Neil Campbell – författare

Bringing together a diverse group of scholars representing the fields of cultural and literary studies, cultural politics and history, creative writing and photography, this collection examines the different ways in which human beings respond to, debate and interact with landscape. How do we feel, sense, know, cherish, memorise, imagine, dream, desire or even fear landscape? What are the specific qualities of experience that we can locate in the spaces in and through which we live? While the essays most often begin with the broadly literary - the memoir, the travelogue, the novel, poetry - the contributors approach the topic in diverse and innovative ways. The collection is divided into five sections: ’Peripheral Cultures’, dealing with dislocation and imagined landscapes'; ’Memory and Mobility’, concerning the road as the scene of trauma and movement; ’Suburbs and Estates’, contrasting American and English spaces; ’Literature and Place’, foregrounding the fluidity of the fictional and the real and the human and nonhuman; and finally, ’Sensescapes’, tracing the sensory response to landscape. Taken together, the essays interrogate important issues about how we live now and might live in the future.

During the post-World War II period, the Western, like America's other great film genres, appeared to collapse as a result of revisionism and the emergence of new forms. Perhaps, however, as theorists like Gilles Deleuze suggest, it remains, simply "maintaining its empty frame." Yet this frame is far from empty, as Post-Westerns shows us: rather than collapse, the Western instead found a new form through which to scrutinize and question the very assumptions on which the genre was based. Employing the ideas of critics such as Deleuze, Jacques Derrida, and Jacques Rancière, Neil Campbell examines the haunted inheritance of the Western in contemporary U.S. culture. His book reveals how close examination of certain postwar films—including Bad Day at Black Rock, The Misfits, Lone Star, Easy Rider, Gas Food Lodging, Down in the Valley, and No Country for Old Men—reconfigures our notions of region and nation, the Western, and indeed the West itself.Campbell suggests that post-Westerns are in fact "ghost-Westerns," haunted by the earlier form's devices and styles in ways that at once acknowledge and call into question the West, both as such and in its persistent ideological framing of the national identity and values.

Is the American West in Sergio Leone's "spaghetti westerns" the same American West we find in Douglas Coupland's Generation X? In Jim Jarmusch's movies? In Calexico's music? Or is the American West, as this book tells us, a constantly moving, mutating idea within a complex global culture? And what, precisely (or better yet, imprecisely) does it mean? Using Gilles Deleuze and Félix Guattari's concept of the rhizome, Neil Campbell shows how the West (or west-ness) continually breaks away from a mainstream notion of American "rootedness" and renews and transforms itself in various cultural forms. A region long traversed by various transient peoples (from tribes and conquerors to immigrants, traders, and trappers), the West reflects a mythic quest for settlement, permanence, and synthesis—even notions of a national or global identity—at odds with its rootless history, culture, and nature. Crossing the concept of "roots" with "routes," this book shows how notions of the West—in representations ranging from literature and film to photography, music, and architectural theory—give expression to ideas about identity, nationhood, and belonging in a world increasingly defined by movement across time and borders. The Rhizomatic West offers a new vision of the American West as a hybrid, performative space, a staging place for myriad intersecting and constantly changing identities.

This book of interdisciplinary essays explores how youth has been represented in American culture. The book focuses on familiar literary, film and television texts set within a framework of ideas drawn from cultural and social theory, presenting innovative and challenging analyses of new and classic texts from the 1890s to the 1990s.The collection contributes to the necessary and important debate over the meanings of youth representation within American culture, emphasising the ideological nature of youth and its centrality to a complex reading of popular culture.In particular, the book examines issues of gender, race and sexuality as central to the construction of youth identity and to the other significant relationships between youth and authority. It deliberately asserts the contradictions in youth representations and denies any easy definitions that might serve to compound stereotypes or sustain vested interests.

Now in its fifth edition, American Cultural Studies continues to offer a critical introduction to key concepts, topics and methods in the study of United States culture, exploring subjects that include the city, ethnicity and immigration, religion, youth, and gender and sexuality.The fifth edition has been comprehensively revised to take account of developments in American culture during the past decade. Arguments are supported by close readings of cultural materials that range from novels to paintings, films to political speeches and TV shows to regional cuisines. Updated case studies introduce each chapter, with examples including Moonlight, The Great Gatsby and the songs and videos of Lady Gaga. This book also offers a new chapter on class; extended discussion of gender and sexuality, including masculinities and trans culture; and increased coverage of sports in American culture, including baseball, wrestling and American football. To further engage contemporary readers, this edition provides up-to-date further reading suggestions for each chapter and considers the place of American cultural studies in the current moment.Of particular interest to undergraduate readers, this book is panoramic in its coverage of the field and is a core text for studying American culture.Instructor and student resources for this book include an interactive timeline of cultural and historical events, additional discussion questions and activities for each topic, and suggestions for further reading and online resources for each chapter.

Now in its fifth edition, American Cultural Studies continues to offer a critical introduction to key concepts, topics and methods in the study of United States culture, exploring subjects that include the city, ethnicity and immigration, religion, youth, and gender and sexuality.The fifth edition has been comprehensively revised to take account of developments in American culture during the past decade. Arguments are supported by close readings of cultural materials that range from novels to paintings, films to political speeches and TV shows to regional cuisines. Updated case studies introduce each chapter, with examples including Moonlight, The Great Gatsby and the songs and videos of Lady Gaga. This book also offers a new chapter on class; extended discussion of gender and sexuality, including masculinities and trans culture; and increased coverage of sports in American culture, including baseball, wrestling and American football. To further engage contemporary readers, this edition provides up-to-date further reading suggestions for each chapter and considers the place of American cultural studies in the current moment.Of particular interest to undergraduate readers, this book is panoramic in its coverage of the field and is a core text for studying American culture.Instructor and student resources for this book include an interactive timeline of cultural and historical events, additional discussion questions and activities for each topic, and suggestions for further reading and online resources for each chapter.

Exploring the central themes in modern American cultural studies and discussing how these themes can be interpreted, American Cultural Studies offers a wide-ranging overview of different aspects of American cultural life such as religion, gender and sexuality, regionalism, and ethnicity and immigration. The fourth edition has been revised throughout to take into account the developments of the last four years. Updates and revisions include:discussion of Barack Obama’s time in the White Houseconsideration of ‘Hemispheric American Studies’ and the increasing debates about globalisation and the international role of the USA long-form television and American Studiesup-to-date case studies, such as Girls, The Wire and Orange is the New Black more material on Detroit, the Mexican border, same-sex relationships and Islam in Americaupdated further reading lists and new follow-up work.Illustrated throughout, containing follow-up questions and further reading at the end of each chapter, and accompanied by a companion website (www.routledge.com/cw/campbell) providing further study resources, American Cultural Studies is a core text and an accessible guide to the interdisciplinary study of American culture.

Exploring the central themes in modern American cultural studies and discussing how these themes can be interpreted, American Cultural Studies offers a wide-ranging overview of different aspects of American cultural life such as religion, gender and sexuality, regionalism, and ethnicity and immigration. The fourth edition has been revised throughout to take into account the developments of the last four years. Updates and revisions include:discussion of Barack Obama’s time in the White Houseconsideration of ‘Hemispheric American Studies’ and the increasing debates about globalisation and the international role of the USA long-form television and American Studiesup-to-date case studies, such as Girls, The Wire and Orange is the New Black more material on Detroit, the Mexican border, same-sex relationships and Islam in Americaupdated further reading lists and new follow-up work.Illustrated throughout, containing follow-up questions and further reading at the end of each chapter, and accompanied by a companion website (www.routledge.com/cw/campbell) providing further study resources, American Cultural Studies is a core text and an accessible guide to the interdisciplinary study of American culture.

Energy security, rising energy prices (oil, gas, electricity), 'peak oil', environmental pollution, nuclear energy, climate change and sustainable living are hot topics across the globe. Meanwhile, abundant and perpetual wind resources offer opportunities, via recent technological developments, to provide part of the solution to address these key issues.The rapid growth of large-scale wind farm installations has now led to the generation of clean electricity for tens of millions of homes around the world. However, despite the potential to reduce the losses and costs associated with transmission and to use local wind acceleration techniques to improve energy yields, the potential for urban wind energy has yet to be realised. Although there is increasing public interest, the uptake of urban wind energy in suitable areas has been slow. This is in part due to a lack of understanding of key issues such as: available wind resources; technology integration; planning processes (include assessment of environmental impacts and public safety due to close proximity to people and property); energy consumption in buildings versus energy production from turbines; economics (including grants, subsidies, maintenance); and the effect of complex urban windscapes on performance. Urban Wind Energy attempts to illuminate these areas, addressing common concerns highlighting pitfalls, offering real world examples and providing a framework to assess viability in energy, environmental and economic terms. It is a comprehensive guide to urban wind energy for architects, engineers, planners, developers, investors, policy-makers, manufacturers and students as well as community organisations and home-owners interested in generating their own clean electricity.

Get a true understanding of the essential concepts in Biology with trusted content that sets the standards for excellence, accuracy, and innovation.

Biology: A Global Approach, Global Edition, 12th Edition is the latest version of the ultimate text in the field coming from a leading team of authors, advancing Neil Campbell's vision of delivering an accurate and pedagogically innovative experience.

This latest version reflects the most recent developments in the field, with hallmark and new features that introduce content, interactive tools, and activities aiming to help you organise a vast amount of information and make complex concepts more accessible, engaging, and exciting.

Well-known for strategically integrating text and artwork, the textbook encourages you to build your individual learning skills and the confidence to participate in group discussions and assignments, inviting you to an active process of inquiry and learning.

Hallmark and new features include:

Chapter Openers: A question answered with a clear, simple image to help you visualise and remember concepts as you move through the chapter. Evolution sections: A focus on the evolutionary aspects of the chapter material, ending with questions and writing assignments. Key Concepts: Provide anorganisation of the framework for each chapter, reinforcing your understanding of the topics. Science in the Classroom: Annotated journal articles from the American Association for the Advancement of Science (AAAS).

With engaging content and a plethora of digital and interactive tools, this leading textbook is the trusted course solution in the field, ensuring you get a pedagogical yet enjoyable learning experience.

You can now review sample pages from the text here.

Get a true understanding of the essential concepts in Biology with trusted content that sets the standards for excellence, accuracy, and innovation.

Biology: A Global Approach, Global Edition, 12th Edition is the latest version of the ultimate text in the field coming from a leading team of authors, advancing Neil Campbell's vision of delivering an accurate and pedagogically innovative experience.

This latest version reflects the most recent developments in the field, with hallmark and new features that introduce content, interactive tools, and activities aiming to help you organise a vast amount of information and make complex concepts more accessible, engaging, and exciting.

Well-known for strategically integrating text and artwork, the textbook encourages you to build your individual learning skills and the confidence to participate in group discussions and assignments, inviting you to an active process of inquiry and learning.

Hallmark and new features include:

Chapter Openers: A question answered with a clear, simple image to help you visualise and remember concepts as you move through the chapter. Evolution sections: A focus on the evolutionary aspects of the chapter material, ending with questions and writing assignments. Key Concepts: Provide anorganisation of the framework for each chapter, reinforcing your understanding of the topics. Science in the Classroom: Annotated journal articles from the American Association for the Advancement of Science (AAAS).

With engaging content and a plethora of digital and interactive tools, this leading textbook is the trusted course solution in the field, ensuring you get a pedagogical yet enjoyable learning experience.

You can now review sample pages from the text here.

How do mental events such as choices and decisions lead to physical action? The problem of mental causation is one of the most important and intriguing philosophical issues of our time and has been at the centre of debates in the philosophy of mind for the past fifty years. In opposition to the recent wave of reductionist theories, this book argues that it is possible to account for mental causation within a nonreductive framework as it adopts a broadly Davidsonian approach to mental causation: reasons cause actions because they are identical to physical events. This work then defends this approach from the frequently raised criticism that it entails epiphenomenalism – the inefficacy of the mental. Moreover, Mental Causation moves beyond Davidson’s views by reconsidering the question of whether reasons causally explain actions, arguing in opposition to Davidson, that explanations appealing to reasons represent a distinct category of explanation from causal explanation. Essential reading for anyone interested in debates about mental causation, this is an excellent text for senior undergraduates, graduate students, and professional philosophers.

Bringing together a diverse group of scholars representing the fields of cultural and literary studies, cultural politics and history, creative writing and photography, this collection examines the different ways in which human beings respond to, debate and interact with landscape. How do we feel, sense, know, cherish, memorise, imagine, dream, desire or even fear landscape? What are the specific qualities of experience that we can locate in the spaces in and through which we live? While the essays most often begin with the broadly literary - the memoir, the travelogue, the novel, poetry - the contributors approach the topic in diverse and innovative ways. The collection is divided into five sections: ’Peripheral Cultures’, dealing with dislocation and imagined landscapes'; ’Memory and Mobility’, concerning the road as the scene of trauma and movement; ’Suburbs and Estates’, contrasting American and English spaces; ’Literature and Place’, foregrounding the fluidity of the fictional and the real and the human and nonhuman; and finally, ’Sensescapes’, tracing the sensory response to landscape. Taken together, the essays interrogate important issues about how we live now and might live in the future.

Worlding the Westerntakes the fiction of the Western United States as a focal point for a re-examination of the consequences of exceptionalism and closed borders in the Trump Era. At a time of bounded individualism, new nativism, climate emergency, and migration crises, author Neil Campbell argues that fiction offers opportunities to put the world back in ways that challenge the dark side of globalization and proposes worlding as a different and more open form of politics. A driving force in the book is a comment from the philosopher Jean-Luc Nancy, who wrote "the unity of the world is not one: it is made of a diversity, including disparity and opposition. It is made of it, which is to say that it is not added to it and does not reduce it. The unity of the world is nothing other than its diversity, and its diversity is, in turn, a diversity of worlds" (The Creation of the World or Globalization, 2007, p. 109). Diversity, disparity, and opposition are central to the dynamic frictional fiction I consider in this book. The American West provides a powerful test case (a laboratory of the future in Charles Bowden's term), in which these features - diversity, disparity, and opposition - are present and yet historically have often been so masked or denied in the rush towards unanimity and nation-building. In this book, the past is never lost or irrelevant, but rather circles around, re-emerging in lives as echoes and hauntings. Worlding is, therefore, a positive, critical concept through which to put the notion of a single world under pressure.

Affective Critical Regionality offers a new approach to developing a sharper, more nuanced understanding of the relations between place, space, memory and affect. It builds on the author’s extensive work on the American West, where he developed the idea of ‘expanded critical regionalism’ to underline the West as multiple, dynamic and relational; engaged in global / local processes, tensions between the rooted and the routed, and increasingly as relevant to debates around the politics of precarity and vulnerability. This book uses affective critical regionality to enable a re-valuing of the local as a powerful means to appreciate the everyday and the over-looked as vital elements within a more inclusive understanding of how we live. Exploring a variety of cultural materials including fiction, memoir, theory, poetry and film it demonstrates how this approach can deepen our understanding of, and simultaneously provoke new relations with, place. Moving beyond the US context through its use of international theoretical voices and texts, it will show how the concept is applicable to other cultural spheres.

Affective Critical Regionality offers a new approach to developing a sharper, more nuanced understanding of the relations between place, space, memory and affect. It builds on the author’s extensive work on the American West, where he developed the idea of ‘expanded critical regionalism’ to underline the West as multiple, dynamic and relational; engaged in global / local processes, tensions between the rooted and the routed, and increasingly as relevant to debates around the politics of precarity and vulnerability. This book uses affective critical regionality to enable a re-valuing of the local as a powerful means to appreciate the everyday and the over-looked as vital elements within a more inclusive understanding of how we live. Exploring a variety of cultural materials including fiction, memoir, theory, poetry and film it demonstrates how this approach can deepen our understanding of, and simultaneously provoke new relations with, place. Moving beyond the US context through its use of international theoretical voices and texts, it will show how the concept is applicable to other cultural spheres.

A young warehouseman, his promising football career cut short by injury, counts flanges, valves and couplings for a living. He longs for the warmth and women of the office, but the prostitutes who hang around the high-rise are easier to deal with. Drink provides relief, if not escape, and probably the last thing he should dream of becoming is a writer, but then he buys himself a note pad and pen.This debut novel by Neil Campbell, author of the short story collections Broken Doll and Pictures From Hopper, is a moving and darkly comic meditation on the challenge of trying to realise dreams in a harsh and unfair world.

In this, the second volume of a projected Manchester trilogy, the young writer takes a zero-hours job in a mail-sorting depot but struggles to cope with the demands of menial work and the attitudes of his colleagues. Only after rescuing and acquiring a pet tortoise does he realise what is most lacking in his life: intimacy. Embarking on a handful of sexual misadventures, he continues to struggle as a writer. He sees the city in which he was born and brought up changing all around him and, when he gets sacked from the sorting office, some hard choices lie ahead.A powerful indictment of austerity politics and Brexit Britain, the novel never loses sight of its working-class characters’ dignity and humanity, and Campbell’s mordantly witty dialogue ensures that the next laugh is never far away. Gripping in its fascination with the everyday, Zero Hours is keenly observed, blackly funny and ultimately uplifting.

The third part of Neil Campbell’s Manchester Trilogy, in which our struggling young writer finds love with a girl called Cho. Where a love song to Manchester becomes a love song to Cho.Lanyards explores how the jobs we wear around our necks dictate the ways we are identified.Building on the previous novel in the trilogy, Zero Hours, our protagonist finds himself on universal credit, taking agency jobs, moving from learning support work in schools and colleges to call centre jobs and back again, via a failed attempt at getting a job as a driver on the Metrolink tram network. Lanyards portrays the comic and poignant moments of working life. All the time reflecting back on the football career the narrator might have had were he not injured, his life as a writer, his experiences of being in a mixed race couple with the Hong Kong born Cho, the Manchester Arena bombing, the continuing success of his beloved Manchester City, the child sex abuse scandals in football, the disparities of wealth in contemporary Britain, and the death of a childhood friend that continues to haunt him.

‘Nobody believes what they see on TV, so they want to look for something else, an alternate reality, or a conspiracy theory, and it’s interesting to explore it, Twitter is fucking full of it, especially now. It’s no wonder people round here are into it, but you don’t have to read all that shit, just have some mushrooms and wander round Lidl off your tits.’In these fourteen northern tales, Campbell takes us from the edgelands of Manchester to the cloistered villages of The Peak District, Northumberland and Scotland, and illuminates the lives of outsiders, misfits, loners and malcontents with an eye for the darkly comic. A wild-eyed man disturbs the banter in a genial bookshop. A fraught woman seeks to flee a collapsing reservoir. A failed academic finds solace in a crime writer’s favourite pub. A transit van killer stalks a railway footpath. A poet accused of plagiarism finds his life falling apart.

Campbell gives voice to the extraordinary (never ordinary) men and women of Manchester. He goes beyond the King's English and formulaic approaches to short stories to capture, in print, how people really talk. Think James Kelman, Irvine Welsh, but Mancunian. Funny and heartfelt, this book is a romp to whizz through with pleasure. Forget mad for it Madchester, this is the Manchester of now, where Hacienda clichés turn into corporate nightmares and the only art is in marketing.

Taking as its starting point the notion of photocinema – or the interplay of the still and moving image – the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways. The book’s innovative approach to film and photography produces a hybrid 'third space', where the whole becomes much more than the sum of its individual parts, encouraging viewers to expand their perceptions to begin to understand the bigger picture. Photocinema represents a nuanced theoretical and practical exploration of the experimental cinematic techniques exemplified by artists like Wim Wenders and Hollis Frampton. In addition to new critical essays by Victor Burgin and David Campany, the book includes interviews with Martin Parr, Hannah Starkey and Aaron Schuman and a portfolio of photographs from various new and established artists.