Anne Dolan – författare

After civil war, can the winners commemorate their victory, hailing their conquering heroes with the blood of their former comrades still fresh on their boots? Or should they cover themselves in shame and hope that the nation soon forgets? In this book, Anne Dolan explores the tensions between memory and forgetting in twentieth-century Ireland. By examining the memory of winning the Irish Civil War, she discusses the extent to which it has been used to serve party political ends, where private grief finds consolation when the dead have fallen from political favour, and how the dead are remembered when no one wanted to fight the war. The book addresses the Irish Civil War at its most public point: at the statues and crosses, and in the ritual and rhetoric of commemoration. It will be of central interest to all students and scholars of European history and politics.

After civil war, can the winners commemorate their victory, hailing their conquering heroes with the blood of their former comrades still fresh on their boots? Or should they cover themselves in shame and hope that the nation soon forgets? In this book, Anne Dolan explores the tensions between memory and forgetting in twentieth-century Ireland. By examining the memory of winning the Irish Civil War, she discusses the extent to which it has been used to serve party political ends, where private grief finds consolation when the dead have fallen from political favour, and how the dead are remembered when no one wanted to fight the war. The book addresses the Irish Civil War at its most public point: at the statues and crosses, and in the ritual and rhetoric of commemoration. It will be of central interest to all students and scholars of European history and politics.

This collection documents one man’s attitude to war and his difficult acceptance of peace, his experience of capture, imprisonment, hunger strike and finally release. In these letters, however, ‘No Surrender Here!’ also captures the voices of both the leadership and the rank and file: the detached and often inappropriate orders from above, and the confusion of men who, in some cases without boots on their feet, know that theirs is a hopeless cause. Letters to friends and family also reveal the more personal costs of war. Just over a month after the 1921 truce that ended Ireland’s fight with England, Ernie O’Malley longed for a return to war. Ten months later he was waging civil war against many of the men he had once fought with, against those who accepted the new Irish Free State. ‘No Surrender Here!’ The Civil War Papers of Ernie O’Malley 1922-1924 is the first comprehensive collection of letters, memoranda and orders detailing this period of chaos and confusion, intransigence and idealism, which gripped the country from June 1922 to May 1923. These documents detail the war as it was fought with none of the benefit of hindsight and occasional artistry that marks the memoirs of many of the men involved, not least O’Malley’s own carefully crafted narratives, ‘On Another Man’s Wound’ and ‘The Singing Flame’, published decades later. These fully annotated documents, given historical perspective with a general introduction by Professor Joe Lee, provide extraordinary insights into the republican mentality during the Irish Civil War, into what remains a contested and controversial period of modern Irish history.

‘It was the most providential escape yet. It will probably have the effect of making them think that I am even more mysterious than they believe me to be, and that is saying a good deal.’ Michael Collins knew the power of his persona, and capitalised on what people wanted to believe. The image we have of him comes filtered through a sensational lens, exaggerated out of all proportion. We see what we have come to expect: ‘the man who won the war’, the centre of a web of intelligence that ‘brought the British Empire to its knees’. He comes to us as a mixture of truth and lies, propaganda and misunderstanding. The willingness to see him as the sum of the Irish revolution, and in turn reduce him to a caricature of his many parts, clouds our view of both the man and the revolution.Drawing on archives in Ireland, Britain and the United States, the authors question our traditional assumptions about Collins. Was he the man of his age, or was he just luckier, more brazen, more written about and more photographed than the rest? Despite the pictures of him in uniform during the last weeks of his life, Collins saw very little of the actual fight. He was chiefly an organiser and a strategist. Should we remember him as a master of the mundane rather than the romantic figure of the blockbuster film? The eight thematic, highly illustrated chapters scrutinise different aspects of Collins’ life: origins, work, war, politics, celebrity, beliefs, death and afterlives. Approaching him through the eyes of contemporaries and historians, friends and enemies, this provocative book reveals new insights, challenging what we think we know about him and, in turn, what we think we know about the Irish revolution.