Alison Moore – författare

A house is more than just a place to lay your head at night. Sometimes, the walls remember.Gathering ten modern masters of the strange and unsettling, Unquiet Guests sets fire to the blueprints and reimagines the haunted house from the foundations up. From dreamlike visions of an abandoned future mansion to a sentient building grown tired of its owners, these rooms echo with whispers of the disenfranchised and the lost.Featuring stories by: Chuck Palahniuk, Grady Hendrix, Kirsty Logan, Will Maclean, Irenosen Okojie, Alison Moore, Matthew Holness, Claire Fuller, Clay Macleod Chapman and Ally Wilkes.

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This Handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology. The book will be useful for academics and students interested in Roman Britain.

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This Handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology. The book will be useful for academics and students interested in Roman Britain.

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This Handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology. The book will be useful for academics and students interested in Roman Britain.

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology.The book will be useful for academics and students interested in Roman Britain.

Futh, a middle-aged, recently separated man heads to Germany for a restorative walking holiday. During his circular walk along the Rhine, he contemplates the formative moments of his childhood. At the end of the week, Futh returns to what he sees as the sanctuary of the Hellhaus hotel, unaware of the events which have been unfolding there in his absence.

Nearing thirty, with an abandoned literature degree and half-hearted dreams of becoming a writer, Bonnie Falls gives in to her parents’ insistence that she finally move out of their home and takes up residence in a shabby first-floor flat with a concrete garden. When her landlady takes an uncommon interest in her—and one of her unfinished stories—Bonnie’s aspirations are rekindled, and when Sylvia suggests the two of them take a summer holiday to a seaside town oddly similar to the one in which the story is set, Bonnie is quickly persuaded to accompany the enigmatic older woman. A tense exploration of power and vulnerability, obsession and manipulation, Death and the Seaside is a masterpiece of form and gripping psychological novel about the stories that we tell ourselves.

With an abandoned degree behind her and a thirtieth birthday approaching, amateur writer Bonnie Falls moves out of her parents’ home into a nearby flat. Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together – to the seaside, perhaps.The new novel from the author of the Man Booker-shortlisted The Lighthouse is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.

Shortlisted for the East Midland’s Book Award 2014The Pre-War House and Other Stories is the debut collection from Alison Moore, whose first novel, The Lighthouse, was shortlisted for the Man Booker Prize and Specsavers National Book Awards 2012.The stories collected here range from her first prize-winning short story (which appeared in a small journal in 2000) to new and recently published work. In between, Moore’s stories have been shortlisted for more than a dozen different awards including the Bridport Prize, the Fish Prize, the Lightship Flash Fiction Prize, the Manchester Fiction Prize and the Nottingham Short Story Competition. The title story won first prize in the novella category of The New Writer Prose and Poetry Prizes.

Sometimes, when you open a door or lift a lid, you find exactly what you expected to find: coats in the coat cupboard, bread in the bread bin, toys in the toy box. And sometimes you don’t.When Sunny’s parents buy an antique shop, they get more than they bargained for: in some of the old furniture, Sunny finds ghosts. Each of the ghosts has an unfulfilled desire, something they never did in their lifetime: Walter wants to learn to read, Violet wants to write a novel, Mary and Elsie want to go to the seaside. While Sunny is trying to help them all, it seems someone else is out to cause trouble…

Having moved from the Fens to the Midlands to the Scottish Borders, Jessie Noon finds herself struggling to leave the past behind.Following a family tragedy, Jessie Noon moved from the Fens to the Midlands and now lives in the Scottish Borders with a cat, a dog and – she is convinced – a ghost in the spare room. Her husband walked out almost a year ago, leaving a note written in steam on the bathroom mirror, and Jessie hasn’t seen her son for years. When Jessie meets Robert, a local outreach worker, they are drawn to one another and begin a relationship; meanwhile, Jessie has begun receiving messages telling her I’m on my way home.As a translator, Jessie worries over what seems like the terrible responsibility of choosing the right words. It isn’t exactly a matter of life and death, said her husband, but Jessie knows otherwise. This is a novel about communication and miscommunication and lives hanging in the balance (a child going missing, a boy in a coma, an unborn baby), occupying the fine line between life and death, between existing and not existing.

On the hottest day of the year, Ana Sharma and her mum check in to the Hotel Splendid, a place where bells seem to ring all by themselves, jam pots and milk jugs appear on the breakfast table as if by magic, and things go bump in the night. The Hotel Splendid has a problem. When Ana and Sunny meet, they come up with a solution, but one problem leads to another. Meanwhile, the hotel is harbouring an unexpected guest …

Since childhood, Sandra Peters has been fascinated by the small, private island of Lieloh, home to the reclusive silent-film star Valerie Swanson. Having dreamed of going to art college, Sandra is now in her forties and working as a receptionist, but she still harbours artistic ambitions. When she sees an advert for a two-week artists’ retreat on Lieloh, Sandra sets out on what might be a life-changing journey.

A notoriously scary ghost is supposed to haunt the ruined medieval castle where Sunny and his friends are spending the day. But when a troubling visitor arrives at the antique shop, it turns out the danger is closer to home than they thought . . .

Alison Moore’s debut collection, The Pre-War House and Other Stories, gathered together stories written prior to the publication of her first novel.‘The tales collected in The Pre-War House… pick at psychological scabs in a register both wistful and brutal.’ —Anthony Cummins, The Times Literary Supplement‘Moore’s writing is surprising and exact and culminates in the title story, the novella which brings the collection to a powerful crescendo’ —The Arkansas International‘just as uncompromising and unsettling as The Lighthouse… Moore’s distinctive voice commands exceptional power’ —Dinah Birch, The GuardianEastmouth and Other Stories is her second collection, featuring stories published in the subsequent decade, including stories that have appeared in Best British Short Stories, Best British Horror and Best New Horror, as well as new, unpublished work.

The definitive showcase of the year’s finest British short stories‘Bravo to Salt’s beacon of delight and intrigue – its annual collection of the UK’s best short stories, from established and emerging voices.’ —Duncan MinshullNow relaunched for a new era, Best British Short Stories returns with a bold new look and a renewed commitment to celebrating the art of the short story. As we enter our fifteenth volume, this much-loved annual collection continues to be the go-to anthology for readers seeking the most exciting and diverse voices in contemporary British fiction.Assembled by series editor Nicholas Royle, Best British Short Stories 2025 presents a stellar selection of stories first published in 2024, drawn from magazines, journals, anthologies, collections, chapbooks, and online. Whether you’re a devoted follower or discovering the series for the first time, this new edition reaffirms our mission to champion storytelling in all its forms.‘If the latest iteration of Salt’s Best British Short Stories collection is anything to go by then the genre remains in safe hands.’ —Lawrence Foley, TLSFeaturing stories by: David Bevan, Rose Biggin, Christopher Burns, Ian Critchley, Pippa Goldschmidt, Linden Hibbert, Hannah Hoare, Catrin Kean, Roger Luckhurst, Baret Magarian, Wyl Menmuir, Alison Moore, Okechukwu Nzelu, Simon Okotie, Imogen Reid, C. D. Rose, Iain Sinclair, Elizabeth Stott, Mark Valentine, and Naomi Wood.

Winner of the 2013 McKitterick PrizeShortlisted for the 2013 East Midlands Book AwardShortlisted for the Man Booker Prize 2012Shortlisted for New Writer of the Year in the 2012 Specsavers National Book AwardsObserver Book of the Year 2012The Lighthouse begins on a North Sea ferry, on whose blustery outer deck stands Futh, a middle-aged, recently separated man heading to Germany for a restorative walking holiday.Spending his first night in Hellhaus at a small, family-run hotel, he finds the landlady hospitable but is troubled by an encounter with an inexplicably hostile barman.In the morning, Futh puts the episode behind him and sets out on his week-long circular walk along the Rhine. As he travels, he contemplates his childhood; a complicated friendship with the son of a lonely neighbour; his parents’ broken marriage and his own. But the story he keeps coming back to, the person and the event affecting all others, is his mother and her abandonment of him as a boy, which left him with a void to fill, a substitute to find.He recalls his first trip to Germany with his newly single father. He is mindful of something he neglected to do there, an omission which threatens to have devastating repercussions for him this time around.At the end of the week, Futh, sunburnt and blistered, comes to the end of his circular walk, returning to what he sees as the sanctuary of the Hellhaus hotel, unaware of the events which have been unfolding there in his absence.

'A daring collection written in response to lockdown' Alison MacLeod 'A collection that reminds us what it is to be human. A book for right now' , Angela Readman '18 well-chosen stories, loosely based on the idea of solitude, explore loss, loneliness and love,'DAILY MAIL Brilliantly funny, terrifying, tender and sharp: the best short stories to come out of lockdown.

A house is more than just a place to lay your head at night.Sometimes, the walls remember.Gathering ten modern masters of the strange and unsettling, Unquiet Guests sets fire to the blueprints and reimagines the haunted house from the foundations up. From dreamlike visions of an abandoned future mansion to a sentient building grown tired of its owners, these rooms echo with whispers of the disenfranchised and the lost. Featuring stories by Chuck Palahniuk, Grady Hendrix, Kirsty Logan, Will Maclean, Irenosen Okojie, Alison Moore, Matthew Holness, Claire Fuller, Clay McLeod Chapman, and Ally Wilkes.

A house is more than just a place to lay your head at night.Sometimes, the walls remember.Gathering ten modern masters of the strange and unsettling, Unquiet Guests sets fire to the blueprints and reimagines the haunted house from the foundations up. From dreamlike visions of an abandoned future mansion to a sentient building grown tired of its owners, these rooms echo with whispers of the disenfranchised and the lost. Featuring stories by Chuck Palahniuk, Grady Hendrix, Kirsty Logan, Will Maclean, Irenosen Okojie, Alison Moore, Matthew Holness, Claire Fuller, Clay McLeod Chapman, and Ally Wilkes.