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Pia Gottschaller - Unruly Tools, Inbunden

Inbunden, Engelska, 2027

Unruly Tools

Contemporary Artists and the Reinvention of Painting

Av Pia Gottschaller

503 kr

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Beskrivning
Painting,often regarded as the oldest of art forms, has been repeatedly declared"dead." In this groundbreaking study, such notions are thoroughly dismantled,as technical art historian Pia Gottschaller demonstrates how paintersradically reimagined the medium in the years following World War II. Nolonger content to limit themselves to the paintbrush in their search for newtypes of expression, artists began to experiment with new methods, employingfound, fabricated, and repurposed objects-as varied as an Afro comb, thehuman body, and a robotic airbrush-to create paintings unlike those ever seenbefore, revolutionizing the course of art history.Beginning with Jackson Pollock and the Gutai Art Association inJapan, Gottschaller traces the transformation of painting across the globefrom the postwar era to the present day before turning to in-depthexplorations of the work of thirty-eight contemporary painters, includingAmoako Boafo, Helen Frankenthaler, Yves Klein, Julie Mehretu, BeatrizMilhazes, Howardena Pindell, Kazuo Shiraga, and Andy Warhol. Richlyillustrated with over 240 images of artists and their creations,Unruly Tools is the firststudy of this kind and offers essential testimony to painting's continuedvitality and reinvention.
Produktinformation
  • Utgivningsdatum: 2027-01-05
  • Mått: 178 x 229 x undefined mm
  • Vikt: 454 g
  • Format: Inbunden
  • Språk: Engelska
  • Antal sidor: 408
  • Förlag: Getty Trust Publications
  • ISBN: 9798887120348
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Mer om författaren

Pia Gottschaller is an expert in the technical art history of modern and contemporary art. She is a reader at the Courtauld Institute of Art and theauthor of Lucio Fontana (Getty, 2012).

Recensioner i media

Unruly Tools's premise-to consider the tools of contemporarypainters ranging from squeegees to spray cans to computers-is deceptivelysimple yet profoundly original because it readily displaces two persistentmisconceptions about painting: one being that the medium has remained more orless unchanged for centuries and to this day; the other that, in keepingwith repeated proclamations across the 20th century, painting has beenfinished. To boot, Gottschaller's technical expertise is never an endin and of itself but a path toward making sense of painters as thinkers. Lucidand engaging prose betrays the experience of a conservation scholar who hasboth taught and been a regular in artist's studios for decades. - Christine Mehring, Mary L. Block Professor, Universityof Chicago

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