Christopher A. Faraone – författare

This well-researched and inspiring collection of ten essays by leading American and European scholars challenges the tendency among scholars of Greek religion to ignore what have traditionally been called "magical" practices in ancient Greece. Disputing the preconceived notion that a clear dichotomy exists between magical and religious ritual, the essays survey specific bodies of archaeological, epigraphical, and papyrological evidence for magical practices in the Greek world, determining in each case whether the traditional dichotomy between magic and religion helps in any way to conceptualize the objective features of the evidence examined. Contributors include Christopher A. Faraone, J.H.M. Strubbe, H.S. Versnel, Roy Kotansky, John Scarborough, Samuel Eitrem, Fritz Graf, John J. Winkler, Hans Dieter Betz, and C.R. Phillips.

In this study of poetic form in early Greek elegy, Christopher A. Faraone argues against the prevailing assumption that it was a genre of stichic poetry derived from or dependent on epic verse. Faraone emphasizes the fact that early elegiac poets composed their songs to the tune of an aulos (a kind of oboe) and used a five-couplet stanza as a basic unit of composition. He points out how knowledge of the elegiac stanza can give us insight into how these poets alternated between stanzas of exhortation and meditation, used co-ordinated pairs of stanzas to construct lengthy arguments about excellence or proper human government, and created generic set pieces that they could deploy in longer compositions. Faraone''s close analysis of nearly all the important elegiac fragments will greatly enhance understanding and appreciation of this poetic genre.

The Getty Hexameters looks in detail at a series of forty-four magical verses inscribed on a recently discovered lead tablet from Sicily in the fifth century BC, which is now in the Getty Museum, Los Angeles. Divided into two sections, the volume consists of a general introduction to the new inscriptions, together with a critical text and English translation, photographs, and drawings. The second section contains a collection of eleven interpretative essays which treat various aspects of the text, including religious and civic context, date and poetic language, transmission, and connections to ancient magic and ritual practice.The volume is the first complete critical edition of the Greek text to appear in print and contains important scholarship for the field of classics from an acclaimed list of contributors.

This well-researched and inspiring collection of ten essays by leading American and European scholars challenges the tendency among scholars of Greek religion to ignore what have traditionally been called "magical" practices in ancient Greece. Disputing the preconceived notion that a clear dichotomy exists between magical and religious ritual, the essays survey specific bodies of archaeological, epigraphical, and papyrological evidence for magical practices in the Greek world, determining in each case whether the traditional dichotomy between magic and religion helps in any way to conceptualize the objective features of the evidence examined. Contributors include Christopher A. Faraone, J.H.M. Strubbe, H.S. Versnel, Roy Kotansky, John Scarborough, Samuel Eitrem, Fritz Graf, John J. Winkler, Hans Dieter Betz, and C.R. Phillips.

In this study of poetic form in early Greek elegy, Christopher A. Faraone argues against the prevailing assumption that it was a genre of stichic poetry derived from or dependent on epic verse. Faraone emphasizes the fact that early elegiac poets composed their songs to the tune of an aulos (a kind of oboe) and used a five-couplet stanza as a basic unit of composition. He points out how knowledge of the elegiac stanza can give us insight into how these poets alternated between stanzas of exhortation and meditation, used co-ordinated pairs of stanzas to construct lengthy arguments about excellence or proper human government, and created generic set pieces that they could deploy in longer compositions. Faraone's close analysis of nearly all the important elegiac fragments will greatly enhance understanding and appreciation of this poetic genre.

The Getty Hexameters looks in detail at a series of forty-four magical verses inscribed on a recently discovered lead tablet from Sicily in the fifth century BC, which is now in the Getty Museum, Los Angeles. Divided into two sections, the volume consists of a general introduction to the new inscriptions, together with a critical text and English translation, photographs, and drawings. The second section contains a collection of eleven interpretative essays which treat various aspects of the text, including religious and civic context, date and poetic language, transmission, and connections to ancient magic and ritual practice.The volume is the first complete critical edition of the Greek text to appear in print and contains important scholarship for the field of classics from an acclaimed list of contributors.

Prostitutes and Courtesans in the Ancient World explores the implications of sex-for-pay across a broad span of time, from ancient Mesopotamia to the early Christian period. In ancient times, although they were socially marginal, prostitutes connected with almost every aspect of daily life. They sat in brothels and walked the streets; they paid taxes and set up dedications in religious sanctuaries; they appeared as characters - sometimes admirable, sometimes despicable - on the comic stage and in the law courts; they lived lavishly, consorting with famous poets and politicians; and they participated in otherwise all-male banquets and drinking parties, where they aroused jealousy among their anxious lovers. The chapters in this volume examine a wide variety of genres and sources, from legal and religious tracts to the genres of lyric poetry, love elegy, and comic drama to the graffiti scrawled on the walls of ancient Pompeii. These essays reflect the variety and vitality of the debates engendered by the last three decades of research by confronting the ambiguous terms for prostitution in ancient languages, the difficulty of distinguishing the prostitute from the woman who is merely promiscuous or adulterous, the question of whether sacred or temple prostitution actually existed in the ancient Near East and Greece, and the political and social implications of literary representations of prostitutes and courtesans.

Scholars of classical history and literature have for more than a century accepted `initiation' as a tool for understanding a variety of obscure rituals and myths, ranging from the ancient Greek wedding and adolescent haircutting rituals to initiatory motifs or structures in Greek myth, comedy and tragedy.In this books an international group of experts including Gloria Ferrari, Fritz Graf and Bruce Lincoln, critique many of these past studies, and challenge strongly the tradition of privileging the concept of initiation as a tool for studying social performances and literary texts, in which changes in status or group membership occur in unusual ways. These new modes of research mark an important turning point in the modern study of the religion and myths of ancient Greece and Rome, making this a valuable collection across a number of classical subjects.

Scholars of classical history and literature have for more than a century accepted `initiation' as a tool for understanding a variety of obscure rituals and myths, ranging from the ancient Greek wedding and adolescent haircutting rituals to initiatory motifs or structures in Greek myth, comedy and tragedy.In this books an international group of experts including Gloria Ferrari, Fritz Graf and Bruce Lincoln, critique many of these past studies, and challenge strongly the tradition of privileging the concept of initiation as a tool for studying social performances and literary texts, in which changes in status or group membership occur in unusual ways. These new modes of research mark an important turning point in the modern study of the religion and myths of ancient Greece and Rome, making this a valuable collection across a number of classical subjects.

The ancient Greeks commonly resorted to magic spells to attract and keep lovers--as numerous allusions in Greek literature and recently discovered "voodoo dolls," magical papyri, gemstones, and curse tablets attest. Surveying and analyzing these various texts and artifacts, Christopher Faraone reveals that gender is the crucial factor in understanding love spells. There are, he argues, two distinct types of love magic: the curselike charms used primarily by men to torture unwilling women with fiery and maddening passion until they surrender sexually; and the binding spells and debilitating potions generally used by women to sedate angry or philandering husbands and make them more affectionate. Faraone's lucid analysis of these spells also yields a number of insights about the construction of gender in antiquity, for example, the "femininity" of socially inferior males and the "maleness" of autonomous prostitutes. Most significantly, his findings challenge the widespread modern view that all Greek men considered women to be naturally lascivious. Faraone reveals the existence of an alternate male understanding of the female as "naturally" moderate and chaste, who uses love magic to pacify and control the "naturally" angry and passionate male. This fascinating study of magical practices and their implications for perceptions of male and female sexuality offers an unusual look at ancient Greek religion and society.

The era of the Roman Empire was distinguished by an explosion of images and texts in a variety of media-metal, papyrus, mosaic, gemstone-all designed to protect, heal, or grant some abstract benefit to the persons who wore them on their bodies or placed them in their homes. In the past scholars have explained this proliferation of readily identifiable amulets by a sudden need for magic or by a precipitous rise in superstition or anxiety in this period, connected, perhaps, with the internal breakdown of Greek rationalism or the migration of superstitious peoples from the East.Christopher A. Faraone argues, instead, that these amulets were not invented in this period as a result of an alteration in the Roman worldview or a tidal wave of "oriental" influence, but rather that they only become visible to us in the archaeological record as a result of a number of technical innovations and transformations: the increased epigraphic habit of the Imperial period, the miniaturization of traditional domestic amulets, like the triple-faced Hecate, on durable gems, or the utilization of newly crafted Egyptianizing iconography. In short, it is only when explicitly protective or curative texts, or strange new images, are added to traditional Greek amulets, that modern observers realize that these objects were thought to have the power to protect or heal all along. The real question addressed by the book, then, is not why we can identify so many amulets in the Roman Imperial period but, rather, why we have failed to identify them in artifacts of the preceding centuries.Featuring more than 120 illustrations, The Transformation of Greek Amulets in Roman Imperial Times is not only a tremendous resource for those working in the fields of ancient magic and religion but also an essential reference for those interested in the religion, culture, and history of the ancient Mediterranean.

The interpretation of animal sacrifice, now considered the most important ancient Greek and Roman religious ritual, has long been dominated by the views of Walter Burkert, the late J.-P. Vernant, and Marcel Detienne. No penetrating and general critique of their views has appeared and, in particular, no critique of the application of these views to Roman religion. Nor has any critique dealt with the use of literary and visual sources by these writers. This book, a collection of essays by leading scholars, incorporates all these subjects and provides a theoretical background for the study of animal sacrifice in an ancient context.

The interpretation of animal sacrifice, now considered the most important ancient Greek and Roman religious ritual, has long been dominated by the views of Walter Burkert, the late J.-P. Vernant, and Marcel Detienne. No penetrating and general critique of their views has appeared and, in particular, no critique of the application of these views to Roman religion. Nor has any critique dealt with the use of literary and visual sources by these writers. This book, a collection of essays by leading scholars, incorporates all these subjects and provides a theoretical background for the study of animal sacrifice in an ancient context.

Scholars of classical history and literature have for more than a century accepted `initiation'' as a tool for understanding a variety of obscure rituals and myths, ranging from the ancient Greek wedding and adolescent haircutting rituals to initiatory motifs or structures in Greek myth, comedy and tragedy.In this books an international group of experts including Gloria Ferrari, Fritz Graf and Bruce Lincoln, critique many of these past studies, and challenge strongly the tradition of privileging the concept of initiation as a tool for studying social performances and literary texts, in which changes in status or group membership occur in unusual ways. These new modes of research mark an important turning point in the modern study of the religion and myths of ancient Greece and Rome, making this a valuable collection across a number of classical subjects.

Scholars of classical history and literature have for more than a century accepted `initiation'' as a tool for understanding a variety of obscure rituals and myths, ranging from the ancient Greek wedding and adolescent haircutting rituals to initiatory motifs or structures in Greek myth, comedy and tragedy.In this books an international group of experts including Gloria Ferrari, Fritz Graf and Bruce Lincoln, critique many of these past studies, and challenge strongly the tradition of privileging the concept of initiation as a tool for studying social performances and literary texts, in which changes in status or group membership occur in unusual ways. These new modes of research mark an important turning point in the modern study of the religion and myths of ancient Greece and Rome, making this a valuable collection across a number of classical subjects.

The Bibliothèque Nationale de France preserves an extraordinary document: a fourth-century CE papyrus codex from Upper Egypt. This handbook is over seventy inscribed pages long and is equivalent in length to four or five normal-sized papyrus rolls. But despite its great size, it contains only fifty-three recipes, many of unusual length and complexity. Our research team on the Transmission of Magical Knowledge project has been studying, re-editing and translating all the magical handbooks from Roman Egypt, and in the process, we have realized that the Paris Codex from Upper Egypt, long understood as the "typical" or "model" handbook of the age, is, in fact, a marvelous outlier in the group. The manuscript was probably never used for the preparation of quotidian magical spells, but rather as a book to be read and to fire the imagination of its readers. We propose in this volume a complete re-assessment of GEMF 57, not only of its materiality, scribal production, and its language, but also of its composition in different blocks coming from divergent exemplars. The book is distributed into five sections: 1. Materiality of GEMF 57, including codicology, paleography and scribal practice; 2. Language and Rhetoric; 3. Poetry, on the metrical sections; 4. Special sections, including chapters on the Mithras Liturgy, the collapse of Solomon and the Epistolary section; 5. Special topics, on astrology and Egyptian influence.

The Bibliotheque Nationale de France preserves an extraordinary document: a fourth-century CE papyrus codex from Upper Egypt. This handbook is over seventy inscribed pages long and is equivalent in length to four or five normal-sized papyrus rolls. But despite its great size, it contains only fifty-three recipes, many of unusual length and complexity. Our research team on the Transmission of Magical Knowledge project has been studying, re-editing and translating all the magical handbooks from Roman Egypt, and in the process, we have realized that the Paris Codex from Upper Egypt, long understood as the "e;typical"e; or "e;model"e; handbook of the age, is, in fact, a marvelous outlier in the group. The manuscript was probably never used for the preparation of quotidian magical spells, but rather as a book to be read and to fire the imagination of its readers. We propose in this volume a complete re-assessment of GEMF 57, not only of its materiality, scribal production, and its language, but also of its composition in different blocks coming from divergent exemplars. The book is distributed into five sections: 1. Materiality of GEMF 57, including codicology, paleography and scribal practice; 2. Language and Rhetoric; 3. Poetry, on the metrical sections; 4. Special sections, including chapters on the Mithras Liturgy, the collapse of Solomon and the Epistolary section; 5. Special topics, on astrology and Egyptian influence.

The Bibliotheque Nationale de France preserves an extraordinary document: a fourth-century CE papyrus codex from Upper Egypt. This handbook is over seventy inscribed pages long and is equivalent in length to four or five normal-sized papyrus rolls. But despite its great size, it contains only fifty-three recipes, many of unusual length and complexity. Our research team on the Transmission of Magical Knowledge project has been studying, re-editing and translating all the magical handbooks from Roman Egypt, and in the process, we have realized that the Paris Codex from Upper Egypt, long understood as the "e;typical"e; or "e;model"e; handbook of the age, is, in fact, a marvelous outlier in the group. The manuscript was probably never used for the preparation of quotidian magical spells, but rather as a book to be read and to fire the imagination of its readers. We propose in this volume a complete re-assessment of GEMF 57, not only of its materiality, scribal production, and its language, but also of its composition in different blocks coming from divergent exemplars. The book is distributed into five sections: 1. Materiality of GEMF 57, including codicology, paleography and scribal practice; 2. Language and Rhetoric; 3. Poetry, on the metrical sections; 4. Special sections, including chapters on the Mithras Liturgy, the collapse of Solomon and the Epistolary section; 5. Special topics, on astrology and Egyptian influence.