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Originally published in 1985, this volume of essays was compiled in honour of Gordon Manley, a major and distinctive twentieth-century figure in climatology. The range and scope of the topics covered reflect the eclectic interests of Manley, whose orientation was always towards the importance of climate and its impact on mankind. The state of the art of climatic change is considered at different scales by the contributors: from instrumental records on a local scale from Durham and Manchester to discussions on the regional and continental scale. Methodological problems relating to climatic change are treated. The effects of climate and climatic change on plant distribution, disease vectors and agricultural pests are also considered.

Originally published in 1985, this volume of essays was compiled in honour of Gordon Manley, a major and distinctive twentieth-century figure in climatology. The range and scope of the topics covered reflect the eclectic interests of Manley, whose orientation was always towards the importance of climate and its impact on mankind. The state of the art of climatic change is considered at different scales by the contributors: from instrumental records on a local scale from Durham and Manchester to discussions on the regional and continental scale. Methodological problems relating to climatic change are treated. The effects of climate and climatic change on plant distribution, disease vectors and agricultural pests are also considered.

There are fewer distinctions in any language than there are distinct things in the universe. If, therefore, languages are ways of representing the universe, a primary function of their elements must be to allow the much more varied kinds of elements out of which the universe is made to be categorized in specific ways. A prototype approach to linguistic categories is a particular way of answering the question of how this categorization operates. It involves two claims. First, that linguistic categorization exploits principles that are not specific to language but characterize most, if not all, processes of cognition. Secondly, that a basic principle by which cognitive and linguistic categories are organized is the prototype principle, which assigns elements to a category not because they exemplify properties that are absolutely required of each one of its members, but because they exhibit, in varying degrees, certain types of similarity with a particular category member which has been established as the best example (or: prototype) of its kind.The development of the prototype approach into a satisfactory body of theory obviously requires both that its empirical base be enriched, and that its conceptual foundations be clarified. These are the areas where this volume, in its 26 essays, makes original contributions. The first two parts contain discussions in which various kinds of linguistic phenomena are analysed in ways that make essential use of prototype notions. The last two parts contain discussions in which prototype notions themselves become the object, rather than the instrument, of analytical scrutiny.

There are fewer distinctions in any language than there are distinct things in the universe. If, therefore, languages are ways of representing the universe, a primary function of their elements must be to allow the much more varied kinds of elements out of which the universe is made to be categorized in specific ways. A prototype approach to linguistic categories is a particular way of answering the question of how this categorization operates. It involves two claims. First, that linguistic categorization exploits principles that are not specific to language but characterize most, if not all, processes of cognition. Secondly, that a basic principle by which cognitive and linguistic categories are organized is the prototype principle, which assigns elements to a category not because they exemplify properties that are absolutely required of each one of its members, but because they exhibit, in varying degrees, certain types of similarity with a particular category member which has been established as the best example (or: prototype) of its kind.The development of the prototype approach into a satisfactory body of theory obviously requires both that its empirical base be enriched, and that its conceptual foundations be clarified. These are the areas where this volume, in its 26 essays, makes original contributions. The first two parts contain discussions in which various kinds of linguistic phenomena are analysed in ways that make essential use of prototype notions. The last two parts contain discussions in which prototype notions themselves become the object, rather than the instrument, of analytical scrutiny.

With an Introduction and Notes by Peter Preston, University of Nottingham.Illustrations by S.L. Fildes and Hablot K. Browne (Phiz).Dickens’s final novel, left unfinished at his death, is a tale of mystery whose fast-paced action takes place in an ancient cathedral city and in some of the darkest places in nineteenth-century London. Drugs, sexual obsession, colonial adventuring and puzzles about identity are among the novel’s themes. At the centre of the plot lie the baffling disappearance of Edwin Drood and the many explanations of his whereabouts. A sombre and menacing atmosphere, a fascinating range of characters and Dickens’s usual superb command of language combine to make this an exciting and tantalising story.Also included in this volume are a number of unjustly neglected stories and sketches, with subjects as different as murder and guilt and childhood romance. This unusual selection illustrates Dickens’s immense creativity and versatility.