This volume's predominant theme is bourgeois mentality and its historical development. The works of Lope de Vega, Calderon, Cervantes, and Shakespeare, among others, are analysed within the historical framework of the decline of feudalism and the rise of the absolute regimes. Those of Moliere and Goethe are set against the background of an evolving and consolidating bourgeois society in Western Europe.
AcknowledgmentsPreface: Social Meanings in LiteraturePart I: Studies on the European Drama and Novel from the Renaissance to the Threshold of Modernity1 The Spanish DramatistsLope de Vega, 1562 1635Calderon, 1600 16812 Cervantes, 1547 1616Mobility: Sancho PanzaCreativity: DulcineaProperty: The GypsiesJustice: Don Quixote3 Shakespeare's The TempestThe Concept of Human NatureFive Themes on the IslandSecularized HumilityExcursus A: The Tempest, Act I, Scene 14 The Classical French TheaterCorneille, 1606 1684Racine, 1639 1699Moliere, 1622 16735 From Werther to Wilhelm MeisterIndividualism and the Middle ClassWerther: The Dislocated IndividualWilhelm Meister: The Integrated IndividualWorld Literature and Popular Culture6 Henrik Ibsen, 1828 1906Private Life and Social ForcesThe Dilemma of Freedom and NecessityExcursus B: Note on August Strindberg7 Knut Hamsun, 1860 1952NatureHero WorshipUrban SocietyNihilismPart II: Studies on the German Novel in the Nineteenth Century8 Romanticism: Revolution Repressed9 "Young Germany": Prehistory of Bourgeois Consciousness10 Eduard Mo;rike: Troubled Embourgeoisement11 Gustav Freytag: Bourgeois Materialism12 Friedrich Spielhagen: Bourgeois Idealism13 Conrad Ferdinand Meyer: Apologia of the Upper Class14 Gottfried Keller: Bourgeois RepressionAfterword: From Helmut Dubiel, Editor of the German Edition of This Volume