Resonerande kataloger - Böcker
Visar alla böcker i serien Resonerande kataloger. Handla med fri frakt och snabb leverans.
12 produkter
12 produkter
171 kr
Skickas inom 5-8 vardagar
Detta är den första av tre volymer över den samling av holländska och flamländska målningar som finns på Nationalmuseum. En stor del av museets konst består av holländsk konst och inkluderar en blandning av arbeten utförda av framstående konstnärer, såsom Pieter Aertsen, Jan Massys, Frans Floris, Rubens, Rembrandt och Frans Hals.
159 kr
Skickas inom 5-8 vardagar
Till skillnad från den samling med franska målningar från 1600-talet som Nationalmuseum erhöll alldeles nyligen, härrör sig 1700-talssamlingen från museets begynnelse, som sammanföll med det samtida förnyade intresset för fransk kultur. Det är med den anledningen som Nationalmuseum har lyckan att vara ägare till en samling bestående av närmare 350 målningar gjorda av mästare såsom Watteau, Chardin, Boucher, Fragonard, Rigaud, Pesne, Oudry och La Tour, samtliga avbildade och beskrivna i denna magnifika bok.
129 kr
Skickas inom 5-8 vardagar
Nicodemus Tessin the Younger. Sources, Works, Collections I
Inbunden, Engelska, 2000
369 kr
Skickas inom 5-8 vardagar
The project Nicodemus Tessin the Younger - Sources, Works, Collections was initiated in 1999 and aims at a systematic analysis and publication of the manuscripts and collections of the architect Nicodemus Tessin the Younger (1654-1728). After three volumes containing editions of textual sources (see below), a catalogue of Tessin's collection of drawings for ecclesiastical and garden architecture was published in 2004. The next planned volume in the series is a catalogue of Tessin's internationally renowned collection of drawings for the decorative arts. The Swedish architect acquired a large part of the material during his European tour 1687-1688, when he studied the art of interior decoration in Italy, France and the Netherlands, preparing for the construction and furnishing of a new Royal Palace in Stockholm. Among the drawings are around fifty sheets with sketches for furniture and decorative panels with rich acanthus ornaments, acquired in Rome. The court of Louis XIV was, however, the most important model, and until the end of his life, Tessin continued ordering drawings, books and prints from France as reference tools for his work. The catalogue work is based on Carl Gustaf Tessin's precise inventory of his father's collection, written in 1732. The drawings collection of Nicodemus Tessin the Younger forms part of the larger Tessin-Hårleman Collection (THC) at the Nationalmuseum. European and North American scholars frequently consult this documentation of seventeenth- and eighteenth-century architecture and decorative arts. One reason is that the collection contains numerous records of buildings, gardens and objects that have been lost. The project is led by the research curator Martin Olin with financial support from The Bank of Sweden Tercentenary Foundation and The Royal Swedish Academy of Letters, History and Antiquities. The project also has an international advisory committee.
128 kr
Skickas inom 5-8 vardagar
364 kr
Skickas inom 5-8 vardagar
År 1933 fick Nationalmuseum ta emot en donation från bankmannen Olof Aschberg, bestående av en samling på omkring 245 ikoner, som nästan tjugo år senare kompletterades med en gåva på ytterligare trettio ikoner. I dag består samlingen av 325 ikoner, två av dem byzantinska, cirka trettio från Grekland och Balkan och den övriga delen, alltså majoriteten, är ryska. Det äldsta föremålet är från 1300-talet. Helge Kjellin publicerade 1933 en begränsad katalog över Aschbergs donation när den överlämnades till Nationalmuseum. Den aktuella katalogen är den första som beskriver samlingen i dess helhet.
Nicodemus Tessin the Younger. Sources, Works, Collections II
Inbunden, Engelska, 2002
369 kr
Skickas inom 5-8 vardagar
The project Nicodemus Tessin the Younger - Sources, Works, Collections was initiated in 1999 and aims at a systematic analysis and publication of the manuscripts and collections of the architect Nicodemus Tessin the Younger (1654-1728). After three volumes containing editions of textual sources (see below), a catalogue of Tessin's collection of drawings for ecclesiastical and garden architecture was published in 2004. The next planned volume in the series is a catalogue of Tessin's internationally renowned collection of drawings for the decorative arts. The Swedish architect acquired a large part of the material during his European tour 1687-1688, when he studied the art of interior decoration in Italy, France and the Netherlands, preparing for the construction and furnishing of a new Royal Palace in Stockholm. Among the drawings are around fifty sheets with sketches for furniture and decorative panels with rich acanthus ornaments, acquired in Rome. The court of Louis XIV was, however, the most important model, and until the end of his life, Tessin continued ordering drawings, books and prints from France as reference tools for his work. The catalogue work is based on Carl Gustaf Tessin's precise inventory of his father's collection, written in 1732. The drawings collection of Nicodemus Tessin the Younger forms part of the larger Tessin-Hårleman Collection (THC) at the Nationalmuseum. European and North American scholars frequently consult this documentation of seventeenth- and eighteenth-century architecture and decorative arts. One reason is that the collection contains numerous records of buildings, gardens and objects that have been lost. The project is led by the research curator Martin Olin with financial support from The Bank of Sweden Tercentenary Foundation and The Royal Swedish Academy of Letters, History and Antiquities. The project also has an international advisory committee.
428 kr
Skickas inom 5-8 vardagar
The project Nicodemus Tessin the Younger - Sources, Works, Collections was initiated in 1999 and aims at a systematic analysis and publication of the manuscripts and collections of the architect Nicodemus Tessin the Younger (1654-1728). After three volumes containing editions of textual sources (see below), a catalogue of Tessin's collection of drawings for ecclesiastical and garden architecture was published in 2004. The next planned volume in the series is a catalogue of Tessin's internationally renowned collection of drawings for the decorative arts. The Swedish architect acquired a large part of the material during his European tour 1687-1688, when he studied the art of interior decoration in Italy, France and the Netherlands, preparing for the construction and furnishing of a new Royal Palace in Stockholm. Among the drawings are around fifty sheets with sketches for furniture and decorative panels with rich acanthus ornaments, acquired in Rome. The court of Louis XIV was, however, the most important model, and until the end of his life, Tessin continued ordering drawings, books and prints from France as reference tools for his work. The catalogue work is based on Carl Gustaf Tessin's precise inventory of his father's collection, written in 1732. The drawings collection of Nicodemus Tessin the Younger forms part of the larger Tessin-Hårleman Collection (THC) at the Nationalmuseum. European and North American scholars frequently consult this documentation of seventeenth- and eighteenth-century architecture and decorative arts. One reason is that the collection contains numerous records of buildings, gardens and objects that have been lost. The project is led by the research curator Martin Olin with financial support from The Bank of Sweden Tercentenary Foundation and The Royal Swedish Academy of Letters, History and Antiquities. The project also has an international advisory committee.
Nicodemus Tessin the Younger. Sources, Works, Collections IV
Inbunden, Engelska, 2004
393 kr
Skickas inom 5-8 vardagar
The project Nicodemus Tessin the Younger - Sources, Works, Collections was initiated in 1999 and aims at a systematic analysis and publication of the manuscripts and collections of the architect Nicodemus Tessin the Younger (1654-1728). After three volumes containing editions of textual sources (see below), a catalogue of Tessin's collection of drawings for ecclesiastical and garden architecture was published in 2004. The next planned volume in the series is a catalogue of Tessin's internationally renowned collection of drawings for the decorative arts. The Swedish architect acquired a large part of the material during his European tour 1687-1688, when he studied the art of interior decoration in Italy, France and the Netherlands, preparing for the construction and furnishing of a new Royal Palace in Stockholm. Among the drawings are around fifty sheets with sketches for furniture and decorative panels with rich acanthus ornaments, acquired in Rome. The court of Louis XIV was, however, the most important model, and until the end of his life, Tessin continued ordering drawings, books and prints from France as reference tools for his work. The catalogue work is based on Carl Gustaf Tessin's precise inventory of his father's collection, written in 1732. The drawings collection of Nicodemus Tessin the Younger forms part of the larger Tessin-Hårleman Collection (THC) at the Nationalmuseum. European and North American scholars frequently consult this documentation of seventeenth- and eighteenth-century architecture and decorative arts. One reason is that the collection contains numerous records of buildings, gardens and objects that have been lost. The project is led by the research curator Martin Olin with financial support from The Bank of Sweden Tercentenary Foundation and The Royal Swedish Academy of Letters, History and Antiquities. The project also has an international advisory committee.
159 kr
Skickas inom 5-8 vardagar
Denna volym ägnar sig åt 1800-talet och Pontus Grate slutför härmed sin översikt över Nationalmuseums samling av franska målningar; en av de mest framstående samlingarna utanför Frankrike. Där de föregående volymerna, som täckte 1600-talet (utgiven år 1988) och 1700-talet (1994), var Grates egna arbeten, samarbetar han i föreliggande volym med Peter Hedström, forskare från en yngre generation. Per Hedström har här ägnat sig åt impressionistmålarna, en uppgift som han är väl kvalificerad för efter att ha arbetat med museets viktiga utställning om impressionismen som hölls år 2003.
Dutch and Flemish Paintings II
Inbunden, Engelska, 2005
364 kr
Skickas inom 5-8 vardagar
Dutch Paintings Part II är en del i en serie kataloger över holländska och flamländska målningar som finns på Nationalmuseum. Denna volym beskriver holländska målningar från 1600- och 1700-talen. Många verk har sitt ursprung i kungliga samlingar och andra har erhållits genom Sveriges största privata samlare, Carl Gustaf Tessin. Sex arbeten av Rembrandt, inklusive "Batavernas trohetsed till Claudius Civilis", ett lån från Konstakademien, är några av de mest berömda verken i samlingen, liksom målningar av Frans Hals, Pieter de Hooch, Caesar ans Allaert van Everdingen, Judith Leyster och Hendrick Terbrugghen.
759 kr
Skickas inom 5-8 vardagar
The Nationalmuseum in Stockholm holds a vast collection of Italian paintings dating from the High Middle Ages to the late Nineteenth century. The present catalogue offers the first results of the ongoing research of the approximately 900 paintings of which very few are previously edited. The paintings are discussed according to their historical provenance in order to give the reader a broader picture of the paintings’ history. The collection reflects not just the tastes and pursuits of the early modern royal patronage but also the policies regarding acquisition in the Nationalmuseum during the first decades of the twentieth century. Ultimately, the catalogue offers a great insight into the reception of Italian art in Sweden during three centuries. Among interesting results, the research team has been able to discover never edited works by, for instance, Federico Barocci and Pietro da Cortona. The only existing version of Caravaggio’s St John the Baptist in the Galleria Corsini in Rome, which is kept in the collection, has been successfully investigated by an Italian team and with a highly interesting attribution as a result.