Oxford Studies in the History of English – serie

Reference to or quotation from someone's speech, thoughts, or writing is a key component of narrative. These reports further a narrative, make it more interesting, natural, and vivid, ask the reader to engage with it, and reflect historical cultural understandings of modes of discourse presentation. To a large extent, the way we perceive a story depends on the ways it presents discourse, and along with it, speech, writing, and thought. In this book, Beatrix Busse investigates speech, writing, and thought presentation in a corpus of 19th-century narrative fiction including Frankenstein, Jane Eyre, Wuthering Heights, Oliver Twist, and many others. At the intersection between corpus linguistics and stylistics, this book develops a new corpus-stylistic approach for systematically analyzing the different narrative strategies of discourse presentation in key pieces of 19th-century narrative fiction. Speech, Writing, and Thought Presentation in 19th-Century Narrative Fiction identifies diachronic patterns as well as unique authorial styles, and places them within their cultural-historical context. It also suggests ways for automatically identifying forms of discourse presentation, and shows that the presentation of characters' minds reflects an ideological as well as an epistemological concern about what cannot be reported, portrayed, or narrated. Through insightful interdisciplinary analysis, Busse demonstrates that discourse presentation fulfills the function of prospection and encapsulation, marks narrative progression, and shapes readers' expectations.

Language Between Description and Prescription is an empirical, quantitative and qualitative study of nineteenth-century English grammar writing, and of nineteenth-century language change. Based on 258 grammar books from Britain and North America, the book investigates whether grammar writers of the time noticed the language changing around them, and how they reacted. In particular, Lieselotte Anderwald demonstrates that not all features undergoing change were noticed in the first place, those that were noticed were not necessarily criticized, and some recessive features were not upheld as correct. The features investigated come from the verb phrase and include in particular variable past tense forms, which -although noticed-often went uncommented, and where variation was acknowledged; the decline of the be-perfect, where the older form (the be-perfect) was criticized emphatically, and corrected; the rise of the progressive, which was embraced enthusiastically, and which was even upheld as a symbol of national superiority, at least in Britain; the rise of the progressive passive, which was one of the most violently hated constructions of the time, and the rise of the get-passive, which was only rarely commented on, and even more rarely in negative terms. Throughout the book, nineteenth-century grammarians are given a voice, and the discussions in grammar books of the time are portrayed. The book's quantitative approach makes it possible to examine majority and minority positions in the discourse community of nineteenth-century grammar writers, and the changes in accepted opinion over time. The terms of the debate are also investigated, and linked to the wider cultural climate of the time. Although grammar writing in the nineteenth century was very openly prescriptivist, the studies in this book show that many prescriptive dicta contained interesting grains of descriptive detail, and that eventually prescriptivism had only a small-scale, short-term effect on the actual language used.

In Motion and the English Verb, a study of the expression of motion in medieval English, Judith Huber provides extensive inventories of verbs used in intransitive motion meanings in Old and Middle English, and discusses these in terms of the manner-salience of early English. Huber demonstrates how several non-motion verbs receive contextual motion meanings through their use in the intransitive motion construction. In addition, she analyzes which verbs and structures are employed most frequently in talking about motion in select Old and Middle English texts, demonstrating that while satellite-framing is stable, the extent of manner-conflation is influenced by text type and style.Huber further investigates how in the intertypological contact with medieval French, a range of French path verbs (entrer, issir, descendre, etc.) were incorporated into Middle English, in whose system of motion encoding they are semantically unusual. Their integration into Middle English is studied in an innovative approach which analyzes their usage contexts in autonomous Middle English texts as opposed to translations from French and Latin. Huber explains how these verbs were initially borrowed not for expressing general literal motion, but in more specific, often metaphorical and abstract contexts. Her study is a diachronic contribution to the typology of motion encoding, and advances research on the process of borrowing and loanword integration.

This book presents the first serious attempt to set out a functional-semantic definition of diachronic transcategorial shift between the major classes noun/nominal and verb/clause. In English, speakers have different options to refer to an event, ranging from that-clauses (That he had guessed her size) over infinitives (For him to guess her size) and verbal gerunds (Him guessing her size) to nominal gerunds (His guessing of her size) and deverbal nouns (His guess of her size). Interestingly, not only do these strategies each resemble "prototypical" nominals to varying extents, but also some of these strategies increasingly resemble clauses and decreasingly resemble prototypical nominals over time, as if they are gradually shifting categories. Thus far, the literature that has dealt with such cases of diachronic categorial shift has mainly described the processes by focusing on form, leaving us with a clear picture of what and how changes have occurred. Yet, the question of why these formal changes have occurred is still shrouded in mystery. In this book, Lauren Fonteyn tackles this mystery by showing that the diachronic processes of nominalization and verbalization can also involve functional-semantic changes in two steps. First, building on functionalist and cognitive models of grammar, she offers a theoretical model of categoriality that allows us to study diachronic nominalization and verbalization not just as morphosyntactic but also as functional-semantic processes. Second, she offers more concrete, "workable" definitions of the abstract functional-semantic properties of the nominal and verbal/clausal class, which are subsequently applied to one of the most intriguing deverbal nominalization systems in the history of English: the English gerund.

Representing what someone else has said is an integral part of spoken and written communication. Speech representation occurs in many contexts from news reports and legal trials to everyday conversation. Although commonplace, it requires sophisticated choices regarding what to represent and how to represent it. These choices can highlight a speaker's voice, shape our perception of the reported speech, or support our claims of authority.While speech representation in Present-day English has been studied extensively, this book extends the discussion to historical periods.Speech Representation in the History of English explores speech representation of the past, providing in-depth analyses of how speakers and writers mark, structure, and discuss a previous speech event or fictional speech. Focusing on the Early Modern English and the Late Modern English periods (1500-1900), this volume covers topics such as parentheses as markers of represented speech, the development of like as a reporting expression, the gradual formation of free indirect speech reporting, and the interpersonal functions of represented speech. Chapters draw on a wide range of methodologies, including historical sociolinguistics, pragmatics, and corpus linguistics, and cover many genres from witness depositions, literary texts, and letters, to the spoken language of the recent past.In this comprehensive volume, Peter Grund and Terry Walker bring together a collection of works that use cutting-edge approaches to speech representation. Researchers and students of the history of English, sociolinguistics, and discourse studies alike will find Speech Representation in the History of English to be an invaluable addition to the field.

This monograph presents the first comprehensive diachronic account of copular and passive verb constructions in Old and Middle English. The mysterious loss of the high-frequency verb weorthan 'become' is explained as a casualty of changing word order in narrative during Middle English. The merger of is 'is' and bith 'shall be, is generally' into a single suppletive verb is related to the development of a general analytic future shall be. The co-occurrence of multiple changes led to become and wax crossing a threshold of similarity with existing copulas, from which they analogically adopted full productivity in one fell swoop. In explaining each of these changes, the book goes beyond the level of the verb and its complements, drawing attention to analogical networks and the importance of a verb's embeddedness in clausal and textual environments. Using a radically usage-based approach, treating syntax as emerging from (changing) frequencies, Peter Petré draws attention to general principles of constructional change, including but not limited to grammaticalization and lexicalization. He proposes novel parallelisms between linguistic and ecological evolution. Going beyond the view of language change as propagating only in social interaction, Petré explains how each individual's mental grammar can be seen as a dynamic ecosystem with hierarchical environments (clausal niches, textual habitats). In this view, the interconnectedness of seemingly unrelated changes, itself resulting from cognitive economy principles, is arguably more decisive in lexical change than is functional competition.

The Early English Impersonal Construction aims to demonstrate that an understanding of the functional and semantic aspects of impersonal verbs in Old and Middle English can shed light on questions that remain about these verbs today. The impersonal construction has been a topic of extensive research for over a hundred years. But three quandaries-their seemingly unsystematic development, the gradual loss of impersonal uses, and the difficulty of aligning this with structural changes in early English-have made explanations for their development unsatisfactory. Möhlig-Falke offers a detailed analysis of impersonal verbs within the framework of cognitive and constructional grammar. She focuses on the loss of the impersonal construction as a consequence of a redefinition of the grammatical categories of subject and object, and describes the diachronic development of impersonal verbs as a result of the complex interaction of verbal and constructional meaning. Her research comprises all verbs which are recorded in impersonal use in Old and Middle English, and takes account of their full range of syntactic uses. It is thus the most comprehensive investigation of the impersonal construction in early English available to date.

Spreading Change: Diffusional Change in the English System of Complementation examines the emergence and spread of three types of complements from the Middle English period to the present day. The three types of complements are subject-controlled gerund complements (1), for...to-infinitives (2), and subject-controlled participial compelements (3).(1) The cat loves being stroked, absolutely loves it!(2) We couldn't afford for it to go wrong.(3) The receptionist is busy filling a fifth box.In the first half of the book De Smet addresses the theoretical issues by summarizing a number of major approaches to the study of complementation, and by focusing on how and why a particular change spreads (a process that he calls "diffusion"). In the second half, which is descriptive and largely corpus-based, De Smet tests these mechanisms on the three complement types. His work demonstrates: a) how diffusion interacts with the grammatical system of complementation; b) how diffusion proceeds, step-by-step; and c) why diffusion is directional.

Information Structure and Syntactic Change in the History of English is the first book to apply information structure as it relates to language change to a corpus-based analysis of a wide range of features in the evolution of English syntax and grammars of prose in long diachrony. Its unifying topic is the role of information structure, broadly conceived, as it interacts with the other levels of linguistic description, syntax, morphology, prosody, semantics and pragmatics. The volume comprises twelve chapters by leading scholars who take a variety of theoretical and methodological approaches. Their work affirms, among other things, that motivations for selecting a particular syntactic option vary from information structure in the strict sense to discourse organization, or a particular style or register, and can also be associated with external forces such as the development of a literary culture.