Daniel Martin Feige – författare

This volume explores the connections between John McDowell’s philosophy and the hermeneutic tradition. The contributions not only explore the hermeneutical aspects of McDowell’s thought but also ask how this reading of McDowell can inform the hermeneutical tradition itself. John McDowell has made important contributions to debates in epistemology, metaethics, and philosophy of language, and his readings of Aristotle, Kant, Hegel, and Wittgenstein have proved widely influential. While there are instances in which McDowell draws upon the work of hermeneutic thinkers, the hermeneutic strand of McDowell’s philosophy has not yet been systematically explored in depth. The chapters in this volume open up a space in which to read McDowell himself as a hermeneutic thinker. They address several research questions: How can McDowell’s recourse to the hermeneutical tradition be understood in detail? Besides Gadamer, does McDowell’s work implicitly convey and advance motives from other seminal figures of this tradition, such as Heidegger and Dilthey? Are there aspects of McDowell’s position that can be enhanced through a juxtaposition with central hermeneutic concepts like World, Tradition, and Understanding? Are there further, perhaps yet unexplored aspects of McDowell’s infl uences that ought to be interpreted as expressing hermeneutic ideas?McDowell and the Hermeneutic Tradition will appeal to researchers and advanced students working in American philosophy, Continental philosophy, hermeneutics, history of philosophy, philosophy of language, and epistemology.

This volume explores the connections between John McDowell’s philosophy and the hermeneutic tradition. The contributions not only explore the hermeneutical aspects of McDowell’s thought but also ask how this reading of McDowell can inform the hermeneutical tradition itself. John McDowell has made important contributions to debates in epistemology, metaethics, and philosophy of language, and his readings of Aristotle, Kant, Hegel, and Wittgenstein have proved widely influential. While there are instances in which McDowell draws upon the work of hermeneutic thinkers, the hermeneutic strand of McDowell’s philosophy has not yet been systematically explored in depth. The chapters in this volume open up a space in which to read McDowell himself as a hermeneutic thinker. They address several research questions: How can McDowell’s recourse to the hermeneutical tradition be understood in detail? Besides Gadamer, does McDowell’s work implicitly convey and advance motives from other seminal figures of this tradition, such as Heidegger and Dilthey? Are there aspects of McDowell’s position that can be enhanced through a juxtaposition with central hermeneutic concepts like World, Tradition, and Understanding? Are there further, perhaps yet unexplored aspects of McDowell’s infl uences that ought to be interpreted as expressing hermeneutic ideas?McDowell and the Hermeneutic Tradition will appeal to researchers and advanced students working in American philosophy, Continental philosophy, hermeneutics, history of philosophy, philosophy of language, and epistemology.

What is jazz? How does it differ from other kinds of music? To what extent is it an important subject for thinking about aesthetic questions? Philosophy of Jazz is among the first book-length philosophical discussions devoted to jazz. Daniel Martin Feige explores the relationship between jazz and European art music, arguing that in jazz central aspects of musical practice are made explicit, aspects that remain implicit in the tradition of European art music but nevertheless inform their practice. He develops the idea that interpretations of works and improvisations share a central common feature: It is the musical performance that clarifies the meaning of the music. A musical performance acquires its identity against the background of a tradition of performances, and as embodied tradition, improvisations as well as interpretations are part of an ongoing musical as well as historical dialogue. Using jazz to expand the vocabulary of art theory, this book reflects on how philosophy should take up objects of cultural and aesthetic concern.

Die anhaltende Aktualität von Gadamers philosophischer Hermeneutik besteht auch nach 65 Jahren Wahrheit und Methode in ihrer besonderen Fähigkeit zur Aktualisierung. Eine ihrer grundlegenden Einsichten drückt sich in Gadamers Feststellung aus, dass zu verstehen stets anders zu verstehen bedeutet. Das gilt insbesondere auch für Gadamers eigenes Erbe mit Blick auf dessen Zukunft. Gemäß diesem hermeneutischen Selbstverständnis widmen sich die versammelten Beiträge sowohl klassischen Fragen der Philosophiegeschichte im Ausgang von Gadamers Denken als auch Gadamers Denken selbst in Auseinandersetzung mit gegenwärtigen Fragen aus den unterschiedlichsten Perspektiven. So wird eine Wirkungsgeschichte fortgeschrieben, die ebenso in die Zukunft der Hermeneutik vorausweist, wie zugleich die Zukunft selbst als ein hermeneutisches Projekt lesbar macht.