Derek Gillman – författare

Conflict over cultural heritage has increasingly become a standard part of war. Today, systematic exploitation, manipulation, attacks, and destruction of cultural heritage by state and non-state actors form part of most violent conflicts across the world. Such acts are often intentional and based on well-planned strategies for inflicting harm on groups of people and communities. With this increasing awareness of the role cultural heritage plays in war, scholars and practitioners have progressed from seeing conflict-related destruction of cultural heritage as a cultural tragedy to understanding it as a vital national security issue. There is also a shift from the desire to protect cultural property for its own sake to viewing its protection as connected to broader agendas of peace and security. Concerns about cultural heritage have thus migrated beyond the cultural sphere to worries about the protection of civilians, the financing of terrorism, societal resilience, post-conflict reconciliation, hybrid warfare, and the geopolitics of territorial conflicts. This volume seeks to deepen public understanding of the evolving nexus between cultural heritage and security in the twenty-first century. Drawing on a variety of disciplines and perspectives, the chapters in this volume examine a complex set of relationships between the deliberate destruction and misuse of cultural heritage in times of conflict, on the one hand, and basic societal values, legal principles, and national security, on the other.

The idea of cultural heritage has become widespread in many countries, justifying government regulation and providing the background to disputes over valuable works of art and architecture. In this book, Derek Gillman uses several well-known cases from Asia, Europe, and the United States to review the competing claims that works of art belong either to a particular people and place, or, from a cosmopolitan perspective, to all of humankind. He looks at the ways in which the idea of heritage has been constructed. He focuses first on Britain and the writings of Edmund Burke and then on China and its medieval debate about the nature of 'our culture'. Drawing on a range of sources, including the work of Ronald Dworkin, Will Kymlicka, and Joseph Raz, Gillman relates debates about heritage to those in contemporary political philosophy and offers a liberal approach to moral claims and government regulation.

The idea of cultural heritage has become widespread in many countries, justifying government regulation and providing the background to disputes over valuable works of art and architecture. In this book, Derek Gillman uses several well-known cases from Asia, Europe, and the United States to review the competing claims that works of art belong either to a particular people and place, or, from a cosmopolitan perspective, to all of humankind. He looks at the ways in which the idea of heritage has been constructed. He focuses first on Britain and the writings of Edmund Burke and then on China and its medieval debate about the nature of 'our culture'. Drawing on a range of sources, including the work of Ronald Dworkin, Will Kymlicka, and Joseph Raz, Gillman relates debates about heritage to those in contemporary political philosophy and offers a liberal approach to moral claims and government regulation.

The concept of cultural heritage evolved to preserve important objects and practices, in peacetime and during conflict. It now justifies export controls and government regulation and provides the background to moral claims to valuable works of art and architecture. In this new edition of The Idea of Cultural Heritage, Derek Gillman provides an updated overview of both long-standing and more recent controversies over cultural things. In the last decade, these have been further charged not only by accelerating calls for the repatriation of materials from Western museums to countries of origin, but also by institutional acknowledgement of European colonisation, and the reimagination of displays at museums and historic sites. Using cases from Asia, Africa, Europe and North America, Gillman provides a critical analysis of whether cosmopolitan or nationalist concerns should take priority in adjudicating cultural disputes, mapping the heritage debate onto positions in contemporary political philosophy and reframing it within a discussion of basic values.