Robson Classical Lectures – serie

The annual harvesting of cereal crops was one of the most important economic tasks in the Roman Empire. Not only was it urgent and critical for the survival of state and society, it mobilized huge numbers of men and women every year from across the whole face of the Mediterranean. In Bringing in the Sheaves, Brent D. Shaw investigates the ways in which human labour interacted with the instruments of harvesting, what part the workers and their tools had in the whole economy, and how the work itself was organized.Both collective and individual aspects of the story are investigated, centred on the life-story of a single reaper whose work in the wheat fields of North Africa is documented in his funerary epitaph. The narrative then proceeds to an analysis of the ways in which this cyclical human behaviour formed and influenced modes of thinking about matters beyond the harvest. The work features an edition of the reaper inscription, and a commentary on it. It is also lavishly illustrated to demonstrate the important iconic and pictorial dimensions of the story.

Based on Elaine Fantham's 2004 Robson lectures, Latin Poets and Italian Gods reconstructs the response of Roman poets in the late republic and Augustan age to the rural cults of central Italy. Study of Roman gods is often limited to the grand equivalents of the Olympian Greek deities such as Jupiter, Mars, and Juno. However, real-life Italians gave a lot of their affection and loyalty to humbler gods with no Greek equivalent: local nymphs who supplied healing waters, the great Tiber river and other lesser rivers, the lusty garden god Priapus, and more.Latin Poets and Italian Gods surveys the representation of these old country gods in poets from Plautus to Statius. Fantham offers historical and epigraphic evidence of worship offered to these colourful lesser spirits and reveals the emotional importance of local Italian deities to the sophisticated poets of the Augustan age.

In an expansion of his 2012 Robson Classical Lectures, Clifford Ando examines the connection between the nature of the Latin language and Roman thinking about law, society, and empire. Drawing on innovative work in cognitive linguistics and anthropology, Roman Social Imaginaries considers how metaphor, metonymy, analogy, and ideation helped create the structures of thought that shaped the Roman Empire as a political construct.Beginning in early Roman history, Ando shows how the expansion of the empire into new territories led the Romans to develop and exploit Latin’s extraordinary capacity for abstraction. In this way, laws and institutions invented for use in a single Mediterranean city-state could be deployed across a remarkably heterogeneous empire.Lucid, insightful, and innovative, the essays in Roman Social Imaginaries constitute some of today’s most original thinking about the power of language in the ancient world.