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    Making Meaning in Puppetry

    Materials, Practice, Perception

    AvDassia N. Posner,Claudia Orenstein

    Inbunden, Engelska, 2025

    2 481 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    From ice puppets to robots, from intricate marionettes to abstract forms, Making Meaning in Puppetry investigates the elusive and multifaceted how of how puppets make meaning in performance.This engaging collection develops a vocabulary for understanding and articulating how the puppet’s meaning-making systems work across the book’s three distinct parts. Part 1 on Materiality illuminates how materials are chosen and dramaturgy is crafted into a puppet’s design; Part 2 on Practice investigates the interresponsive collaboration between puppet and puppeteer; and Part 3 on Perception considers how spectators understand and read a puppet production. The volume thus traces the full evolution of a puppet, from its raw materials, to its performance possibilities, to the moment it comes to imagined life. The seventeen chapters, authored by experts in the field, build bridges between puppetry and related fields, such as robotics, phenomenology, cognitive science, and queer theory, while using the puppet as their primary anchor of analysis.Making Meaning in Puppetry is ideal for students of theatre and performance studies, theatre artists, scholars, and anyone who is fascinated by this rich performance form and wants to understand it more deeply.

    Produktinformation

    • Utgivningsdatum:2025-09-09
    • Mått:156 x 234 x 20 mm
    • Vikt:720 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:304
    • Förlag:Taylor & Francis Ltd
    • ISBN:9781032458137

    Utforska kategorier

    • Referensverk och tvärvetenskap inom Samhälle och politik
    • Övriga konstformer inom Kultur
    • Övrig scenkonst inom Kultur

    Mer om författaren

    Dassia N. Posner is a theatre historian, translator, dramaturg, and puppeteer. She is Associate Professor of Theatre at Northwestern University, USA. Her books include The Director’s Prism: E.T.A. Hoffmann and the Russian Theatrical Avant-Garde, The Routledge Companion to Puppetry and Material Performance (coedited), and Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev (co-edited).Claudia Orenstein, Professor of Theatre at Hunter College and the Graduate Center, CUNY, USA, is co-editor of four books on puppetry from Routledge, author of Reading the Puppet Stage: Reflections on the Dramaturgy of Performing Objects, and Editor of the online journal Puppetry International Research.Alissa Mello is a writer, editor, theatre artist and a Marie Sklodowska-Curie Individual Fellow at the University of Exeter, UK. Their interests include women and performance, gender, identity and practice. Their co-edited books include Sandglass Theater: The Time Before the Glass Turns Over and Women and Puppetry: Critical and Historical Investigations.

    Innehållsförteckning

    • ForewordJohn BellIntroduction: Recentering the PuppetDassia N. Posner, Claudia Orenstein, and Alissa MelloPART 1Materials1 Reading the Material of PerformanceDassia N. Posner2 Notes on a Material DramaturgyLaura Purcell-Gates3 A “Paper” Leviathan: Metaphor and Materiality in the Blair Thomas & Company Moby Dick Skye Strauss4 Aesthetics of Precarity: The Vindicating Materiality of Silencio Blanco’s PuppetryCarlos A. Ortiz5 Chambre Noire: Relational Puppetry and Female Embodiment in the Puppetry of Yngvild Aspeli and Plexus PolaireFelice Amato6 Materializing the Immaterial: Puppets and Masks of Indonesia, Thailand, and Myanmar (Burma)Kathy FoleyPART 2Practice7 The Radicality of the Potato PeopleDenise Rogers Valenzuela8 The Puppet Body as Performance ArchiveJane Catherine Shaw9 Lost in Object Translation: Reading Meaning in Traditional Japanese PuppetryClaudia Orenstein10 Queer Thinking of PuppetryHeather Jeanne Denyer11 Puppets and Dead Kings in Brazilian Theatre: Heiner Muller, Ophelias, and Recurrent Hamletian MachinesMayumi Ilari12 Puppetry and TechnocultureLawrence SwitzkyPART 3Perception13 The Relationality of Puppet LifeDawn Tracey Brandes14 In Your Sight and In Your Mind: The Puppeteer as Cognitive Guide in Koryu- Nishikawa V and Tom Lee’sShank’s MareAna Díaz Barriga15 Puppets, Perception, and the Uncanny: Watching Performances Through a Cognitive LensPia Banzhaf16 Puppetry as PhenomenaKate Brehm17 Thinking through the Hand: Understanding the Puppet through Practice, Gesture, and Touch in the Work of Handspring Puppet CompanyEmma Smith MinkleyAfterwordWill Bixby