Darryl Jones – författare

'Cities, nations, civilization, progress-it's all over. That game's up. We're beat.'One of the most important and influential invasion narratives ever written, The War of the Worlds (1897) describes the coming of the Martians, who land in Woking, and make their way remorselessly towards the capital, wreaking chaos, death, and destruction. The novel is closely associated with anxiety about a possible invasion of Great Britain at the turn of the century, and concerns about imperial expansion and its impact, and it drew on the latest astronomical knowledge to imagine a desert planet, Mars, turning to Earth for its future. The Martians are also evolutionarily superior to mankind.

'The creatures I had seen were not men, had never been men. They were animals, humanised animals...'A shipwrecked Edward Prendick finds himself stranded on a remote Noble island, the guest of a notorious scientist, Doctor Moreau. Disturbed by the cries of animals in pain, and by his encounters with half-bestial creatures, Edward slowly realises his danger and the extremes of the Doctor's experiments.Saturated in pain and disgust, suffused with grotesque and often unbearable images of torture and bodily mutilation, The Island of Doctor Moreau is unquestionably a shocking novel. It is also a serious, and highly knowledgeable, philosophical engagement with Wells's times, with their climate of scientific openness and advancement, but also their anxieties about the ethical nature of scientific discoveries, and their implications for religion. Darryl Jones's introduction places the book in both its scientific and literary context; with the Origin of Species and Gulliver's Travels, and argues that The Island of Doctor Moreau is, like all of Wells's best fiction, is fundamentally a novel of ideas

'There was a rumour, too, that he was a devil-worshipper, or something of that sort, and also that he had the evil eye...' Arthur Conan Doyle was the greatest genre writer Britain has ever produced. Throughout a long writing career, he drew on his own medical background, his travels, and his increasing interest in spiritualism and the occult to produce a spectacular array of Gothic Tales. Many of Doyle's writings are recognised as the very greatest tales of terror. They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over thirty of Conan Doyle's best Gothic Tales. Darryl Jones's introduction discusses the contradictions in Conan Doyle's very public life - as a medical doctor who became obsessed with the spirit world, or a British imperialist drawn to support Irish Home Rule - and shows the ways in which these found articulation in that most anxious of all literary forms, the Gothic.

Very Short Introductions: Brilliant, Sharp, Inspiring Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that.As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, this Very Short Introduction discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies?Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.First published in hardback as Sleeping with the Lights on.

'I was conscious of a most horrible smell of mould, and of a cold kind of face pressed against my own...'Considered by many to be the most terrifying writer in English, M. R. James was an eminent scholar who spent his entire adult life in the academic surroundings of Eton and Cambridge. His classic supernatural tales draw on the terrors of the everyday, in which documents and objects unleash terrible forces, often in closed rooms and night-time settings where imagination runs riot. Lonely country houses, remote inns, ancient churches or the manuscript collections of great libraries provide settings for unbearable menace, from creatures seeking retribution and harm. These stories have lost none of their power to unsettle and disturb.This edition presents all of James's published ghost stories, including the unforgettable 'Oh, Whistle and I'll Come to You, My Lad' and 'Casting the Runes', and an appendix of James's writings on the ghost story. Darryl Jones's introduction and notes provide a fascinating insight into James's background and his mastery of the genre he made his own.

Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that.As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Darryl Jones discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies?Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.

M. R. James: greatest of all ghost story writers, a repressed member of the English establishment struggling against changing timesEvery Christmas around the turn of the twentieth century, Montague Rhodes James would gather his friends and students together in his rooms at King's College Cambridge, for what he once described as a 'dark séance', in which he read a new ghost story by candlelight at midnight. But the ghost stories are only one aspect of the life and writing of this fascinating, complex, troubled, difficult man. Monty James was widely recognized as perhaps the outstanding scholar of his generation, a man whose academic achievements were unparalleled, and who became the foremost living authority on medieval manuscripts, on stained glass, on Biblical apocrypha, and on the occult. He was also a formidable academic administrator, as Provost of King's College Cambridge and then as Vice-Chancellor of Cambridge University, he led his institution through the difficult years of the First World War, in which many of his colleagues and students were killed. After the war, he returned to the sanctuary of his beloved Eton, which he served as Provost until his death.James's life in Cambridge brought him into contact, and often into conflict, with many of the great figures and movements of his age, from Henry Sidgwick and the Society for Psychical Research to John Maynard Keynes, Lytton Strachey, and the Bloomsbury Group, with which he had many connections. He was the friend of A. C. Benson, the teacher of Rupert Brooke. He was a repressed gay man, whose friends recognized this even where he did not. He was often troubled by modern ideas and tendencies, widening social access to universities, degrees for women. This is also a story of the profound consolations of scholarship, and of a man who found meaning on the wilder shores of human experience, in a world of demons and ghosts.

'I was conscious of a most horrible smell of mould, and of a cold kind of face pressed against my own...'Considered by many to be the most terrifying writer in English, M. R. James was an eminent scholar who spent his entire adult life in the academic surroundings of Eton and Cambridge. His classic supernatural tales draw on the terrors of the everyday, in which documents and objects unleash terrible forces, often in closed rooms and night-time settings where imagination runs riot. Lonely country houses, remote inns, ancient churches or the manuscript collections of great libraries provide settings for unbearable menace, from creatures seeking retribution and harm. These stories have lost none of their power to unsettle and disturb.This edition presents all of James's published ghost stories, including the unforgettable 'Oh, Whistle and I'll Come to You, My Lad' and 'Casting the Runes', and an appendix of James's writings on the ghost story. Darryl Jones's introduction and notes provide a fascinating insight into James's background and his mastery of the genre he made his own. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The modern horror story grew and developed across the nineteenth century, embracing categories as diverse as ghost stories, the supernatural and psychological horror, medical and scientific horror, colonial horror, and tales of the uncanny and precognition. This anthology brings together twenty-nine of the greatest horror stories of the period, from 1816 to 1912, from the British, Irish, American, and European traditions. It ranges widely across the sub-genres to encompass authors whose terror-inducing powers remain unsurpassed. The book includes stories by some of the best writers of the century -- Hoffmann, Poe, Balzac, Dickens, Hawthorne, Melville, and Zola -- as well as established genre classics from M. R. James, Arthur Machen, Bram Stoker, Algernon Blackwood, Charlotte Perkins Gilman, and others. It includes rare and little-known pieces by writers such as William Maginn, Francis Marion Crawford, W. F. Harvey, and William Hope Hodgson, and shows the important role played by periodicals in popularizing the horror story. Wherever possible, stories are reprinted in their first published form, with background information about their authors and helpful, contextualizing annotation. Darryl Jones's lively introduction discusses horror's literary evolution and its articulation of cultural preoccupations and anxieties. These are stories guaranteed to freeze the blood, revolt the senses, and keep you awake at night: prepare to be terrified!

An eclectic and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. 1950s popular culture is analysed by leading scholars and critics such as Christopher Frayling, Mark Jancovich, Kim Newman and David J. Skal.

This book offers a one-volume study of Jane Austen that is both a sophisticated critical introduction and a valuable contribution to the study of one of the most popular and enduring British novelists. Darryl Jones provides students with a coherent overview of Austen's work and an idea of the current state of critical debate.

This book offers a one-volume study of Jane Austen that is both a sophisticated critical introduction and a valuable contribution to the study of one of the most popular and enduring British novelists. Darryl Jones provides students with a coherent overview of Austen's work and an idea of the current state of critical debate.

What is the audience for horror? Why should we want to read books or watch films that make us afraid, or that contain acts of violence or depravity? Horror has had an established tradition in both fiction and film. From books such as Frankenstein and The Legend of Sleepy Hollow to films such as Se7en and The Blair Witch Project, the genre holds an irresistible appeal for modern audiences. But what is it? Is horror an anti-establishment force and an argument for social revolution? Is it a liberating expose of human nature and a peek at the dark side of the unconscious? Or is it pure evil, designed to corrupt and deprave? Starting from such questions about the nature of horror, this book offers an accessible history of the genre. It approaches its subject thematically, with chapers on horror, religion and identity; 'mad science'; vampires and the undead; on madness and psycho-killers; on forbidden knowledge and books; on narratives of invasion and pestilence; on Satanism and demonic possession; on ghosts and the ghost story; and on body-horror and metamorphoses.Making reference to key Gothic texts of the Romantic period, as well as more recent popular novels and films, the book is a highly readable introduction for both students of literature and film, as well as horror fans.

Studying Poetry is a fun, concise and helpful guide to understanding poetry which is divided into three parts, form and meaning, critical approaches and interpreting poetry, all of which help to illuminate the beauty and validity of poetry using a wide variety of examples, from Dylan Thomas to Bob Dylan.

An eclectic and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. 1950s popular culture is analysed by leading scholars and critics such as Christopher Frayling, Mark Jancovich, Kim Newman and David J. Skal.

Darryl Jones is fascinated by bird feeders. Not the containers supplying food to our winged friends, but the people who fill the containers.Why do people do this? Jones asks in The Birds at My Table. Does the food even benefit the birds? What are the unintended consequences of providing additional food to our winged friends?Jones takes us on a wild flight through the history of bird feeding. He pinpoints the highs and lows of the practice. And he ponders this odd but seriously popular form of interaction between humans and wild animals. Most important, he points out that we know very little about the impact of feeding birds despite millions of people doing it every day.Unerringly, Jones digs at the deeper issues and questions, and he raises our awareness of the things we don't yet know and why we really should. Using the latest scientific findings, The Birds at My Table takes a global swoop from 30,000 feet down to the backyard bird feeder and pushes our understanding of the many aspects of bird feeding back up to new heights.

A Clouded Leopard in the Middle of the Road is an eye-opening introduction to the ecological impacts of roads. Drawing on over ten years of active engagement in the field of road ecology, Darryl Jones sheds light on the challenges roads pose to wildlife—and the solutions taken to address them. One of the most ubiquitous indicators of human activity, roads typically promise development and prosperity. Yet they carry with them the threat of disruption to both human and animal lives. Jones surveys the myriad, innovative ways stakeholders across the world have sought to reduce animal-vehicle collisions and minimize road-crossing risks for wildlife, including efforts undertaken at the famed fauna overpasses of Banff National Park, the Singapore Eco-Link, "tunnels of love" in the Australian Alps, and others. Along the way, he acquaints readers with concepts and research in road ecology, describing the field's origins and future directions. Engaging and accessible, A Clouded Leopard in the Middle of the Road brings to the foreground an often-overlooked facet of humanity's footprint on earth.

Millions of Australian feed wild birds in their gardens. Yet there is currently very little information or advice on offer to tell them how to do this properly. This book provides the first readily available source of reliable information relevant to Australia. What’s more, it is written by an expert who feeds birds himself in his own suburban backyard. Including profiles on different types of Australian urban birds, what to feed them and what types of feeders to use, it also has tips on how to create a bird-friendly garden. Feeding the Birds at Your Table offers sensible and practical suggestions so feeding doesn’t only benefit us, but benefits the birds themselves. Packed with lists, tips and boxes for easy use, and featuring illustrations of some of the most common Australian birds, Feeding the Birds at Your Table tells you how to do just that - as responsibly as possible.

In Curlews on Vulture Street, acclaimed urban ecologist Darryl Jones reveals the not-so-secret lives of the most common birds that share our towns and cities.Despite the noise, heat, dust and fumes, the ceaseless movement, light and toxins, many birds successfully live their lives among us. And not just furtively in the shadows. Ibis steal our lunch, brush turkeys rearrange gardens and magpies chase us screaming from near their nest.From his childhood in a country town noticing blackbirds and sparrows to studying brush turkeys in the suburbs, Jones shares a fascinating story of curiosity, discovery, adventure and conflict, played out in city streets and backyards. He also provides rare insights into the intimate lives of some of our most beloved and feared, despised and admired neighbours. You'll never see magpies, curlews, ibis, lorikeets and cockatoos in the same way again.

Can our interactions with wildlife help answer life’s big questions? In (Be)wilder, acclaimed urban ecologist Darryl Jones explores how people around the world interact with wildlife. He spends time with bearded pigs in Borneo, rock ptarmigans in the Arctic, birdwatchers in Iowa and conservationist farmers in Australia’s Snowy Mountains. Along the way, Jones asks some big questions. Is it possible for farming and conservation to work together? How can urban landscapes be redesigned to enhance biodiversity? What happens when a local community turns centuries of traditional land use over to wildlife? And can birdwatching help save the planet?