the function of narrative in defining the self, and the interaction between the individual and their social context, The Many-Minded Man addresses enduring questions about the poem, such as the importance of Telemachus's role, why Odysseus must tell his own tale, and the epic's sudden and unexpected closure. Through these dynamics, Christensen reasons, the Odyssey not only instructs readers about how narrative shapes a sense of agency but also offers solutions for avoiding dangerous stories and destructive patterns of thought.

The Retrospective Muse showcases the celebrated work of Froma I. Zeitlin. Over many decades, Zeitlin's innovative studies have changed the field of classics. Her instantly recognizable work brings together anthropology, gender studies, cultural studies, and an acute literary sensibility to open ancient texts and ideas to new forms of understanding. A selection of her luminous essays on topics still timely today are collected for the first time in a volume that shows the full range and flair of her remarkable intellect. Together, these illuminating analyses show why Zeitlin's work on ancient Greek culture has had an enduring impact on scholars around the world, not just in classics but across multiple fields. From Homer to the Greek novel, from religion to erotics, from myth and ritual to theatrical performance, she expounds on some of the most important works of ancient writing and some of modernity's most significant critical questions. Zeitlin's writing still sheds light on the durable aspects of classics as a discipline, and this book encapsulates her achievement.

The medieval northern world consisted of a vast and culturally diverse region both geographically, from roughly Greenland to Novgorod and culturally, as one of the last areas of Europe to be converted to Christianity. Old Norse Folklore explores the complexities of this fascinating world in case studies and theoretical essays that connect orality and performance theory to memory studies, and myths relating to pre-Christian Nordic religion to innovations within late medieval pilgrimage song culture.Old Norse Folklore provides critical new perspectives on the Old Norse world, some of which appear in this volume for the first time in English. Stephen A. Mitchell presents emerging methodologies by analyzing Old Norse materials to offer a better understandings ofunderstanding of Old Norse materials. He examines, interprets, and re-interprets the medieval data bequeathed to us by posterity—myths, legends, riddles, charms, court culture, conversion narratives, landscapes, and mindscapes—targeting largely overlooked, yet important sources of cultural insights.

The medieval northern world consisted of a vast and culturally diverse region both geographically, from roughly Greenland to Novgorod and culturally, as one of the last areas of Europe to be converted to Christianity. Old Norse Folklore explores the complexities of this fascinating world in case studies and theoretical essays that connect orality and performance theory to memory studies, and myths relating to pre-Christian Nordic religion to innovations within late medieval pilgrimage song culture.Old Norse Folklore provides critical new perspectives on the Old Norse world, some of which appear in this volume for the first time in English. Stephen A. Mitchell presents emerging methodologies by analyzing Old Norse materials to offer a better understandings ofunderstanding of Old Norse materials. He examines, interprets, and re-interprets the medieval data bequeathed to us by posterity—myths, legends, riddles, charms, court culture, conversion narratives, landscapes, and mindscapes—targeting largely overlooked, yet important sources of cultural insights.

The second volume of Old Norse Folklore explores medieval and early modern Nordic magic and witchcraft, covering syncretism, continuity, survival, and the reconstruction of pagan beliefs and cultic practices in this last area of western Europe to be Christianized. This volume not only considers these issues but also pulls back the curtain on more obscure, yet important, corners of Nordic magico-religious tradition.In these chapters, Stephen A. Mitchell draws on materials from many different periods of the vast Nordic world, stretching from Greenland to the Baltic, and examines such diverse witnesses as sagas, judicial records, ballads, synodal statutes, runes, proverbs, church murals, leechbooks, and the language used to discuss magic and its actors. Old Norse Folklore addresses how theology helped to shape the Nordic magical world and how language can reveal this world, how magic was used as a practical matter in (and what it meant philosophically to) the medieval Nordic world, and how inherited traditions between and among the historically connected societies of northern Europe impacted cultural developments in late medieval Scandinavia.

The second volume of Old Norse Folklore explores medieval and early modern Nordic magic and witchcraft, covering syncretism, continuity, survival, and the reconstruction of pagan beliefs and cultic practices in this last area of western Europe to be Christianized. This volume not only considers these issues but also pulls back the curtain on more obscure, yet important, corners of Nordic magico-religious tradition.In these chapters, Stephen A. Mitchell draws on materials from many different periods of the vast Nordic world, stretching from Greenland to the Baltic, and examines such diverse witnesses as sagas, judicial records, ballads, synodal statutes, runes, proverbs, church murals, leechbooks, and the language used to discuss magic and its actors. Old Norse Folklore addresses how theology helped to shape the Nordic magical world and how language can reveal this world, how magic was used as a practical matter in (and what it meant philosophically to) the medieval Nordic world, and how inherited traditions between and among the historically connected societies of northern Europe impacted cultural developments in late medieval Scandinavia.

In this new edition of Greek Mythology and Poetics, Gregory Nagy revisits the relationship between myth and ritual in ancient Greek society. His far-reaching assessment provides fresh illumination of the forces of interaction and change that transformed the Indo-European linguistic and cultural heritage into distinctly Greek social institutions between the eighth and the fifth centuries B.C.E.Nagy's major essays on various aspects of the Hellenization of Indo-European poetics, myth and ritual, and social ideology, examine the Greek language as a reflection of society, with special attention to its function as a vehicle for transmitting mythology and poetics. His emphasis on the language of the Greeks, and on comparison with the testimony of related Indo-European languages such as Latin, Indic, and Hittite, reflects his long-standing interest in Indo-European linguistics. Altogether, the second edition of Greek Mythology and Poetics is a path-breaking application of the principles of social anthropology, comparative mythology, historical linguistics, and the study of oral traditions.

In this new edition of Greek Mythology and Poetics, Gregory Nagy revisits the relationship between myth and ritual in ancient Greek society. His far-reaching assessment provides fresh illumination of the forces of interaction and change that transformed the Indo-European linguistic and cultural heritage into distinctly Greek social institutions between the eighth and the fifth centuries B.C.E.Nagy's major essays on various aspects of the Hellenization of Indo-European poetics, myth and ritual, and social ideology, examine the Greek language as a reflection of society, with special attention to its function as a vehicle for transmitting mythology and poetics. His emphasis on the language of the Greeks, and on comparison with the testimony of related Indo-European languages such as Latin, Indic, and Hittite, reflects his long-standing interest in Indo-European linguistics. Altogether, the second edition of Greek Mythology and Poetics is a path-breaking application of the principles of social anthropology, comparative mythology, historical linguistics, and the study of oral traditions.

There is a close connection between the events dramatized in the plots of classical Athenian tragedy and tragedy's distinctive form—its signature combination of individual actors and a chorus. Sharing in the Action revisits the plots enacted in tragedies to reveal how they are significantly conditioned by the wider phenomenon of the choral performance.In Athenian tragedy, the protagonists portrayed by the actors tend to receive attention, but there has been growing recognition of the cultural centrality of the chorus itself as an institution that enacted, modeled, and perpetuated the structures and values of ancient communities. Over the course of a decade, Sheila Murnaghan has uncovered and amplified the role of the chorus member within the tragic plot. Ultimately, Sharing in the Action is a collection that brings together bold reinterpretations and new and nuanced perspectives on how the choral odes of tragedy were in close dialogue with the other forms of choral poetry out of which tragedy evolved and that persisted alongside it.