Danielle Sands - Böcker

This book collects essays by Alan Montefiore on the role philosophy plays in the formation of the self, and how philosophical questions regarding the nature of reason, truth, and identity inform ethics and politics. It offers a comprehensive overview of Montefiore’s influential, non-dogmatic philosophical voice.Throughout his 70-year career, Montefiore sought to bridge the analytic/continental divide and develop a new way of thinking about philosophy. He defines philosophy as the search for a higher-order understanding of whatever the situation or activity in which one may be involved or engaged, an understanding which may be achieved and expressed by and in a variety of different forms of philosophical persuasion, and which may serve to shed new light on particular problems. The book’s essays, half of which are previously unpublished, are divided into two thematic sections. The first focuses on the nature of philosophy, while the second addresses the relationship between philosophy and moral and political responsibilities.Philosophy and the Human Paradox will be of interest to philosophers and students who work on ethics, Kantian and post-Kantian continental philosophy, and political philosophy.

This interdisciplinary volume explores how posthumanist approaches can illuminate current issues in bioethics and considers the relevance of these issues for the humanities, including questions of autonomy and authorship, and notions of ethical and juridical responsibility in the context of a changing understanding of subjectivity. With contributions from a variety of areas, including literature, philosophy, media, and policy-making, the book outlines the historical and philosophical development of posthumanism, and current key questions in bioethics. It generates a dialogue between bioethical approaches and the posthumanities, identifying ways in which posthumanist scholarship might be used to inform bioethical policy. The book also looks more speculatively at the future, and the potential implications of technological developments which are only beginning to emerge. It uses posthumanism to look critically at the humanism underpinning de-extinction science, considers the ways in which technology is re-framing our social and political imaginaries, and asks about the identification of future posthumans.

This interdisciplinary volume explores how posthumanist approaches can illuminate current issues in bioethics and considers the relevance of these issues for the humanities, including questions of autonomy and authorship, and notions of ethical and juridical responsibility in the context of a changing understanding of subjectivity. With contributions from a variety of areas, including literature, philosophy, media, and policy-making, the book outlines the historical and philosophical development of posthumanism, and current key questions in bioethics. It generates a dialogue between bioethical approaches and the posthumanities, identifying ways in which posthumanist scholarship might be used to inform bioethical policy. The book also looks more speculatively at the future, and the potential implications of technological developments which are only beginning to emerge. It uses posthumanism to look critically at the humanism underpinning de-extinction science, considers the ways in which technology is re-framing our social and political imaginaries, and asks about the identification of future posthumans.

This book collects essays by Alan Montefiore on the role philosophy plays in the formation of the self, and how philosophical questions regarding the nature of reason, truth, and identity inform ethics and politics. It offers a comprehensive overview of Montefiore’s influential, non-dogmatic philosophical voice.Throughout his 70-year career, Montefiore sought to bridge the analytic/continental divide and develop a new way of thinking about philosophy. He defines philosophy as the search for a higher-order understanding of whatever the situation or activity in which one may be involved or engaged, an understanding which may be achieved and expressed by and in a variety of different forms of philosophical persuasion, and which may serve to shed new light on particular problems. The book’s essays, half of which are previously unpublished, are divided into two thematic sections. The first focuses on the nature of philosophy, while the second addresses the relationship between philosophy and moral and political responsibilities.Philosophy and the Human Paradox will be of interest to philosophers and students who work on ethics, Kantian and post-Kantian continental philosophy, and political philosophy.

In Writing Religion and Politics after Derrida, Danielle Sands challenges the allegations - made by thinkers from Badiou to Žižek - that Derrida's work is old-fashioned and needs to be stripped of its religious and literary content to possess any contemporary relevance. She does so by arguing that this relevance, or indeed the work’s political aspect can only be understood alongside Derrida’s interest in ethics and religion and that the medium of writing allows those studying him to examine the relationship between religion and politics from novel and less anthropocentric perspectives. With each chapter focusing on a key mode of discourse in Derrida’s work, Sands highlights how religion and politics intersect to raise vital questions about modern notions of subjectivity, responsibility, otherness, and public space. Her interdisciplinary approach responds to Derrida’s own experimentations with genre and is informed by philosophy, theology and literary studies, so that students in all those disciplines can benefit from this highly original and thought-provoking book.

Traditional Western attitudes towards death deal with it as a painful inevitability, something that has to be navigated as a trauma and a taboo. They focus essentially on the ‘management’ of death, an anthropocentric practice prioritising the human life above every other type of existence.Patricia MacCormack explores how we can develop a ‘death activism’ – a variety of tactics and posthuman practices which celebrate death, its inevitability, its forms, from the slow to times of crisis, and how trauma and mourning emerge as their own forms of expression. Crucial to the foundation of death activism is the dissymmetry with which different deaths are met including the mass death of nonhuman animals and ecologies.Death Activism is a feminist, queer, postcolonialist enquiry, that seeks to queer death – making queer our usual familiar death habits and trajectories of thought, toward a jubilant activism that can transform death into a more democratically equal, and a more jubilant force for life.

Confronting the relationship between words and images in the representation of plant life in Western modernity, this interdisciplinary book examines the ways in which plants have been theorised both in contemporary plant humanities and modern thinking about plants more generally.Focusing on the various ways that the vegetal has been represented—or hidden—during modernity, it studies how philosophical, scientific and environmental theories, as well as colonial histories, have determined these representations, as well as the ways in which these representations have themselves influenced theory. Situating itself within the plant-humanities, a developing field of research which draws upon the environmental humanities to rectify the traditional neglect of plants as a model for thinking, it examines aesthetic representations of plant life, and philosophical and scientific thinking about the vegetal, so as to challenge traditional assumptions regarding plant intelligence, agency and communication.

Examining our relationships with architecture beyond human-centric perspectives, Xenoaesthetics challenges conventional views of design and space inhabitation by exploring the architectural project as an autonomous entity. Drawing together insights from philosophy and architecture, this book delves into the conditions, roles, and implications of architectural encounters, conceptualising the architectural project as a site of unity-multiplicity tension, and introducing the concept of xenoaesthetics as a cognitive mode attuned to this structure. This approach invites readers to reimagine architectural experience as a dual action that reveals the project to us and realizes itself through us. As well as implying disciplinary consequences for design questions, Vaillo’s work holds socio-political significance for our everyday architectural interactions, contributing to the quest for practices and discourses on equality. Methodologically, his argument draws from Object-Oriented Ontology and the architect Enric Miralles, offering an additional retrospective crossover that enriches both references.A resource for students, architects, scholars, and enthusiasts interested in exploring architecture beyond assumptions and prescribed value systems, Xenoaesthetics encourages a deeper understanding of the intricate relationship between humans and the architectural project.

Combining recent insights from animal studies, critical plant studies and the new materialisms, Danielle Sands reads fiction and philosophy alongside each other to propose a method of thinking of and with animals that draws on a bestiary of affects. She challenges the claim that empathy should be primary mode of engagement with nonhuman life. Instead, she looks at the stories that we tell, and are told, by insects – beings at the edges of animal life. The indifference, even disgust, that these creatures evoke in us forms the basis for a new ethics not limited by empathy. Along the way she encounters fiction writers Yann Martel, Karen Joy Fowler, Han Kang and Jim Crace beside the philosophy of Graham Harman, Donna Haraway, Jacques Derrida and Roger Caillois.