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Marco Grosoli - Eric Rohmer's Film Theory (1948-1953), Häftad

Häftad, Engelska, 2018

Eric Rohmer's Film Theory (1948-1953)

From 'école Scherer' to 'politique des auteurs'

Av Marco Grosoli

Del i serien Film Theory in Media History

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Beskrivning
This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory.
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Marco Grosoli is an Assistant Lecturer in Film Studies at the University of Kent. He authored the first Italian-language monograph on Béla Tarr, co-edited one book on motion capture technologies and one on Guy Debord's cinema.

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"Marco Grosoli's Eric Rohmer's Film Theory (1948-1953) comes at a key point in Rohmer studies ... There has never been a better time to fully emerge oneself into the oeuvre (both his filmography and writings) of Eric Rohmer ... [This book] certainly fills a void in Rohmerian scholarship."- Zachary Ingle, Historical Journal of Film, Radio and Television, Vol. 40, No. 4 (2020) "This is a much-needed contribution to the area of auteur theory, given the many questions raised by (and contradictions inherent in) even the most straightforward attempts to describe the stakes of what was eventually deemed the politique des auteurs."- Leah Vonderheide, H-France, Vol. 19 (2019) "It is the scope and depth of this new book that proves [Grosoli] to be one of the deepest thinkers of his generation of film scholars ... [AUP] has done something bold and commendable in giving us this sustained and serious study of film aesthetics."- Dudley Andrew, Critical Inquiry (2019)

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