Routledge Studies in Edward Albee and American Theatre – serie
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2 produkter
2 produkter
Edward Albee and the Emergence of Difference and Diversity in US and World Theatre
1950s-1970s
Inbunden, Engelska, 2025
2 430 kr
Skickas inom 10-15 vardagar
This collection of essays seeks to present articles that examine the early ventures of the 1960s and 1970s in the progressive theatre of identity with a new contemporary view, considering the intersection of race, gender, ethnicity, economic class, and sexual orientation.In 1964, Edward Albee and his producers, Richard Barr and Clinton Wilder, produced Funnyhouse of a Negro by Adrienne Kennedy, and Dutchman by Amiri Baraka (then, Leroi Jones), and by 1968, had produced the seminal gay drama, The Boys in the Band by Mart Crowley. No other major American playwright of this period (including Thornton Wilder, Arthur Miller, Tennessee Williams, or William Inge) produced the plays of their junior colleagues with a specific focus on difference and diversity. For most scholars, these productions and Albee’s involvement in them are a somewhat obscure footnote in theatre history. But they remain important for their early support of diverse voices. Even as Albee’s career was skyrocketing, he and his producers had begun a producing project that sowed the seeds of diversity, equity, and inclusion in a decidedly anti-racist, decolonizing, and progressive move that still resonates powerfully today. While this book is not a hagiography and does not intend to paint Albee as without his own critical failings in terms of diversity in his own work and that of others, this volume of theatre history, dramatic literature, and performance essays takes a detailed, critical approach to Albee’s engagement with other initiating plays, productions, producers, theatre companies, theatre artists, and performances in the United States that pushed the dial toward difference and diversity in the late 1950s through the late 1970s, beginning the formations of new theatres of identity across the United States.This volume will be of great interest to students and scholars in theatre and performance studies.
2 430 kr
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Jack Gelber: Consider This explores the works of American playwright Jack Gelber (1932–2003), whose groundbreaking, immersive play The Connection (produced by The Living Theatre in 1959) served as the link between the Art Theatre/Beat Generation and the Off-Off-Broadway movement.With The Connection, Gelber provided a Pirandellian framework in which actors playing junkies demonstrated what it was like to wait for a fix. This play forever cemented Gelber’s status in the American theater, and yet his subsequent works have been overlooked. This study, the first monographlength work dedicated to Gelber’s plays, will consider Jack Gelber’s theatrical works as important social humanist absurdist parables that force the audience to consider how the systems we create are flawed, to the extent that some addictions are permissible (even championed), and how we have an obligation to recognize that our social structures are upheld by, to use Gelber’s word, “phonies.” Gelber provides no easy answers. Rather, his plays attempt to shake audiences out of passive spectatorship both in the theater and (as is the hope) in their lives. The plays of Gelber will be analyzed closely, supplemented (where possible) with critical reactions to the plays as produced, while contextualizing each work within its own socioeconomic moment.This book will appeal to scholars, professors, students, and other historians who have an interest in American playwriting.