New Directions Classic – serie

Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds.Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."

A timeless selection of brilliant short stories that won William Saroyan a position among the foremost, most widely popular writers of America when it first appeared in 1934.With the greatest of ease William Saroyan flew across the literary skies in 1934 with the publication of The Daring Young Man on the Flying Trapeze and Other Stories. One of the first American writers to describe the immigrant experience in the U.S., Saroyan created characters who were Armenians, Jews, Chinese, Poles, Africans, and the Irish. The title story touchingly portrays the thoughts of a very young writer, dying of starvation. All of the tales were written during the great depression and reflect, through pathos and humor, the mood of the nation in one of its greatest times of want.

It stands as a modern classic not only for its powerful thematic resonance as one of the great novels of Italian anti-fascism but also as a trailblazer for its style, which blends literary modernism with the pre-modern fable in a prose of lyric beauty. Comparing Vittorini's work to Picasso's, Italo Calvino described Conversations as "the book-Guernica."The novel begins at a time in the narrator's life when nothing seems to matter; whether he is reading newspaper posters blaring of wartime massacres, lying in bed with his wife or girlfriend, or flipping through the pages of a dictionary it is all the same to him—until he embarks on a journey back to Sicily, the home he has not seen in some fifteen years. In traveling through the Sicilian countryside and in variously hilarious and tragic conversations with its people—his indomitable mother in particular—he reconnects with his roots and rediscovers some basic human values.In the introduction Hemingway wrote for the American debut of Conversations (published as In Sicily by New Directions in 1949) he remarked: "I care very much about Vittorini's ability to bring rain with him when he comes, if the earth is dry and that is what you need." More recently, American critic Donald Heiney wrote that in this one book, Vittorini "like Rabelais and Cervantes...adds a new artistic dimension to the history of literature."

January Marlow, a heroine with a Catholic outlook of the most unsentimental stripe, is one of three survivors out of twenty-nine souls when her plane crashes, blazing, on Robinson's island. Presumed dead for months, the three survivors must wait for the annual return of the pomegranate boat. Robinson, a determined loner, proves a fair if misanthropic host to his uninvited guests; he encourages January to keep a journal: as "an occupation for my mind, and I fancied that I might later dress it up for a novel. That was most peculiar, as things transpired, for I did not then anticipate how the journal would turn upon me, so that having survived the plane disaster, I should nearly meet my death through it." In Robinson, Muriel Spark's wonderful second novel, under the tropical glare and strange fogs of the tiny island, we find a volcano, a ping-pong playing cat, a dealer in occult as well as lucky charms, flying ants, sexual tension, a disappearance, blackmail, andperhapsmurder. Everything astounds, confounds, and convinces, frighteningly. "She is," as Charles Alva Hoyt once put it, "the Jane Austen of the Surrealists." Robinson, a unique and marvelous novel, is another display of the powers of "the most gifted and innovative British novelist" (The New York Times). In the work of Dame Murielin the last words of Robinson "immediately all things are possible."

Set on the eve of the Sino-Japanese War, our hapless hero Fang Hung-chien (á la Emma Bovary), with no particular goal in life and with a bogus degree from a fake American university in hand, returns home to Shanghai. On the French liner home, he meets two Chinese beauties, Miss Su and Miss Pao. Qian writes, "With Miss Pao it wasn't a matter of heart or soul. She hadn't any change of heart, since she didn't have a heart." In a sort of painful comedy, Fang obtains a teaching post at a newly established university where the effete pseudo-intellectuals he encounters in academia become the butt of Qian's merciless satire. Soon Fang is trapped into a marriage of Nabokovian proportions of distress and absurdity. Recalling Fielding's Tom Jones in its farcical litany of misadventures and Flaubert's "style indirect libre," Fortress Besieged is its own unique feast of delights.

Esteemed writer and translator Guy Davenport's brilliant story collection, first published in 1979, is recognized today as a classic of American fiction. Written with tremendous wit, intelligence, and verve, the stories are based on historical figures whose endeavors were too early, too late, or went against the grain of their time.