Triquarterly Books – serie

Another Anti-Pastoral," the opening poem of Forest Primeval, confesses that sometimes "words fail." With a "bleat in [her] throat," the poet identifies with the voiceless and wild things in the composed, imposed peace of the Romantic poets with whom she is in dialogue. Vievee Francis’s poems engage many of the same concerns as her poetic predecessors—faith in a secular age, the city and nature, aging, and beauty. Words certainly do not fail as Francis sets off into the wild world promised in the title. The wild here is not chaotic but rather free and finely attuned to its surroundings. The reader who joins her will emerge sensitized and changed by the enduring power of her work.

A collection of poems exploring a continuing struggle with identity; Everything this poet touches upon is volatile - the poet himself, the people and world around him, ideas and mythologies, the ghosts of memory and the dreams of possible futures, all seem to burst into fragments. Mark Turcotte uses poetry to gather up the pieces - the shards of joy and grief, peace and doubt, strength and temptation, questions and answers - as he tries to define and rediscover what is lost when everyday life becomes explosive. The first part of the book is a series of lyrical poems that all begin with the phrase ""Back when I used to be Indian,"" a self-contradictory concept that strikes at the heart of Turcotte's identity. His absent father and his own experience of fatherhood are the subjects of a second group of poems, leading him to explore the legacy that burdened his father and, in turn, the different kind of legacy that now burdens him. In a third and final group, Turcotte's imagination reaches again into the many flames of his experience, leading toward the title poem, where even the most dangerous of fires become a guiding light.

A group of Americans in Venice encounter an Ezra Pound-like sculptor.

Throughout his award-winning career, Bruce Weigl has proven him-self to be a poet of extraordinary emotional acuity and consummate craftsmanship. In The Abundance of Nothing, these qualities are on full display, animating and informing poems that combine rich, metaphoric imagery with direct, powerful language. Deftly weaving history and everyday experience, Weigl transports readers from the front lines of the Vietnam War and all the tangled cultural and emotional scenes of that time to the slow winds of the American Midwest that softly ease the voice of the veteran returning home. Though the poems struggle with themes of mortality and illness, violence and forgiveness, the poet’s voice never wavers in its meditative calm, poise, and compassion. Elegiac yet agile, ethereal yet embodied, The Abundance of Nothing is a work of searching openness, generous insight, and remarkable grace.