Yale Ben Jonson Series – serie
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3 produkter
3 produkter
491 kr
Skickas inom 5-8 vardagar
Volpone, or “The Fox,” is one of Jonson’s most popular plays and through the years has been a favorite of both theater-goers and readers. Professor Kernan offers his own interpretation, in a critical introduction that fully exploits the rich imagery, intricate plot development, and skillful delineation of character.
491 kr
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In none of Ben Jonson’s plays is Renaissance heroic humanism converted to comic reality more obviously and successfully than in The Alchemist. Here the aspiration of the Renaissance to control and remake the world is imaged as a great swindle, alchemy. Jonson parodies philosophers, scientists, the new Protestantism, the great Renaissance merchant adventurers, and the ages’ ideals of military valor and impassioned love. His characters are comic versions of the ways in which the Renaissance sought power, knowledge, and pleasure—they are also a remarkably realistic cross section, ranging from servant through knight, of London’s life. One of the most popular of Jonson’s plays during his lifetime and a favorite throughout the seventeenth century, The Alchemist, was first produced in 1610. In his introduction, Alvin B. Kernan skillfully conveys the vitality and ultimate power of this difficult play. The glosses and explanatory notes clarify Jonson’s language, with all its references to classical and alchemical literature and the contemporary London underworld. In Appendix I, Mr. Kernan discusses Jonson’s use of alchemy and provides a glossary of alchemical terms. Appendix II includes a discussion of the text, sources, and stage history of the play.
874 kr
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The Renaissance court masque, traditionally an entertainment of music, dancing, pageantry, and spectacular scenic effects, was transformed by Ben Jonson into a serious mode of literary expression. By using its peculiar viability as a forum for his dramatic imagination, Jonson resolved and transcended the satiric vision that was in many ways the substance of Jonsonian drama. He instructed as well as applauded his courtly audience and, with the aid of the great theatrical designer Inigo Jones, brought unity to the diverse elements of the masque, infusing them with a moral and poetic life. This modernized version of Jonson’s masques is the most carefully edited and annotated text available; it is also the first one-volume edition to be published. It includes the faithful reprinting of Jonson’s own glosses and notes, translated and annotated, as well as explanatory notes which offer the most detailed critical commentary ever undertaken. In the Introduction, itself and important essay about the Renaissance stage, Mr. Orgel discusses Jonson’s development of the masque in relation to Inigo Jones’ development of the illusionistic stage.Mr. Orgel is associate professor of English at the University of California in Berkeley.