Elio Vittorini – författare

Vividly capturing the heat, sounds and smells of southern Italy, Conversations in Sicily astounds with its modernity, lyricism and originality. Driven by a sense of total disconnection, the narrator embarks on a journey from northern Italy to Sicily, the home he has not seen in some fifteen years. Through the conversations of the islanders and a reunion with his mother, he gradually begins to feel reconnected. But to what kind of world? Written during Mussolini's time in power, Conversations in Sicily is one of the great novels of anti-fascism.

It stands as a modern classic not only for its powerful thematic resonance as one of the great novels of Italian anti-fascism but also as a trailblazer for its style, which blends literary modernism with the pre-modern fable in a prose of lyric beauty. Comparing Vittorini's work to Picasso's, Italo Calvino described Conversations as "the book-Guernica."The novel begins at a time in the narrator's life when nothing seems to matter; whether he is reading newspaper posters blaring of wartime massacres, lying in bed with his wife or girlfriend, or flipping through the pages of a dictionary it is all the same to him—until he embarks on a journey back to Sicily, the home he has not seen in some fifteen years. In traveling through the Sicilian countryside and in variously hilarious and tragic conversations with its people—his indomitable mother in particular—he reconnects with his roots and rediscovers some basic human values.In the introduction Hemingway wrote for the American debut of Conversations (published as In Sicily by New Directions in 1949) he remarked: "I care very much about Vittorini's ability to bring rain with him when he comes, if the earth is dry and that is what you need." More recently, American critic Donald Heiney wrote that in this one book, Vittorini "like Rabelais and Cervantes...adds a new artistic dimension to the history of literature."

Nach fünfzehn Jahren kehrt Silvestro erstmals für dreiTage aus Norditalien in sein armseliges Heimatdorf inden sizilianischen Bergen zurück, um seine Mutter zubesuchen. Er reist mit dem Zug durch Italien, setzt miteiner Fähre über, fährt durch die Orangenhaine und Dörferseiner Kindheit, trifft einen Wanderer, einen Messerschleifer,einen kleinen hungernden Sizilianer, seltsameHerren mit und ohne Schnurrbart. Silvestro streift durchsDorf, taucht ein in die Erinnerungen der Familien, in daseinsame Leben seiner Mutter und der anderen Frauendes Ortes. Wirklichkeit und Traum überlagernsich. Auchan diesem scheinbar entrückten Ort haben die Menschensich verändert: Sie leben in der Diktatur des Faschismus.Gespräch in Sizilientrotz der faschistischen Zensur erscheinen, wurde dannaber verboten.