Greek Tragedy and the Contemporary Actor

Zachary Dunbar is Senior Lecturer in Theatre and Performing Arts Graduate Research Convenor at Victorian College of the Arts, University of Melbourne, Australia. He is a concert pianist, freelance director, writer, and composer with several UK and Australian productions. He publishes on music theatre, theatre history, and Stanislavski studies.Stephe Harrop is Senior Lecturer in Drama (Shakespeare and the Classics) at Liverpool Hope University, UK. Her research focuses on responses to ancient Greek tragedy and epic, the traditional arts in modern theatre-making, and contemporary storytelling practices. She is an associate of the APGRD (University of Oxford), and also works as a performance storyteller.

“Thought-provoking and comprehensive, the book draws on a staggering array of source material, distilling and weaving the knowledge together in a way that is both logical and approachable. ... This volume would be useful for teachers who want their students to forge more intuitive, body-centered relationships with Greek tragedy, directors and vocal coaches interested in sparking their own ingenuity as they stage these plays, and resourceful actors who want to incorporate somatic techniques into character development.” (Karen Kopryanski, Voice and Speech Review, September 10, 2020)

• 1. Introduction.- 2. The Aristotelian Legacy.- 3. The Stanislavski Legacy.- 4. Acting Sound.- 5. Acting Myth.- 6. Acting Space.- 7. Acting Chorus.- 8. Conclusions.