Strode Studies in Early Modern Literature and Culture – serie

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16 produkter

Writing Habits
Historicism, Philosophy, and English Benedictine Convents, 1600-1800
AvJaime Goodrich
Inbunden, Engelska, 2021
675 kr
Skickas inom 5-8 vardagar
The first in-depth examination of the texts produced in English Benedictine convents between 1600 and 1800.After Catholicism became illegal in England during the sixteenth century, Englishwomen established more than twenty convents on the Continent that attracted thousands of nuns and served as vital centers of Catholic piety until the French Revolution. Today more than 1,000 manuscripts and books produced by, and for, the Benedictine convents are extant in European archives. Writing Habits: Historicism, Philosophy, and English Benedictine Convents, 1600–1800 provides the first substantive analysis of these works in order to examine how members of one religious order used textual production to address a major dilemma experienced by every English convent on the Continent: How could English nuns cultivate a cloistered identity when the Protestant Reformation had swept away nearly all vestiges of English monasticism?Drawing on an innovative blend of methodologies, Jaime Goodrich contends that the Benedictines instilled a collective sense of spirituality through writings that created multiple overlapping communities, ranging from the earthly society of the convent to the transhistorical network of the Catholic Church. Because God resides at the heart of these communities, Goodrich draws on the works of Martin Buber, a twentieth-century Jewish philosopher who theorized that human community forms a circle, with each member acting as a radius leading toward the common center of God. Buber’s thought, especially his conception of the I-You framework for personal and spiritual relationships, illuminates a fourfold set of affiliations central to Benedictine textual production: between the nuns themselves, between the individual nun and God, between the convent and God, and between the convent and the Catholic public sphere. By evoking these relationships, the major genres of convent writing—administrative texts, spiritual works, history and life writing, and controversial tracts—functioned as tools for creating community and approaching God.Through this Buberian reading of the cloister, Writing Habits recovers the works of Benedictine nuns and establishes their broader relevance to literary history and critical theory.
Weak Woman in a Strong Battle
Women and Public Execution in Early Modern England
AvJennifer Lillian Lodine-Chaffey
Inbunden, Engelska, 2022
776 kr
Skickas inom 5-8 vardagar
A study of the depictions of women’s executions in Renaissance EnglandA Weak Woman in a Strong Battle: Women and Public Execution in Early Modern England provides critical insights on representations of women on the scaffold, focusing on how female victims and those writing about them constructed meaning from the ritual. Jennifer Lodine-Chaffey draws on a wide range of genres, from accounts of martyrdom to dramatic works, to explore not only the words of women executed in Tudor and Stuart England, but also the ways that writers represented female bodies as markers of penitence or deviance.A significant part of the execution spectacle—one used to assess the victim’s proper acceptance of death and godly repentance—was the final speech offered at the foot of the gallows or before the pyre. To ensure their final words held value for audiences, women adopted conventionally gendered language and positioned themselves as subservient and modest. The reception of women’s speeches, Lodine-Chaffey argues, depended on their performances of accepted female behaviors and language as well as physical signs of interior regeneration. Indeed, when women presented themselves or were represented as behaving in stereotypically feminine and virtuous ways, they were able to offer limited critiques of their fraught positions in society.Just as important as their words, though, were the depictions of women’s bodies. The executed woman’s body, Lodine-Chaffey contends, functioned as a text, scrutinized by witnesses and readers for markers of innocence or guilt. The intense focus on the words and bodies of women facing execution during this period, Lodine-Chaffey argues, became a catalyst for a more thorough interest in and understanding of women’s roles not just as criminals but as subjects
Thicker Than Water
Blood, Affinity, and Hegemony in Early Modern Drama
AvLauren Weindling
Inbunden, Engelska, 2023
1 416 kr
Skickas inom 5-8 vardagar
Examines the discourses around the role of bloodlines and kinship in the social hierarchies of early modern Europe“Blood is thicker than water,” goes the old proverb. But do common bloodlines in fact demand special duties or prescribe affections? Thicker than Water examines the roots of this belief by studying the omnipresent discourse of bloodlines and kindred relations in the literature of early modern Europe.Early modern discourses concerning kinship promoted the idea that similar bloodlines dictated greater love or affinity, stabilizing the boundaries of families and social classes, as well as the categories of ethnicity and race. Literary representations of romantic relationships were instrumental in such conceptions, and Lauren Weindling examines how drama from England, France, and Italy tests these assumptions about blood and love, exposing their underlying political function. Among the key texts that Weindling studies are Shakespeare’s Romeo and Juliet¸ Othello, and The Merchant of Venice, Pierre Corneille’s Le Cid, Giambattista della Porta’s La Sorella and its English analog, Thomas Middleton’s No Wit/Help Like a Woman’s, John Ford’s ’Tis Pity She’s a Whore, and Machiavelli’s La Mandragola.Each of these plays offers an extreme limit case for early modern notions of belonging and exclusion, through plots of love, courtship, and marriage, including blood feuds and incest. Moreover, they feature the voices of marginalized groups, unprivileged by these metrics and ideologies, and thus offer significant counterpoints to this bloody worldview.While most critical studies of blood onstage pertain to matters of guilt or violence, Thicker Than Water examines the work that blood does unseen in arbitrating social and emotional connections between persons, and thus underwriting our deepest forms of social organization.
Uncanny Fidelity
Recognizing Shakespeare in Twenty-First-Century Film and Television
AvJames Newlin
Inbunden, Engelska, 2023
1 416 kr
Skickas inom 5-8 vardagar
How the study of Shakespeare’s legacy, specifically in film and television, can radically challenge what we consider to be authentically ShakespeareanIn the field of adaptation studies today, the idea of reading an adapted text as “faithful” or “unfaithful” to its original source strikes many scholars as too simplistic, too conservative, and too moralizing. In Uncanny Fidelity: Recognizing Shakespeare in Twenty-First Century Film and Television, James Newlin challenges these critical orthodoxies. Instead, recognizing how a film or television series closely recalls Shakespeare’s drama encourages an interrogation of what we consider to be “Shakespeare” in the first place. Drawing upon Sigmund Freud’s model of the uncanny—the sudden sensation of peculiar, discomforting familiarity—this book focuses on films and television series that were not marketed as adaptations of Shakespeare. Yet these works unexpectedly invoke lost, even troubling aspects of Shakespeare’s original playtexts, their performance history, or their reception. Broadening the scope of fidelity readings beyond familiar concerns like plot and language, Newlin demonstrates how the study of Shakespeare’s afterlife can clarify both the historical context of his drama and its relevance for the current political moment. Engaging contemporary debates in literary and psychoanalytic theory, this book features provocative close readings of The Tempest, Othello, and The Winter’s Tale alongside recent films and television series, from art-house movies such as The Master and Manchester by the Sea to the cult favorites Brigsby Bear and Vice Principals. These works conjure widely overlooked qualities of Shakespeare’s drama by recalling the casting practices or the generic contexts of the early modern stage or by making a meaningful intervention in the plays’ critical reception. Closely examining these surprisingly faithful adaptations of Shakespeare’s drama helps us to articulate the original experience of the early modern stage and better consider its resonance in the present. This book will benefit students and scholars of Shakespeare on film and psychoanalytic theory. Yet Uncanny Fidelity will also be of interest to scholars of performance history, source studies, and early modern discourses of race and gender—as well as anyone interested in the unexpected connections between canonical literature and contemporary culture. By examining adaptation as an instance of uncanny return, Newlin demonstrates how the study of Shakespeare’s afterlife can radically challenge what we consider to be authentically Shakespearean.
None a Stranger There
England and/in Europe on the Early Modern Stage
AvScott Oldenburg,Matteo Pangallom. fl.
Inbunden, Engelska, 2024
1 416 kr
Skickas inom 5-8 vardagar
A wide-ranging group of scholarly essays that probe the historical nature of English identity, both through self-definition and in relationship to the rest of Europe.
Theaters of Translation
Cosmopolitan Vernaculars in Shakespeare's England
AvAndrew S. Keener
Inbunden, Engelska, 2025
1 544 kr
Skickas inom 5-8 vardagar
In Theaters of Translation: Cosmopolitan Vernaculars in Shakespeare’s England, Andrew S. Keener argues that plays by Thomas Kyd, Mary Sidney Herbert, Ben Jonson, and others were shaped by and contributed to a multilingual Europe full of dictionaries, grammars, and language-learning dialogues. Bringing together critical discussions and methodologies in transnational literary studies, book history, and the history of theater and performance, Keener proposes a fresh, multilingual approach to English Renaissance drama in a way that also liberates the histories of early modern languages and literatures from their national silos.
Single Life
Unpatriarchal Manhoods in English Renaissance Literature
AvJordan Windholz
Inbunden, Engelska, 2025
1 416 kr
Skickas inom 5-8 vardagar
The Single Life examines five types of never-married men in English Renaissance literature and provides new ways to think about histories of marriage, patriarchy, manhood, sexuality, and gender.
Nyhet
Clothed Villainy
Acting White in Early Modern Drama
AvJamie Paris
Inbunden, Engelska, 2026
1 416 kr
Skickas inom 5-8 vardagar
Examines how centuries-old stagecraft shaped modern racial politics—and why the performance of whiteness still commands the spotlight.
From Shakespearean blackface to the alt-right's khaki-clad protests, Clothed Villainy: Acting White in in Early Modern Drama by Jamie Paris confronts the uncomfortable truths of racial performance across centuries. Paris argues that whiteness is not a fixed identity but a precarious and performative construct—shaped and sustained through actions, appearances, and cultural scripts.
Drawing on critical race theory, performance studies, and Indigenous scholarship, Clothed Villainy traces how racial scripts—whether "playing Black," "playing Indian," or especially "playing white"—have been used to uphold white supremacy and erase marginalized identities. By examining the costuming and characterization of white actors portraying Black villains on the early modern stage, Paris reveals how these theatrical traditions continue to echo in contemporary racial politics.
Written with bold clarity and personal insight, this book opens space for reimagining race, history, and identity through a more critical and inclusive lens. Clothed Villainy is essential reading for scholars, students, and anyone seeking to understand the deep-rooted performance of race in society and how we might reimagine it for a more equitable future.
Thicker Than Water
Blood, Affinity, and Hegemony in Early Modern Drama
AvLauren Weindling
Häftad, Engelska, 2023
439 kr
Skickas inom 5-8 vardagar
Examines the discourses around the role of bloodlines and kinship in the social hierarchies of early modern Europe“Blood is thicker than water,” goes the old proverb. But do common bloodlines in fact demand special duties or prescribe affections? Thicker than Water examines the roots of this belief by studying the omnipresent discourse of bloodlines and kindred relations in the literature of early modern Europe.Early modern discourses concerning kinship promoted the idea that similar bloodlines dictated greater love or affinity, stabilizing the boundaries of families and social classes, as well as the categories of ethnicity and race. Literary representations of romantic relationships were instrumental in such conceptions, and Lauren Weindling examines how drama from England, France, and Italy tests these assumptions about blood and love, exposing their underlying political function. Among the key texts that Weindling studies are Shakespeare’s Romeo and Juliet¸ Othello, and The Merchant of Venice, Pierre Corneille’s Le Cid, Giambattista della Porta’s La Sorella and its English analog, Thomas Middleton’s No Wit/Help Like a Woman’s, John Ford’s ’Tis Pity She’s a Whore, and Machiavelli’s La Mandragola.Each of these plays offers an extreme limit case for early modern notions of belonging and exclusion, through plots of love, courtship, and marriage, including blood feuds and incest. Moreover, they feature the voices of marginalized groups, unprivileged by these metrics and ideologies, and thus offer significant counterpoints to this bloody worldview.While most critical studies of blood onstage pertain to matters of guilt or violence, Thicker Than Water examines the work that blood does unseen in arbitrating social and emotional connections between persons, and thus underwriting our deepest forms of social organization.
Bold Conscience
Luther to Shakespeare to Milton
AvJoshua R. Held
Häftad, Engelska, 2023
439 kr
Skickas inom 5-8 vardagar
How the conscience in early modern England emerged as a fulcrum for public actionBold Conscience chronicles the shifting conception of conscience in early modern England, as it evolved from a faculty of restraint—what Shakespeare labels “coward conscience”—to one of bold and forthright self-assertion. The concept of conscience played an important role in post-Reformation England, from clerical leaders to laymen, not least because of its central place in determining loyalties during the English Civil War and the regicide of King Charles I. Yet the most complex and lasting perspectives on conscience emerged from deliberately literary voices—William Shakespeare, John Donne, and John Milton.Joshua Held argues that literary texts by these authors transform the idea of conscience as a private, shameful state to one of boldness fit for navigating both royal power and common dissent in the public realm. Held tracks the increasing political power of conscience from Shakespeare’s Hamlet and Henry VIII to Donne’s court sermons and Milton’s Areopagitica, showing finally that in Paradise Lost, Milton roots boldness in the inner paradise of a pure, common conscience.Applying a fine-grain analysis to literary England from about 1601 to 1667, this study also looks back to the 1520s, to Luther’s theological foundations of the concept, and forward to 1689, to Locke’s transformation of the idea alongside the term “consciousness.” Ultimately, Held’s study shows how conscience emerges at once as a bulwark against absolute sovereignty and as a stronghold of personal certainty.
Uncanny Fidelity
Recognizing Shakespeare in Twenty-First-Century Film and Television
AvJames Newlin
Häftad, Engelska, 2023
439 kr
Skickas inom 5-8 vardagar
How the study of Shakespeare’s legacy, specifically in film and television, can radically challenge what we consider to be authentically ShakespeareanIn the field of adaptation studies today, the idea of reading an adapted text as “faithful” or “unfaithful” to its original source strikes many scholars as too simplistic, too conservative, and too moralizing. In Uncanny Fidelity: Recognizing Shakespeare in Twenty-First Century Film and Television, James Newlin challenges these critical orthodoxies. Instead, recognizing how a film or television series closely recalls Shakespeare’s drama encourages an interrogation of what we consider to be “Shakespeare” in the first place. Drawing upon Sigmund Freud’s model of the uncanny—the sudden sensation of peculiar, discomforting familiarity—this book focuses on films and television series that were not marketed as adaptations of Shakespeare. Yet these works unexpectedly invoke lost, even troubling aspects of Shakespeare’s original playtexts, their performance history, or their reception. Broadening the scope of fidelity readings beyond familiar concerns like plot and language, Newlin demonstrates how the study of Shakespeare’s afterlife can clarify both the historical context of his drama and its relevance for the current political moment. Engaging contemporary debates in literary and psychoanalytic theory, this book features provocative close readings of The Tempest, Othello, and The Winter’s Tale alongside recent films and television series, from art-house movies such as The Master and Manchester by the Sea to the cult favorites Brigsby Bear and Vice Principals. These works conjure widely overlooked qualities of Shakespeare’s drama by recalling the casting practices or the generic contexts of the early modern stage or by making a meaningful intervention in the plays’ critical reception. Closely examining these surprisingly faithful adaptations of Shakespeare’s drama helps us to articulate the original experience of the early modern stage and better consider its resonance in the present. This book will benefit students and scholars of Shakespeare on film and psychoanalytic theory. Yet Uncanny Fidelity will also be of interest to scholars of performance history, source studies, and early modern discourses of race and gender—as well as anyone interested in the unexpected connections between canonical literature and contemporary culture. By examining adaptation as an instance of uncanny return, Newlin demonstrates how the study of Shakespeare’s afterlife can radically challenge what we consider to be authentically Shakespearean.
None a Stranger There
England and/in Europe on the Early Modern Stage
AvScott Oldenburg,Matteo Pangallom. fl.
Häftad, Engelska, 2024
439 kr
Skickas inom 5-8 vardagar
A wide-ranging group of scholarly essays that probe the historical nature of English identity, both through self-definition and in relationship to the rest of Europe.
Theaters of Translation
Cosmopolitan Vernaculars in Shakespeare's England
AvAndrew S. Keener
Häftad, Engelska, 2025
439 kr
Skickas inom 5-8 vardagar
Explores the profound influence of multilingual dictionaries, dialogues, and grammars on English Renaissance playwrightsIn Theaters of Translation, Andrew S. Keener offers a fascinating account of the ways that plays by Thomas Kyd, Mary Sidney Herbert, Ben Jonson, and their fellow English contemporaries were shaped by and part of a multilingual Europe where dictionaries, grammars, and language-learning materials circulated widely. He proposes a fresh, multilingual approach to English Renaissance drama that challenges the histories of early modern European languages as sites of national and linguistic cohesion. Covering the period between 1570 and 1640, when England’s drama and the English language itself were evolving, Keener uses the term “cosmopolitan vernaculars” to examine how nonclassical European languages modeled transnational forms of belonging for playgoers, readers, and authors in Renaissance England. Combining recent contributions to cosmopolitan theory and transnational studies of early modern literature and culture, Keener highlights both the ways in which cosmopolitanism manifests through Europe’s vernacular languages—in print and performance—and the ways languages themselves can exhibit cosmopolitanism for those who encounter them on the page or on the stage. Theaters of Translation opens up new transnational interpretations of English Renaissance plays and casts fresh light on historical anecdotes, such as Jonson inscribing a copy of Pietro Aretino’s scandalous Italian dialogues or Shakespeare’s First Folio being advertised for sale in Germany before its London publication. It offers much of interest to readers and scholars of Renaissance Europe, early modern drama, and the development of national European languages.
Single Life
Unpatriarchal Manhoods in English Renaissance Literature
AvJordan Windholz
Häftad, Engelska, 2025
439 kr
Skickas inom 5-8 vardagar
The Single Life examines five types of never-married men in English Renaissance literature and provides new ways to think about histories of marriage, patriarchy, manhood, sexuality, and gender.
Nyhet
Clothed Villainy
Acting White in Early Modern Drama
AvJamie Paris
Häftad, Engelska, 2026
410 kr
Skickas inom 5-8 vardagar
Examines how centuries-old stagecraft shaped modern racial politics—and why the performance of whiteness still commands the spotlight.
From Shakespearean blackface to the alt-right's khaki-clad protests, Clothed Villainy: Acting White in in Early Modern Drama by Jamie Paris confronts the uncomfortable truths of racial performance across centuries. Paris argues that whiteness is not a fixed identity but a precarious and performative construct—shaped and sustained through actions, appearances, and cultural scripts.
Drawing on critical race theory, performance studies, and Indigenous scholarship, Clothed Villainy traces how racial scripts—whether "playing Black," "playing Indian," or especially "playing white"—have been used to uphold white supremacy and erase marginalized identities. By examining the costuming and characterization of white actors portraying Black villains on the early modern stage, Paris reveals how these theatrical traditions continue to echo in contemporary racial politics.
Written with bold clarity and personal insight, this book opens space for reimagining race, history, and identity through a more critical and inclusive lens. Clothed Villainy is essential reading for scholars, students, and anyone seeking to understand the deep-rooted performance of race in society and how we might reimagine it for a more equitable future.
Poetics of the Legal Sea in English Renaissance Literature
AvHayley Cotter
Häftad, Engelska, 2026
410 kr
Kommande
A vivid exploration of how early modern literature transformed the law of the sea into a rich imaginative realm of maritime space and poetic possibility
Poetics of the Legal Sea in English Renaissance Literature is a richly layered study that traces how early modern writers imagined the sea as both a legal landscape and a site of narrative possibility. Through an interdisciplinary lens, the book illuminates the ways literary forms conceptualized the maritime laws that governed the early modern world. Its narrative moves fluidly between legal frameworks and poetic language, revealing a dynamic exchange between artistic expression and the systems that regulated life at sea.
Hayley Cotter's analysis charts a metaphorical voyage, guiding readers from the calm departure of genre and jurisdiction through turbulent encounters with piracy, shipwreck, and salvage. Plays and poems become vessels that carry ideas about authority, justice, and sovereignty, while rhetorical devices such as metaphor, synecdoche, and metonymy deepen the imaginative pull of maritime experience. This journey foregrounds the cognitive effects of literary language, showing how early modern authors engaged with legal culture in ways that often moved beneath the surface of conscious thought.
As the chapters progress, literary texts become active participants in shaping understandings of law and maritime space. Shakespearean drama, Elizabethan pirate tales, sonneteering traditions, and anonymous sea poems all contribute to a vibrant conversation about how societies negotiated law and commerce on the open water. Bringing together readers interested in early modern literature, maritime history, and interdisciplinary inquiry, Poetics of the Legal Sea in English Renaissance Literature offers a compelling exploration of how the ocean's vast, shifting expanse inspired new ways of thinking about power and the stories that give shape to legal life.

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Strode Studies in Early Modern Literature and Culture – serie

Writing Habits

Weak Woman in a Strong Battle

Thicker Than Water

Uncanny Fidelity

None a Stranger There

Theaters of Translation

Single Life

Clothed Villainy

Thicker Than Water

Bold Conscience

Uncanny Fidelity

None a Stranger There

Theaters of Translation

Single Life

Clothed Villainy

Poetics of the Legal Sea in English Renaissance Literature

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