Alma Brodersen – författare

Psalms 146â150âsometimes called the "Final Hallel"âare often thought to comprise an end to the Psalter. Frequently seen as connected to other psalms through catchwords that act as both literary and theological links, these final psalms are thought to originally, and deliberately, close out the entire book of psalms. However, Alma Brodersen questions this purported function of these psalms. The End of the Psalter presents new interpretations of Psalms 146â150 based on the oldest extant evidence: the Hebrew Masoretic Text, the Hebrew Dead Sea Scrolls, and the Greek Septuagint. Brodersen analyzes each psalm separately in all three sources, complete with a translation and detailed comments on form, intertextuality, content, genre, and date. Based on this rigorous analysis, Brodersen makes detailed comparisons of the individual psalms and their intertextual references that highlight substantial differences between the transmitted texts. Brodersen concludes that Psalms 146â150 were separate texts, which only came to form the end of the Psalter in the Masoretic tradition. Her work underscores the importance of "psalms exegesis" before "Psalter exegesis," and illustrates how the use of ancient sources furthers the understanding of the Psalms.

Psalms 146-150, sometimes called “Final Hallel” or “Minor Hallel”, are often argued to have been written as a literary end of the Psalter. However, if sources other than the Hebrew Masoretic Text are taken into account, such an original unit of Psalms 146-150 has to be questioned. “The End of the Psalter” presents new interpretations of Psalms 146-150 based on the oldest extant evidence: the Hebrew Masoretic Text, the Hebrew Dead Sea Scrolls, and the Greek Septuagint. Each Psalm is analysed separately in all three sources, complete with a translation and detailed comments on form, intertextuality, content, genre, and date. Comparisons of the individual Psalms and their intertextual references in the ancient sources highlight substantial differences between the transmitted texts. The book concludes that Psalms 146-150 were at first separate texts which only in the Masoretic Text form the end of the Psalter. It thus stresses the importance of Psalms Exegesis before Psalter Exegesis, and argues for the inclusion of ancient sources beyond to the Masoretic Text to further our understanding of the Psalms.

Psalms 146-150, sometimes called “Final Hallel” or “Minor Hallel”, are often argued to have been written as a literary end of the Psalter. However, if sources other than the Hebrew Masoretic Text are taken into account, such an original unit of Psalms 146-150 has to be questioned.

“The End of the Psalter” presents new interpretations of Psalms 146-150 based on the oldest extant evidence: the Hebrew Masoretic Text, the Hebrew Dead Sea Scrolls, and the Greek Septuagint. Each Psalm is analysed separately in all three sources, complete with a translation and detailed comments on form, intertextuality, content, genre, and date. Comparisons of the individual Psalms and their intertextual references in the ancient sources highlight substantial differences between the transmitted texts.

The book concludes that Psalms 146-150 were at first separate texts which only in the Masoretic Text form the end of the Psalter. It thus stresses the importance of Psalms Exegesis before Psalter Exegesis, and argues for the inclusion of ancient sources beyond to the Masoretic Text to further our understanding of the Psalms.

Psalms 146-150, sometimes called “Final Hallel” or “Minor Hallel”, are often argued to have been written as a literary end of the Psalter. However, if sources other than the Hebrew Masoretic Text are taken into account, such an original unit of Psalms 146-150 has to be questioned.

“The End of the Psalter” presents new interpretations of Psalms 146-150 based on the oldest extant evidence: the Hebrew Masoretic Text, the Hebrew Dead Sea Scrolls, and the Greek Septuagint. Each Psalm is analysed separately in all three sources, complete with a translation and detailed comments on form, intertextuality, content, genre, and date. Comparisons of the individual Psalms and their intertextual references in the ancient sources highlight substantial differences between the transmitted texts.

The book concludes that Psalms 146-150 were at first separate texts which only in the Masoretic Text form the end of the Psalter. It thus stresses the importance of Psalms Exegesis before Psalter Exegesis, and argues for the inclusion of ancient sources beyond to the Masoretic Text to further our understanding of the Psalms.

Der Beginn des Bibelkanons wird oft mit dem Buch Jesus Sirach im frühen 2. Jahrhundert v. Chr. in Verbindung gebracht. Alma Brodersen unternimmt eine systematische Analyse der antiken Textzeugnisse und zeigt, dass das Buch Jesus Sirach vielmehr die Vielfalt mündlicher und schriftlicher Traditionen zu dieser Zeit bezeugt.

Psalm 147 lobt Gott nicht nur als Retter Israels, sondern auch als Herrn über die Natur. Die Schöpfungsaussagen erweitern das Gottesbild des Psalms um die generelle Fürsorge, Stärke und Verlässlichkeit Gottes. Diese Einzelstudie zu Psalm 147 erklärt mit Übersetzungen Form und Inhalt der hebräischen und griechischen Überlieferungen des Psalms ebenso wie seine zahlreichen intertextuellen Bezüge innerhalb des Alten Testaments, die seine chronologische Einordnung ermöglichen.