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With a new preface Bill V. Mullen updates his dynamic reappraisal of a critical moment in American cultural history. Mullen''s study includes reassessments of the politics of Richard Wright''s critical reputation and a provocative reading of class struggle in Gwendolyn Brooks'' A Street in Bronzeville. He also takes an in-depth look at the institutions that comprised Chicago''s black popular front: the Chicago Defender, the period''s leading black newspaper; Negro Story, the first magazine devoted to publishing short stories by and about African Americans; and the WPA-sponsored South Side Community Art Center.
