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The New Yorker calls it "unusual and beautiful." The LA Weekly raves, "the photos are strikingly inventive, revealing yet another side of this modern-day Renaissance man." MTV calls it "a charming, well-shot document of a the legendary punk rocker's photographic dabbling." Detroit Metrotimes: "A unique insight into Watt's mind." "Mike Watt: On and Off Bass" is getting a lot of buzz. And for good reason, considering the author and photographer is the legendary punk bassist himself. Mike Watt got his musical start thumping the bass with legendary San Pedro punk trio, The Minutemen in 1980 and he has been at it ever since. Over the years, he's toured with Dos, fIREHOSE, his own The Black Gang, The Secondmen, The Missingmen, and others, and he has worked bass as a sideman for Porno for Pyros, J Mascis and the Fog, as well as punk godfathers The Stooges. Off the road, at his beloved San Pedro, CA home base, Watt developed a deep interest in photography. In Spring 2010, Track 16 Gallery in Santa Monica, CA hosted an exhibit of his photos: "Mike Watt: Eye-Gifts from Pedro."According to Track 16 executive director Laurie Steelink, who curated the exhibit, "He has this knack for finding the early morning sweet spots when venturing out alone on his bike or kayak. The resulting photographs never seem to dry: light, flight, salt, rust, and tide commingle in fiery sunrises, endless heavens, roiling waves and fog." The photos offer another side of Watt that fans of his punk rock music may not be familiar with: While seemingly serene, many have an underlying tension and that often shows the sharp contrast between industry and nature. In "Mike Watt: On and Off Bass," photographs that appeared in the exhibit are punctuated by Watt's poetry and snippets selected from 10 years of his diaries. Watt's writing is insightful, funny, intimate and honest, as he explores topics like John Coltrane, long hauls and overcoming performance fears. "Mike Watt: On and Off Bass" exposes Watt's vision as a photographer, diarist and poet, taking its readers on a trip. And when you stop turning the pages of Watt's story, you start turning the pages of yours, re-ignited. " Mike Watt's photos are the poetry of San Pedro...every time he goes out on that kayak he comes back with gold.These gorgeous images paired with the raw reflections of three decades on the road are sure to blow the minds of all who love punk rock and our beloved vision questing troubadour." - Jack Black " Here is the last stand of the fruited earth and the ship-freighted sea. How lovely America was. God bless San Pedro and Mike Watt." - Iggy Pop " The heart and mind and EYES of Michael Watt, half-brother of us all, in black/white and color. No blue-eyed beatnik Buddhist ever breathed such humility; no jackleg science-fictioneer ever oozed such enchantment. That's right!" - Richard Meltzer "Watt covers the waterfront." - Raymond Pettibon " Susan Sontag wrote that photographs of people are haunted by death. There aren't many people in Mike Watt's photographs so maybe that's why they seem haunted rather by life -- the large operations of man around the harbor and the smaller scale activity of wildlife that puts up with them. Mike is out at sun-up and getting to see SoCal's lands end from his kayak is an unearned privilege, the best kind a book can deliver.Paired with excerpts from his journal which catch him rolling across the continents as a working musician gives a -precise idea what besides exercise Mike gets out of it." - Joe Carducci " Mike Watt is poetry. He's like one half of a metaphor. Watt can only be matched in poetry. When you mix pirate, Pedro pix, music, d. boon forever, hard work, weird sincerity, good will, curiosity, love, and an adult moustache, what do you have? Poetry is the answer. -Poetry poetry poetry. Watt Watt Watt!" - Richard Hell Reviews The LA Review of Books' Craig Hubert offers a keen and insightful review of "Mike Watt: On and Off Bass" in this week's edition. Hubert notes, "[Watt] has a keen eye for capturing unexpected disruptions within seemingly normal, even mundane situations...Loss is prevalent throughout "On and Off Bass," but it is undercut with hope; there is always the sustaining reservoir of inspiration -- from Boon, from music, from San Pedro itself -- to dip back into. It's the same reservoir that John Coltrane described in a 1966 interview with Nat Hentoff: 'There is never any end. There are always new sounds to imagine, new feelings to get at.'"Rick Moody's extensive interview with Mike Watt on TheRumpus.Net is an essential read for fans of the legendary punk rock bass player, photographer, poet and writer. It starts with major props for the Three Rooms Press book "Mike Watt: On and Bass," which Moody notes, "As with everything that Watt has turned his attention to since he began making art in 1980, On and Off Base is sincere, funny, handmade, beautiful, totally idiosyncratic, and entirely original." MTV Hive writer Austin L. Ray is impressed with the econo nature of the new Three Rooms Press book, "Mike Watt: On and Off Bass" by the legendary punk bassist. The book features photos from Watt's gallery show at Track 16 in Santa Monica, juxtaposed with poetry, reflections and diary snippet from Watt's massive 1,500 page collection of musings on Hootpage.com. The article features Watt discussing the origins of some of the photos in the book. The New Yorker loves "Mike Watt: On and Off Bass", calling it an "unusual and beautiful photographic memoir." LA Weekly writer Nicholas Pell interviews Mike Watt, revealing exclusive photos from the new book "Mike Watt: On and Off Bass."Pell raves, "His skill lies not in classical composition -- although photo nerds will nonetheless find plenty to like in the book. Rather, Watt's strength comes from his ability to capture everyday scenes. His pictures make the mundane into the sublime." Rockerzine writer Katy Dang raves about "Mike Watt: On and Off Bass," noting that through the photos and text, "Watt brings his world and his experiences into focus, sharing them unabashedly with whoever chooses to come on board. He brings the past into the present, never merely resting on his laurels and always missing D. Boon, his missing friend." Greg Barbrick, on blogcritics.com says it's a "collection that rewards repeated viewings and is very well crafted."

In Atrium, award-winning Palestinian-American poet Hala Alyan traces lines of global issues in personal spaces, with fervently original imagery, and a fierce passion and intense intimacy that echoes long after initial reading. The book received the 2013 Arab American Book of the Year Award for Poetry, an astounding achievement for a first collection. In addition, Alyan was recently tapped as a finalist in the Nazim Himet Poetry Competition. Already in her young career, Alyan has etched her mark on other award-winning poets who are universal in their praise: "Don't miss the dazzling Hala Alyan. Wow. When she says 'the poetry like a spear,' she isn't kidding." --Naomi Shihab Nye; "Hala Alyan's poems startle us with their beautiful, enigmatic images and capture us with their passionate engagement with the world. A powerful debut." --Chitra Divakaruni; "For all the stunning angularity in this vision, we do not doubt that what we are seeing and sensing here is a surprising, sharp-edged sense of the real, of a world that had been there all along, just waiting for this poet and these poems to reveal.Start to finish, these poems convey a singular vision and represent an important new voice in the international poetry arena." --Fred Marchant Hala Alyan's Atrium is truly a remarkable debut by a poet of stunning virtuosity and range.

Poppin' Johnny: New American Poems by George Wallace is a stunning collection by a poet whose work recalls the conversational diction of the Beatniks, but with an absolutely contemporary flavor. Known worldwide due to his broad-based internet following (for years, Wallace posted his poems online daily), Wallace has selected more than 70 poems for this collection, presenting a panorama of modern-day Americana, a kind of post-modern poetic "On the Road" that feels like music and offers a surreal trip into what's left of the American heartland. His honesty is as refreshing as his incredible fresh and wholly-original technique. As original Beatnik musician David Amram notes, "Jack Kerouac would have loved him."

Tales from the Eternal Cafe, author Janet Hamill's debut short story collection, offers a thrilling, unwinding trail of tales that excite and mystify; drift then deliver a powerful punch that readers will devour. Like Karen Russell, George Saunders, Jose Luis Borges and Isabel Allende, Janet Hamill's writing lures readers willingly into a labyrinth of surprise and suspense, with humor lurking just on the other side of pathos; a tear just moments away from bright, well-deserved laughter. The seventeen crisp stories included in Tales from the Eternal Cafe offer a plethora of fascinating characters and scenarios: a brief memoir from Baudelaire's publisher; a letter from a writer who knows he is going mad; an exasperated Italian film director unable to inspire Europe's most famous actor during the shooting of a brothel scene. The book includes an introduction by the author's lifelong friend, singer-songwriter-poet-author Patti Smith, whose book Just Kids, received the National Book Award for Nonfiction in 2010.

Welcome to New York City. A place where stories lurk around every corner and linger in the hearts of the millions in these five boroughs. In these pages, tales of the underbelly of -modern-day New York City hook-up with hilarious and -poignant stories of love and loss in this annual collection of thrilling short stories by seasoned and fresh writers who know how to tell them. Edited by Peter Carlaftes and Kat Georges, these stories are sharp and concise, each an unusual take on the swirling panorama of the streets of New York, from Hell's Kitchen to Greenwich Village and Coney Island to Williamsburg, Queens, and beyond. Readers are transported by a modern noir sensibility, populated by a plethora of characters of our times, carving new notches of experience on the city that still fires up the imagination. Authors in this edition include acclaimed crime novelist Lawrence Block (A Walk Among the Tombstones, 8 Million Ways to Die), Liz Axelrod, Gil Fagiani, Bonny Finberg, Michael Gatlin, Kat Georges, Kirpal Gordon, Ron Kolm, Peter Marra, J. Anthony Roman, Angela Sloan, Paul Sohar, Joanie Hieger Fritz Zosike and Nina Zivancevic.

A strong dose of Bukowski, Breaking Bad, and brilliance. Intense and gripping, with splashes of outlandish humor, it is a full frontal assault on the challenges of modern life for outsiders. As award-winning poet Mark Bibbins raves, "Thomas Fucaloro is here and he is showing you his big messy heart. (Actually, if you’re looking for other body parts, you’ll find most of them in this book.). Poet Corrina Bain (louderARTS project) applauds the work: "It Starts from the Belly and Blooms dives facefirst into the glory and wildness of life, combining fearless authenticity, humor, and a gut-punching ear for images. All the reader can do is hope that Fucaloro be accorded what he deserves: a lasting mark on the face of American poetics." Thomas Fucaloro is an NYC poet and editor for Great Weather for Media. His first book, Inheriting Craziness is Like a Soft Halo of Light was released on Three Rooms Press in 2010 to rave reviews.  He has been on two National Slam Teams and is currently an MFA student in creative writing at the New School.

A provocative collection of personal and political essays by an American writer, Raising Girls in Bohemia chronicles the life of a father raising three perfectly bilingual, culturally bifurcated, Czech-American daughters. While tracing what fatherhood has taught him about the world, Katrovas delves into a range of intricately related yet far-flung subjects including fine dining, sexual epithets, gender identity, racism, poetry, and education, tracing the contours of his ignorance about all things. Through the course of these fine essays, Katrovas unveils what it means to be an American and to be a man, and especially what it means to be a father of three daughters, born in Prague, in what we can only hope is the twilight of patriarchy.

In My Watery Self: An Aquatic Memoir, author/scientist Stephen Spotte traces a fascinating trail through a life that began in West Virgina coal camps, drifted through reckless bohemian times of countercultural indulgence in Beach Haven, New Jersey, and led to a career as a highly-respected marine biologist. Together, these stories form a view not just of one man's life, but that of a generation that often refused to take a direct path to the workplace, insisting instead on a winding unveiling of true self-realization, to achieve previously-unimagined outcomes. For Spotte, the key was water: His years of beach living led to a self-initiated study of literature and the sea. He eventually returned to college and received his training as a marine biologist, and discovered, through his singular voice, a wet and occasionally very weird perspective on the world. His writing is engrossing throughout, the stories he shares--such as his stint as curator of the New York Aquarium at Coney Island at the tail end of the hippie era--are compelling and thoroughly enjoyable as he elevates the people and situations he encounters to mythical levels, blending empirical observation with literary prose.

Famed detective and mystery writer Lawrence Block (A Walk Among the Tombstones, 8 Million Ways to Die) takes the helm as guest editor for DARK CITY LIGHTS, the fourth edition of the Have a NYC series. Twenty-three thrilling, hilarious and poignant short stories--all based in New York City--written by new and acclaimed fiction masters, including Robert Silverberg (Hugo and Nebula Award multiple winner; grand master of SFWA); Ed Park (author, Personal Days; senior editor, Amazon's literary imprint, Little A); Jim Fusilli (rock and pop music critic, Wall Street Journal; author, Closing Time and A Well-Known Secret); Parnell Hall (author, Last Puzzle & Testament); SJ Rozan (Edgar, Shamus, Anthony, Nero and Macavity award-wining author); Brian Koppelman (co-writer, Ocean's 13 and Rounders); Elaine Kagan (author, No Good-Byes; actress, GoodFellas), and more. A brilliant book that redefines the New York of today--and tomorrow.

The first English translation of the earliest poetry of brilliant and disruptive Austrian writer Thomas Bernhard, widely considered one of the most innovative and original authors of the twentieth century and often associated with fellow mavericks Beckett, Kafka and Dostoevsky. A master of language, whose body of work was described in a New York Times book review as "the most significant literary achievement since World War II," Bernhard's On Earth and in Hell offers a distilled perspective on the essence of his artistry and his theme of death as the only reality. A remarkable achievement by highly-respected translator Peter Waugh.

As cofounder of the internationally-known, highly-controversial radical political troupe, The Living Theater, author Judith Malina is one of the leading female countercultural figures of the 50s, 60s, 70s and beyond. in FULL MOON STAGES: PERSONAL NOTES FROM 50 YEARS OF THE LIVING THEATRE, she creates an intimate memoir in a unique format with a collection of personal notes written on every full moon for 50 years from 1964 to 2014. These never-before-published entries reveal Malina's most private thoughts and inform the reader on what The Living Theatre was performing as they wound their way from New York City to Italy, France, Belgium, Germany and Brazil in a nomadic series of notable performances of such underground classics as The Brig, The Connection, and Paradise Now. Malina is relentless in her commitment to the full moon schedule, writing regardless of her current life circumstance. Notes issue forth from hotels, trains--even prison, offering a light on the consequences of holding true to her code of the theatrical expression of her pacifist-anarchist principles. The book's format is well-suited for modern readers interested in history of the counterculture.In addition, the book includes 30+ rare historical photos from Living Theatre archives.

IndieFab Young Adult Fiction Book of the Year 2015! Kirkus Reviews Best Teen Books 2015! In the podunk town of Hawthorne, North Carolina, seventeen-year-old geeks Lula and Rory share everything--sci-fi and fantasy fandom, Friday night binge-watching of old X-Files episodes, and that feeling that they don't quite fit in. Lula knows she and Rory have no secrets from each other; after all, he came out to her years ago, and she's shared with him her "sacred texts"--the acting books her mother left behind after she walked out of Lula's life. But then Lula discovers that Rory--her Rory, who maybe she's secretly had feelings for--has not only tried out for the Hawthorne football team without telling her, but has also been having an affair with his middle-aged divorcee boss. With their friendship disrupted, Lula begins to question her identity and her own sexual orientation, and she runs away in the middle of the night on a journey to find her mother, who she hopes will have all the answers. Meagan Brother's piercing prose in this fresh LGBT YA novel speaks to anyone who has ever felt unwanted and alone, and who struggles to find their place in an isolating world. Ages 14--up.

New York. Winter. 1980. Behind the glitter of the disco era, the city streets run wild. In countless secret spaces, high stakes poker games fuel an underground economy flush with cocaine, champagne, and call girls. Winners are on top of the world. But no one wins forever, and when aspiring novelist and inveterate card player Danny Ferraro goes "all in"--and then some--he winds up owing the mob big money. And when you owe the mob, you pay--or else. With nowhere to run, Danny is forced to commit unspeakable acts just to stay even. Richard Vetere's gritty novel strips the gloss of the "Godfather" era and lays bare the gritty reality of the subversive blackmarket as Ferraro struggles to free himself of its grip. Vetere (The Third Miracle, The Writers Afterlife) delivers his most riveting work to date, with page-turning action and an insider's view of a hidden culture.

Michael Shepard, a detective with his own set of problems, is hired one morning by a fashionable young woman at her Hollywood apartment. Soon he's embroiled in a murder investigation that may shed light on a nearly forgotten tragedy. A divorced father wondering how to set his son on a better course in life, the detective gets into deepening trouble as he negotiates a vivid panorama of the town's modern-day beautiful and damned. Author Aram Saroyan harnesses the hardboiled styles of Chandler, Hammett, and Ross MacDonald into a contemporary tale of information age intrigue. The text is supplemented with cell phone photos taken by Saroyan in the same environs in which the story unfolds.

Famed playwright Israel Horovitz has written more than 70 produced plays, which have been translated in more than 30 languages worldwide. Along the way, he has also written screenplays for film including Author! Author!, starring Al Pacino, as well as the award-winning Sunshine, James Dean, and The Strawberry Statement. At the age of 75, he directed an adaptation of his play My Old Lady, starring Kevin Kline, Maggie Smith, and Kristin Scott Thomas. Now he shares tips and techniques on adapting plays for the screen. The book includes the full script of both the play version and screenplay of My Old Lady, along with an in-depth analysis by Horovitz of the challenges of adapting the written language of a play to the visual language of the screen. He discusses what inspired him to consider adapting the play in the first place, and his diligent efforts to distill the spoken language of the play into the visual language of film. In discussing his adaptation process, Horovitz also reveals his brilliant insights into the creative process itself, as well as how to keep inspired during the course of a lengthy writing career.

An unapologetic, brutal memoir from notorious 60s career criminal James Carr. BAD covers Carr's life from his first arrest for burning down his school at age 9, through merciless stints in San Quentin, where he shared a cell with famed Soledad Brother George Jackson, through his tragic post-incarceration murder in San Jose in 1972. A savage indictment of the American penal system, this classic release has new significance as part of a growing, urgent demand for criminal justice reform.

SONGS OF MY SELFIE: An Anthology of Millennial Stories celebrates the millennial through the works of up-and-coming fiction writers, all under the age of twenty-six. This collection features seventeen short stories by millennial writers about actual millennial issues, exposing this generation's true ambitions and frustrations, humor and heartbreak, despair and joie de vivre. With fresh new voices and edgy prose, these compelling stories offer a cross-section of vibrant millennial characters: unemployed grads deep in debt, expectant mothers on the cusp of adulthood, online relationship addicts, and millennials at war with their families' expectations--even while stuck living at home. Here are the strong and the weak, the self-aware and those who reject reality--all carefully crafted to buck the common perception of the millennial. And yet, with a knowing wink, each story is accompanied by a selfie of its author. Forget what the media says--SONGS OF MY SELFIE reveals what it really means to be twenty-something today.

Exile on Bridge Street details teenage Irish immigrant Liam Garrity's struggle to adulthood in pre-Prohibition Brooklyn. Back home, Ireland's fight for its own independence erupts with the 1916 Easter Rising. The fate of Garrity's father, an Irish rebel, is unknown, which leaves his mother and two sisters vulnerable on the family farm as British troops swarm, seeking reprisals. Garrity must organize their departure to New York immediately. In Brooklyn, Garrity is adopted by Dinny Meehan, leader of a longshoremen gang based in an "Irishtown" saloon under the Manhattan and Brooklyn bridges. Meehan vows to help Garrity and his family. But just as Ireland struggles for independence, Garrity faces great obstacles in his own coming of age on the violent Brooklyn waterfront. World War I, the Spanish Influenza, the temperance movement, the rise of Italian organized crime, police, unions and shipping and dock companies all target the Brooklyn Irish gang and threaten Garrity's chances at bringing his family to New York.When "Wild Bill" Lovett, one of the gang's dockbosses vies to take over, both Meehan and Garrity face a fight for survival in New York City's brawling streets mirroring Ireland's own fledgling independence movement. Compelling writing by a master of historical fiction, as evidenced in the authors critically-acclaimed prequel Light of the Diddicoy.

For the 100th anniversary of the renowned art movement known as Dada, Three Rooms Press presents the 10th edition of its stunning annual collection of provocative and disruptive Dada-inspired art and writing culled from a plethora of top international contributors, in full color. MAINTENANT 10: A JOURNAL OF CONTEMPORARY DADA WRITING AND ART is the latest edition of our acclaimed annual collection. This year's theme, "WARM/HUNGER," features work encompassing artists' and writers' reaction to climate change, global poverty and hunger, ongoing world war and the nationalism, rationalism and greed that has made all of this seem endless and infinite. It features work by a wide range in internationally-renowned Dada artist and writers including punk rock legends Grant Hart, Mike Watt, and Alice Bag, poet and Zapp comix founder Charles Plymell, world-renowned contemporary artists Raymond Pettibon and Mark Kostabi, provocative outsider artists Claude Pelieu and Mary Beach, literary provocateurs Anne Waldman and Andrei Codrescu, and many more.

CRIME + MUSIC: The Sounds of Noir, collects twenty darkly intense, music-related noir stories by world-renowned mystery authors including David Corbett, Tyler Dilts, Brendan DuBois, Bill Fitzhugh, Alison Gaylin, A.J. Hartley, Craig Johnson, David Liss, Val McDermid, Gary Phillips, Peter Robinson, and Zoe Sharp, and, from the music world, Galadrielle Allman, author of Please Be With Me: A Song for My Father, Duane Allman and award-winning songwriter-novelist Willy Vlautin. Edited by novelist and Wall Street Journal rock and pop music critic Jim Fusilli. The lively anthology's chilling, sinister tales tap into the span of rock and pop history, ranging from Peter Blauner's heart-wrenching "The Last Temptation of Frankie Lymon" to Fusilli's "Boy Wonder," set in the world of contemporary electronic dance music; from Naomi Rand's "The Misfits," a punk-rock revenge saga to Mark Haskell Smith's menacingly comedic "1968 Pelham Blue SG Jr."; from Reed Farrel Coleman's study of a one-hit wonder, "Look at Me/Don't Look at Me" to Erica Wright's account of betrayal among minor talents in "A Place You're Likely to Find"--and many more.CRIME + MUSIC exposes the nasty side of the world of popular music, revealing it to be the perfect setting for noir tales.

THIS WAY TO THE END TIMES: Classic Tales of the Apocalypse, gathers 21 compelling, gripping stories of the not-too-distant demise of the earth as we know it. And what a collection. From little-known, brilliant tales by sci-fi legends Jules Vernes and Olaf Stapledon, to intense short works by sci-fi masters Ursula K. Le Guin, Connie Willis, Jack Vance, and Brian W. Aldiss, to haunting works by contemporary authors Dale Bailey, Alvaro Zinos-Amaro, Karen Haber and Megan Arkenberg, THIS WAY TO THE END TIMES paves the road to the fantastical future, alternating humor with grit, and hope with ghastly post apocalyptic visions. Guest editor Robert Silverberg--beloved sci-fi master--hand-picked each story, and offers an introduction to each, as well as an introduction to the anthology as a whole. A unique collection for longtime and new fans of speculative fiction, THIS WAY TO THE END TIMES roars into the future wide-eyed and full speed ahead. Complete list of authors: Jules Verne, James Elroy Flecker, Frank Lillie Pollock, G. Peyton Wertenbaker, Philip Latham, Jack Vance, Fritz Leiber, Brian W. Aldiss, Ursula K. Le Guin, Robert Silverberg, James Tiptree, Jr.,Malcolm Edwards, Connie Willis, Karen Haber, by Dale Bailey, Megan Artenberg, Alvaro Zinos-Amaro, Olaf Stapledon

Punk Avenue: The New York City Underground 1972-1982 is an intimate look at author Paris-born Phil Marcade's first ten years in the United States where drifted from Boston to the West Coast and back, before winding up in New York City and becoming immersed in the early punk rock scene. From backrooms of Max's and CBGB's to the Tropicana Hotel in Los Angeles and back, Punk Avenue is a tour de force of stories from someone at the heart of the era. With brilliant, often hilarious prose, Marcade relays first-hand tales about spending a Provincetown summer with photographer Nan Goldin and actor-writer Cookie Mueller, having the Ramones play their very first gig at his party, working with Blondie's Debbie Harry on French lyrics for her songs, enjoying Thanksgiving with Johnny Thunders' mother, and starting the beloved NYC punk-blues band The Senders.Along the way, he smokes a joint with Bob Marley, falls down a mountain, gets attacked by Nancy Spungen's junkie cat, become a junkie himself, adopts a dog who eats his pot, opens for The Clash at Bond's Casino, opens a store named Rebop on Seventh Avenue, throws up in some girl's mouth, talks about vacuum cleaners with Sid Vicious, lives thru the Blackout of 1977, gets glue in his eye, gets mugged at knife point, plays drums with Johnny Thunders' band Gang War, sets some guy's attache-case on fire, listens to pre-famous Madonna singing in the rehearsal studio next to his, gets mugged at gun point, O.D.s on heroin, gets saved by a gentle giant named Bill, lives at night...Never sleeps...A very funny book.

Simon, New York’s top organic grocery store owner has a secret: his dad is the head of one of New York’s biggest mob families. When his dad dies, Simon agrees to head the Family, provided that instead of murder, numbers and other rackets, the mob uses its muscle to enforce green regulations and promote healthy eating habits. At first the mob’s hit men and extortionists resent being pressed into green service, but they soon become Simon’s biggest supporters. Seemingly overnight, the city becomes literally cleaned up. Simon, who had planned on succeeding his dad temporarily, now finds he likes his new position as the head of the Family. However, the green world doesn’t accept him because he’s running a crime family, and the crime world doesn’t trust him because he’s run afoul of the Feds. Simon takes his wife, Marla, to his ancestral homeland in Italy, for a much-needed sabbatical – and gets even further into trouble.Loosely based on Mario Puzo's runaway hit The Godfather, THE GREENFATHER showcases Marshall’s comic dialogue, honed year after year in late night television, in the grand tradition of classic mob comedy, like Analyze This and Analyze That. Packed with larger than life goons, right-hand men, Feds and green fanatics, THE GREENFATHER satirizes the environmental movement, crime, families, and crime families.THE GREENFATHER is sharp, hilarious, and takes no prisoners, except the ones who are supposed to go there. It goes well with a light salad of radicchio and cherry plum tomatoes.

Narrated by an Archaeon, a 3.8 billion year old species, the oldest on earth, Downdrift is a work of speculative eco-fiction that describes the impact of ecological pressures on animals that are adopting human behaviors, with droll and sometimes alarming, results. The book follows a year of changes and the travels of a housecat and a lion who are inexplicably driven towards a rendezvous. At first, a few isolated harbingers of change appear, but they quickly escalate. Squirrels take up manic knitting, wild hares steal earth-moving equipment, rats go in for disco music and form-fitting metallic leisure-ware. Data-sorting abilities appear among urban populations of birds, and frenzied domestic pets seek celebrity careers. Droll, melancholic, and poetic, the tale is crammed with witty vignettes and poignant reflections on the ways the pressures on the once-natural world are accelerating mutations in behaviors among the animals. Genetic material alters. The differences between animals blur. Odd mutant forms appear–goat-chicks and dog-flies, fish-birds and flying lizards–as if some mad rush is propelling genetic code to propagate across every form of flesh and living matter. As large-scale infrastructure projects make their appearance, each of the animals takes the role appropriate to its disposition—or not. Melancholic rather than apocalyptic, the book is a celebration of species as well as a mourning of the damage done in our time. Throughout, the emergent voice and character of the Archaeon extremophile records events as well as a slow coming to consciousness about its own identity as a hyper-organism.

First-Person Singularities, stories by science fiction Grand Master Robert Silverberg, features eighteen tales written over the course of his forty-year career, all told in the first-person singular. Inspired by W. Somerset Maugham’s Six Stories Written in the First Person Singular, a fiercely realist collection from the 1930s, Silverberg takes on the challenge, offering up his own unique sci-fi twist and “running the gambit of singularity.” Every story in First-Person Singularities offers a one-of-a-kind narrator: a dolphin feeling the pangs of love for a human being; a computer eager to convince us of its sanity; a Greek god who has surreptitiously survived into modern times; an alien visitor living in disguise in a New York City hotel. Even a pudgy, timid Henry James gets the Silverberg treatment as the witness/narrator of H.G. Wells’s The War of the Worlds! Each story features a special introduction by Silverberg himself, providing the inside scoop on his experience writing for and publishing with the greatest science fiction magazines of the past and present. First-Person Singularities includes an introduction by Hugo-award winning sci-fi author John Scalzi (Redshirts).Robert Silverberg is one of the giants of the sci-fi genre, with four Hugo Awards and six Nebula Awards to his name. He was inducted into the Science Fiction and Fantasy Hall of Fame in 1999 and named a Grand Master by the Science Fiction and Fantasy Writers of America in 2005.

MAINTENANT 12: A Journal of Contemporary Dada Writing and Art serves up the controversial theme, “WE ARE ALL A ‘LIKE’.” With the rise in social media use—and abuse—the concept of “like” has reached whole new levels. There’s the idea of an individual’s reaction to events, people, images, etc. as a reduction to “Like” or “Dislike” without need for deeper consideration. Then there is the status factor: that something which is “Liked” by the largest number of people is of value. In fact, in the social media orbit, it is seemingly beneficial to offer strong, sharp, simplistic opinions—instead of nuanced, deeper, shaded considerations—simply because they provoke the greatest likelihood of widespread attention. How will this reduction of thought shape the future of interpersonal relations, intellectual advancement, and politics? As we teeter on the brink of nuclear war, the concepts of Dada brilliantly encompass the urgency of present times with both clarity and purposeful confusion.The MAINTENANT series, established in 2005, gathers the work of renowned and emerging dada artists and writers from around the world. The series has been archived in leading international institutions including the Museum of Contemporary Art–New York, the BelVUE Museum–Brussels, and more. Renowned contributors have included artists Mark Kostabi, Raymond Pettibon, Giovanni Fontana, Jean-Jacques Lebel, and Kazunori Murakami. Writers have included Allen Ginsberg, Gerard Malanga, Charles Plymell, Jerome Rothenberg, and more, with a strong contingent of punk musician-artist-writers including Grant Hart, Mike Watt, and Exene Cervenka.

Set in rural Tennessee, QUIVER, a YA novel by Julia Watts, focuses on the unlikely friendship between two teens from opposite sides of the culture wars.  Libby is the oldest child of six, going on seven, in a family that adheres to the "quiverfull" lifestyle: strict evangelical Christians who believe that they should have as many children as God allows because children are like arrows in the quiver of "God's righteous warriors." Meanwhile, her new neighbor, Zo is a gender fluid teen whose feminist, socialist, vegetarian family recently relocated from the city in search of a less stressful life. Zo and hir family are as far to the left ideologically as Libby's family is to the right, and yet Libby and Zo, who are the same age, feel a connection that leads them to friendship—a friendship that seems doomed from the start because of their families' differences. Through deft storytelling, built upon extraordinary character development, author Watts offers a close examination of the contemporary compartmentalization of social interactions. The tensions that spring from their families’ cultural differences reflect the pointed conflicts found in today’s society, and illuminate a path for broader consideration.

WINNER, 2020 Golden Grown Award, Best Young Adult NovelWINNER, Silver Medal, Foreword Reviews Indie Award, Best Young Adult FictionWINNER, 2020 Golden Crown Award, Best Debut NovelFifteen-year-old Eleanor Fromme just chopped off all of her hair. How else should she cope after hearing that her bully, James, just took his own life? When Eleanor’s English teacher suggests students write a letter to a person who would never receive it to get their feelings out, Eleanor chooses James.With each letter she writes, Eleanor discovers more about herself, even while trying to make sense of his death. And, with the help of a unique cast of characters, Eleanor not only learns what it means to be inside a body that does not quite match what she feels on the inside, but also comes to terms with her own mother’s mental illness.Set against a 1993-era backdrop of grunge rock and riot grrl bands, EVERYTHING GROWS depicts Eleanor’s extraordinary journey to solve the mystery within her and feel complete. Along the way, she loses and gains friends, rebuilds relationships with her family, and develops a system of support to help figure out the language of her queer identity.Through author Aimee Herman's exceptional storytelling, EVERYTHING GROWS reveals the value of finding community or creating it when it falls apart, while exploring the importance of forgiveness, acceptance, and learning how to live on your own terms.

Two seminal figures of the Beat movement, Allen Ginsberg and William S. Burroughs, discuss literary influences and personal history in a never-before-published three-day conversation following the release of the David Cronenberg film of Burroughs’ classic novel Naked Lunch. The visit coincided with the shamanic exorcism of the demon that Burroughs believed had caused him to fatally shoot his common law wife, Joan Vollmer Burroughs, in 1951—the event that Burroughs believed had driven his work as a writer. The conversation is interspersed with photographs by Ginsberg revealing Burroughs’s daily activities from his painting studio to the shooting range. DON'T HIDE THE MADNESS presents an important, hitherto unpublished primary document of the Beat Generation.