Kevin McGrath – författare

This book is a study of heroic femininity as it appears in the epic Mahābhārata, and focuses particularly on the roles of wife, daughter-in-law, and mother, on how these women speak and on the kinship groups and varying marital systems that surround them. It portrays those qualities that cohere about women in the poem, which are particular to them and which distinguish them as women, and describes how women heroes function as crucial speakers in the generation and maintenance of cultural value and worth. This includes men who have been transformed into women and women who have been reincarnated as men. The overall method accomplishes an ethnography of text, describing a special aspect of the bronze age preliterate and premonetary world as it is represented by the actions and metaphors of Mahābhārata. References to contemporary Indian cinema and popular culture support the narrative of the book, bringing modern valence to the arguments.

Jaya is a study of how the four poets of the Indian epic Mahābhārata fuse their separate performances of the poem into a single and seamless work of art. The book examines in detail the different mnemonic forms engaged by this verbal activity focusing primarily on the distinction between what is seen and what is heard, as the poets stage and dramatize the four dimensions of their heroic song within one timely occasion. The subtle poetics of preliteracy and literacy which are compounded in one performance are demonstrated and made distinct in both a literary and a conceptual light. Jaya will be of interest to those who work in Sanskrit and Indian Studies, the Classics, Oral Traditions, Comparative Literature, and the traditions of archaic poetry.

Heroic Kṛṣṇa is a portrait of a pre-Hindu and pre-classical figure of a superhuman hero who in time became the divinity Krsna, an incarnation of Visnu. This is a picture, drawn from the epic Mahābhārata, of an archaic warrior who excelled as a charioteer; in fact this is the best depiction that we presently possess in any epic corpus of a charioteer type. Krsna is also described in his role of moral instructor, as poet and ambassador, and in the office of dual kingship with the dharmaraja Yudhisthira. There is no other representation of a complex friendship in the poem apart from what exists between Krsna and Arjuna, and this profound amity is completely founded on the activity of a charioteer and his hero. Cultural and poetic continuities from the Bronze Age Vedic world are shown to exist in this model of duality. Krsna is also an adept of the speech-act, for—apart from his charioteering—he accomplishes little in the epic except via the causality of speech: he is a master of “doing things with words.” This book illustrates a heroic life which pre-exists the divine status of one of the most popular Indian deities of today.

This personal narrative about life in a remote desert region of western India tells of how love of place and love of person find their equilibrium in a world far removed from modernity. Yet this small, distant land of kingship and pastoral life is rapidly being eroded by the new India of commerce and industrialization.The author describes how an ancient society is transformed by the culture of consumption where the lyrical beauty of balance, exchange and loyalty is translated into a single market economy. The people and places of post-Partition Kacch, where even the land and value systems of a lately independent India now appear in a nostalgic light, are described in detail. This is a record of private emotion and physical terrain, of traditions and of profound social practice.

This review of protein-based materials from a materials science perspective is divided into three sections: the chemical and biological approaches to this class of materials; introductions to the key classes of protein materials - silks, protein composites and elastomeric and adhesive proteins; and processing issues, such as liquid crystal phase formation, the spinning of protein fibres, formation of protein-based films and coatings, and self-organizing protein systems. This book is the first in a sequence of Birkhauser texts describing biologically-inspired materials and their role in biotechnology. This interdisciplinary field, best described by the term "biomimetics" (as in mimicking nature), is a cross-section of biology, chemistry, materials science and engineering.

Nature learned long ago how useful proteins are as a diverse set of building blocks to make materials with very diverse properties. Spider webs, egg whites, hair follicles, and skeletal muscles are all largely protein. This book provides a glimpse into both nature's strategies for the design and produc­ tion of protein-based materials, and how scientists have been able to go beyond the constraints of natural materials to produce synthetic analogs with potentially wider ranges of properties. The work presented is very much the beginning of the story. Only recently has there been much progress in obtaining a molecular understanding of some of nature's com­ plex materials, and the mimicry or replacement of these by synthetic or genetically engineered variants is a field still in its infancy. Yet this book will serve as a useful introduction for those wishing to get started in what is sure to be an active and productive field throughout the 21st century. The authors represent a wide range of interests and expertise, and the topics chosen are comprehensive. Charles R. Cantor Center for Advanced Biotechnology Boston University Series Preface The properties of materials depend on the nature of the macromolecules, small molecules and inorganic components and the interfaces and interac­ tions between them. Polymer chemistry and physics, and inorganic phase structure and density are major factors that influence the performance of materials.

In Raja Yudhisthira, Kevin McGrath brings his comprehensive literary, ethnographic, and analytical knowledge of the epic Mahabharata to bear on the representation of kingship in the poem. He shows how the preliterate Great Bharata song depicts both archaic and classical models of kingly and premonetary polity and how the king becomes a ruler who is viewed as ritually divine. Based on his precise and empirical close reading of the text, McGrath then addresses the idea of heroic religion in both antiquity and today; for bronze-age heroes still receive great devotional worship in modern India and communities continue to clash at the sites that have been—for millennia—associated with these epic figures; in fact, the word hero is in fact more of a religious than a martial term.One of the most important contributions of Raja Yudhisthira, and a subtext in McGrath's analysis of Yudhisthira's kingship, is the revelation that neither of the contesting moieties of the royal Hastinapura clan triumphs in the end, for it is the Yadava band of Krsna who achieve real victory. That is, it is the matriline and not the patriline that secures ultimate success: it is the kinship group of Krsna—the heroic figure who was to become the dominant Vaisnava icon of classical India—who benefits most from the terrible Bharata war.

Vyāsa is the primary creative poet of the Sanskrit epic Mahābhārata and 'Vyāsa Redux' examines the many paradoxical dimensions of his narrative virtuosity in the poem where the poet is both the creator of the work and a character within it. The book also studies elements in the poem which have been received by the late Bronze Age poets who composed the figure of Vyāsa, elements that reflect kinship, polity and modes of mnemonic inspiration. Three paired concepts function within the poem’s narrative process: first, the central approach of the book is founded upon the distinction between plot and story, that is, the causal relation of events as opposed to the temporal relation of events. Second, much of the argument then engages with how this distinction relates to the difference between the preliterate and literate phases of our present text. Third, the nature of how inspiration functions and how edition operates becomes another vital component in our analytic process explaining how Vyāsa becomes a dramatic, causal and at times prophetic character in the poem’s narration as well as its originator.

Vyāsa is the primary creative poet of the Sanskrit epic Mahābhārata and 'Vyāsa Redux' examines the many paradoxical dimensions of his narrative virtuosity in the poem where the poet is both the creator of the work and a character within it. The book also studies elements in the poem which have been received by the late Bronze Age poets who composed the figure of Vyāsa, elements that reflect kinship, polity and modes of mnemonic inspiration. Three paired concepts function within the poem’s narrative process: first, the central approach of the book is founded upon the distinction between plot and story, that is, the causal relation of events as opposed to the temporal relation of events. Second, much of the argument then engages with how this distinction relates to the difference between the preliterate and literate phases of our present text. Third, the nature of how inspiration functions and how edition operates becomes another vital component in our analytic process explaining how Vyāsa becomes a dramatic, causal and at times prophetic character in the poem’s narration as well as its originator.