This book offers a comprehensive analysis of the writing and production strategies used in live-action fiction film and television produced for children and young audiences, in a period marked by remarkable change in screen consumption.
Eva Novrup Redvall is Associate Professor at the University of Copenhagen, Denmark, where she is Head of the Section for Film Studies and Creative Media Industries. Her research focuses on screenwriting and production, and she has published widely on this since her monograph Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing. This book builds on findings from the research project Reaching Young Audiences, funded by Independent Research Fund Denmark and headed by Redvall from 2019–2024.
Innehållsförteckning
Part I: Entering the Caste.- Chapter 1: Introduction.-Chapter 2: Representations and Discursive Formations of Caste: A Theoretical Framework.- Chapter 3: Contesting Voices of Gandhi and Ambedkar in Dalit Representations: Mulk Raj Anand's Untouchable and Amitabh's"Harijan Mastar".- Chapter 4: Discourse of Sympathy, Violence, and Victimhood - I: Rohinton Discourse of Sympathy, Violence, and Victimhood - I: Rohinton.- Chapter 5: Discourse of Sympathy, Violence, and Victimhood - I: Rohinton Roy's The God of Small Things and Laxman Mane's Upara.- Part III: Accentuating Caste Prejudices: Pejorative Discourse.- Chapter 6: Discourse of Difference and Merit: Manu Joseph's Serious Men and Discourse of Difference and Merit: Amitabh's "Janmakhoon!".- Chapter 7: Re-writing Violence and Victimhood: Aravind Adiga's The White Tiger and Meena Kandasamy's The Gypsy Goddess.- Part IV: Comparing Representational Paradigms Chapter 8: Conclusion.