Salt Modern Stories – serie

‘Nobody believes what they see on TV, so they want to look for something else, an alternate reality, or a conspiracy theory, and it’s interesting to explore it, Twitter is fucking full of it, especially now. It’s no wonder people round here are into it, but you don’t have to read all that shit, just have some mushrooms and wander round Lidl off your tits.’In these fourteen northern tales, Campbell takes us from the edgelands of Manchester to the cloistered villages of The Peak District, Northumberland and Scotland, and illuminates the lives of outsiders, misfits, loners and malcontents with an eye for the darkly comic. A wild-eyed man disturbs the banter in a genial bookshop. A fraught woman seeks to flee a collapsing reservoir. A failed academic finds solace in a crime writer’s favourite pub. A transit van killer stalks a railway footpath. A poet accused of plagiarism finds his life falling apart.

This collection of short fiction aims to define the sometimes indefinable and to give voice to those struggling to make sense of what life throws at them. There are those who travel in a continuous loop on London’s underground and those who dance at night with the departed. A woman confronts herself in a bedroom mirror after decades of denial and a widow finds comfort in an osteopath’s consulting room. And then there is a strange creature who falls to earth; dreams and portents; crows and folklore, and much more.The stories are tragic and comi-tragic, but all reveal the strength and complexity of the human spirit. They bring poignant insights on grief, loss and longing and the depths and strangeness of the human psyche and how we manage to survive and just about cope.

Howell’s much-celebrated stories interweave elements of the commonplace with darkness, subterfuge and sheer weirdness, all realised with natural narrative flair. In this striking new collection, we see Howell explore a wide range of cultures, including Hawaii, Portugal and Japan, alongside these are period tales, and sinister and sexual encounters, all related with a cool eye for our desires and obsessions.

Longlisted for The Edge Hill Short Story Prize 2023Ambitious and playful, darkly humorous and imaginative, these strikingly original stories move effortlessly between the realistic and the fantastical, as their outsider characters explore what it’s like to be human in the twenty-first century. Whether about our relationship with the environment and animals, technology, social media, loneliness, or the enormity of time, they reflect the complexities of being alive. Beautifully written and compelling, you won’t read anything else like them.

Alison Moore’s debut collection, The Pre-War House and Other Stories, gathered together stories written prior to the publication of her first novel.‘The tales collected in The Pre-War House… pick at psychological scabs in a register both wistful and brutal.’ —Anthony Cummins, The Times Literary Supplement‘Moore’s writing is surprising and exact and culminates in the title story, the novella which brings the collection to a powerful crescendo’ —The Arkansas International‘just as uncompromising and unsettling as The Lighthouse… Moore’s distinctive voice commands exceptional power’ —Dinah Birch, The GuardianEastmouth and Other Stories is her second collection, featuring stories published in the subsequent decade, including stories that have appeared in Best British Short Stories, Best British Horror and Best New Horror, as well as new, unpublished work.

This new short story collection from Clare Fisher explores of feelings of failure around gender, sexuality, and work, that arise in a success-obsessed capitalist culture. Dazzling, playful, and experimental, it veers between the real, the surreal and the absurd.

Winner of the 2025 Arnold Bennett Book PrizeThese are tales from the post-industrial scablands – stories of austerity, poverty, masochism and migration. The people here are sick, lonely, lost, half-living in the aftermath of upheaval or trauma. A teacher obsessively canes himself. A neurologist forgets where home is. A starving woman sells hugs in an abandoned kiosk. Yet sometimes, even in the twilit scablands, there’s also beauty, music, laughter. Sometimes a town square is filled with bubbles. Sometimes sisters dream they can fly. Sometimes an old man plays Bach to an empty street, two ailing actors see animal shapes in clouds, a cancer survivor searches for a winning lottery ticket in her rundown flat. And sometimes Gustav Mahler lives just round the corner, hoarding rare records in a Stoke terrace.

From the septuagenarian prostitute exposed in a tabloid sting to the Queen Bee of a local dramatic society upstaged by her cleaner; from the nine-year-old girl caught in the crossfire of her parents’ divorce to the widow stranded on an Antarctic cruise during the COVID pandemic; from the doctor’s wife confronting the enormity of her husband’s online dealings to the forgotten musical comedy star yearning to return to the spotlight; these twelve captivating and compelling stories explore a diverse range of female experience. By turn humorous and poignant, whimsical and provocative, they make for richly rewarding reading.

Shortlisted for The Edge Hill Short Story Prize 2024A plane crashes. A boy drowns. A body is found on a dark lakeside. A woman tries to make sense of a strange memory from her childhood. A father searches for a missing dog – his only link to his lost son. A boy on the brink of adolescence embarks on a journey and gets more than he bargained for. Young lovers get their kicks trespassing in empty houses. A young man prepares to leave his hometown for the last time, and a giant sink hole threatens to swallow everything.In Forgetting Is How We Survive, people are haunted by ghosts of the past, tormented by doppelgangers and pining for the futures that have been lost to them. Each faces a turning point – an event that will move their life from one path to another, and every event casts a shadow.The stories in this collection come from another England where earthy realism hides another world where anything is possible.

Longlisted for The Edge Hill Short Story Prize 2024The countryside – what is it for? A paradise on earth where you can relax and get creative? Or an outdoor wool factory where every other house is an Airbnb and there are fewer trees than Camden. In his new collection of short stories David Gaffney explores the theme of town versus country through a number of different lenses, including his own experience of being brought up in west Cumbria then moving to Manchester. A creative residency on the coast of Scotland becomes weirder and weirder in “The Retreat”; ‘I’ve always had the feeling that the countryside has something against me and that one day it will take its revenge.’ In “The Table”, a recluse in Penrith uses mid-century furniture to lure city dwellers into a world of ‘depressed farmers with shotguns and bottomless pits of slurry that will swallow you so hard you'll never be seen again. And in “The Garages” the pressure of city living forces a man to become oddly obsessed with empty spaces. Often funny, often haunting, often profound, Gaffney uses dark humour and surreal characters to demonstrate a deep understanding of how places, urban or rural, can shape, influence and sometimes distort our lives. ‘People who like the countryside tend to believe in things that aren’t really there,’ says a character in “The Country Pub”. These are indeed stories about things that aren’t really there, and this is why they resonate with you long after you have stopped reading.

With this new collection the acclaimed novelist Christopher Burns proves his mastery of the short story form. His intelligent but conflicted characters face their decisive moments across wide ranges of time and place, each action reshaping their futures and redefining their pasts. Interplaying with these choices are locations that underpin and define each story, such as a repository of unstable nitrate film, a desert outcrop where a daughter vanished, a winter barn in which a silent refugee works without explanation, and a Parisian suicide that echoes down far more than a century.In these stories, landscape itself can be a determinant, as essential to the narrative as the characters that walk into a draining reservoir, a Neolithic cave, or a remote Greek church. For these are driven people – haunted or determined, alert or unaware, lovers or doubters, saviours or perpetrators.Several of these stories have previously appeared in publications as diverse as Les Temps Modernes, Granta Shorts, Best British Short Stories, The Time Out Book of New York Stories and Prospect.Christopher Burns’ work has been praised by Kazuo Ishiguro, Melvyn Bragg, Margaret Drabble, Hilary Mantel and others. He is the author of six novels, including The Flint Bed (shortlisted for the Whitbread award), The Condition of Ice, A Division of the Light, and an earlier collection of short stories, About The Body. He lives in Cumbria.This is a wholly distinctive, ambitious and challenging collection that can be read again and again.

‘Funny, chilling, intriguing: each tale offers something different from the last, and the overall result is like listening to a perfectly made album.’ —Mark WatsonAn anechoic chamber is a soundproofed room with no echo. The profound silence it produces is disturbing enough. But listen carefully and you’ll hear something worse … In this new collection of uncanny short stories, award-winning author Will Wiles finds sinister creatures and subtle nightmares in mundane modern environments and bureaucracy. A cursed NHS file brings doom to whoever handles it. A memory-foam mattress breaks down the walls of sleep. A marketing executive for a property developer turns to the occult. And horror seeps from the most unexpected places: eBay purchases, boxes of holiday photographs, and the hidden corners of the smart TV menu. While mostly modern in setting, this is a collection steeped in the tradition of the weird tale and the ghost story, and includes homages to the greats of the previous century: a doomed Edwardian antiquarian is drawn into a murderous plot involving a Roman mosaic, and river boatmen uncover eldritch terror in a deserted mining town. You’ll never look at some things the same way again.

Campbell gives voice to the extraordinary (never ordinary) men and women of Manchester. He goes beyond the King's English and formulaic approaches to short stories to capture, in print, how people really talk. Think James Kelman, Irvine Welsh, but Mancunian. Funny and heartfelt, this book is a romp to whizz through with pleasure. Forget mad for it Madchester, this is the Manchester of now, where Hacienda clichés turn into corporate nightmares and the only art is in marketing.

Irish Times: Books to Look Out for in 2025This collection of stories, written especially for BBC Radio 4, includes a ten-part sequence: ‘The Circus’, set around Cliftonville Circus, where five roads meet in North Belfast. It’s five minutes from the nationalist Troubles flashpoint of Ardoyne, where Paul grew up. It’s close to Holy Cross Girls’ School, where protests targeting primary school children drew international attention. The Circus is situated in the poorest part of Belfast – it is also the most divided. Each road leads to a different area – a different class – a different religion. The Circus explores where old Belfast clashes with the new around acceptance, change, class and diversity. But this is 2024 and a fresh energy exists.Other stories include ‘Tickles’, a story about a man visiting his mother in a dementia ward where he finds he is the one who had forgotten important things; ‘Cuckoo’, about a man’s collapse and surgery – where he feels something more sinister has happened to him; and ‘Daddy Christmas’, where a gay man writes a letter to the son he never had.

Shortlisted for the East Anglian Book Awards 2025On Stewkey Blues: ‘In his solid, grounded, entertaining collection of stories, DJ Taylor draws out the mythical qualities of East Anglia’s terrain, urban or rural or somewhere marginal in between.’ —Hilary MantelMost of the people in Poppyland are watching their lives begin to blur at the margins. From small-hours taxi offices, out-of-season holiday estates and flyblown market stalls, they sit observing an environment that seems to be moving steadily out of kilter, struggling to find agency, making compromises with a world that threatens to undermine them, and sometimes – but only sometimes – taking a decisive step that will change their destinies.

A woman with a successful career in child protection is floored by her husband’s sudden death; a retired civil servant smothers his wife, but can’t go through with their pact; a teacher fleeing a disastrous school trip finds himself – literally – in a dark wood.Pascal famously said we shall die alone. But there are always others left behind to grieve, to cheer, to feel guilt, relief or laughter, because we are human, whether we like it or not. In these stories, a dozen characters find at least a dozen ways to live by facing death – their own or that of those they love – in familiar worlds shot through with a strange absurdity.A man with cancer is employed to smoke by a character from a novel who may never have existed; an historian finds a love he hopes will last beyond the grave, even if it isn’t his; a former judge dispenses justice in a prison camp; a randomly-selected Prime Minister confronts the biggest life-or-death decision she – or anyone – will ever have to take.A Day Like Any Other explores death – natural, assisted, promised and unexpected – with compassion, wit, a steady gaze and a desire to confront the challenge we mostly prefer to avoid: why live at all? It is the perfect collection for anyone who’s going to die one day.