Erik Ching - Böcker

In December 1931, El Salvador's civilian president, Arturo Araujo, was overthrown in a military coup. Such an event was hardly unique in Salvadoran history, but the 1931 coup proved to be a watershed. Araujo had been the nation's first democratically elected president, and although no one could have foreseen the result, the coup led to five decades of uninterrupted military rule, the longest run in modern Latin American history. Furthermore, six weeks after coming to power, the new military regime oversaw the crackdown on a peasant rebellion in western El Salvador that is one of the worst episodes of state-sponsored repression in modern Latin American history. Democracy would not return to El Salvador until the 1990s, and only then after a brutal twelve-year civil war. In Authoritarian El Salvador: Politics and the Origins of the Military Regimes, 1880-1940, Erik Ching seeks to explain the origins of the military regime that came to power in 1931. Based on his comprehensive survey of the extant documentary record in El Salvador's national archive, Ching argues that El Salvador was typified by a longstanding tradition of authoritarianism dating back to the early- to mid-nineteenth century. The basic structures of that system were based on patron-client relationships that wove local, regional, and national political actors into complex webs of rival patronage networks. Decidedly nondemocratic in practice, the system nevertheless exhibited highly paradoxical traits: it remained steadfastly loyal to elections as the mechanism by which political aspirants acquired office, and it employed a political discourse laden with appeals to liberty and free suffrage. That blending of nondemocratic authoritarianism with populist reformism and rhetoric set the precedent for military rule for the next fifty years.

In December 1931, El Salvador's civilian president, Arturo Araujo, was overthrown in a military coup. Such an event was hardly unique in Salvadoran history, but the 1931 coup proved to be a watershed. Araujo had been the nation's first democratically elected president, and although no one could have foreseen the result, the coup led to five decades of uninterrupted military rule, the longest run in modern Latin American history. Furthermore, six weeks after coming to power, the new military regime oversaw the crackdown on a peasant rebellion in western El Salvador that is one of the worst episodes of state-sponsored repression in modern Latin American history. Democracy would not return to El Salvador until the 1990s, and only then after a brutal twelve-year civil war. In Authoritarian El Salvador: Politics and the Origins of the Military Regimes, 1880-1940, Erik Ching seeks to explain the origins of the military regime that came to power in 1931. Based on his comprehensive survey of the extant documentary record in El Salvador's national archive, Ching argues that El Salvador was typified by a longstanding tradition of authoritarianism dating back to the early- to mid-nineteenth century. The basic structures of that system were based on patron-client relationships that wove local, regional, and national political actors into complex webs of rival patronage networks. Decidedly nondemocratic in practice, the system nevertheless exhibited highly paradoxical traits: it remained steadfastly loyal to elections as the mechanism by which political aspirants acquired office, and it employed a political discourse laden with appeals to liberty and free suffrage. That blending of nondemocratic authoritarianism with populist reformism and rhetoric set the precedent for military rule for the next fifty years.

Providing an extensive introduction to cultural studies in general, regardless of chronological or geographic focus, and presenting provocative, essential readings from Latin American writers of the last two centuries, Reframing Latin America brings much-needed accessibility to the concepts of cultural studies and postmodernism. From Saussure to semiotics, the authors begin by demystifying terminology, then guide readers through five identity constructs, including nation, race, and gender. The readings that follow are presented with insightful commentary and encompass such themes as "Civilized Folk Marry the Barbarians" (including JosÉ MartÍ's "Our America") and "Boom Goes the Literature: Magical Realism as the True Latin America?" (featuring Elena Garro's essay "It's the Fault of the Tlaxcaltecas"). Films such as Like Water for Chocolate are discussed in-depth as well. The result is a lively, interdisciplinary guide for theorists and novices alike.

In January 1932, thousands of peasants in western El Salvador rose up in armed rebellion. Armed mostly with machetes and a few guns, they attacked military garrisons, occupied towns, and looted or destroyed businesses, government buildings and private homes. In response, the army and local paramilitary bands killed thousands of citizens in a few days, most of them innocent of any involvement in the rebellion. Recalled as a massacre, the government's actions are regarded as one of the most extreme cases of state-sponsored repression in modern Latin American history. The ""Matanza"" left generations of Salvadorans and internationals alike attempting to make sense of the events. ""Remembering a Massacre in El Salvador"" examines national and international historical memories of the events of 1932 and the factors that determined those memories. It also analyzes Miguel Marmol, by Roque Dalton, a well-known and influential narrative of the 1932 Matanza and one of the most important texts in modern Salvadoran history. The authors employ an array of primary evidence, including the personal archive of Roque Dalton, made available by the Dalton family for the first time. They argue that a systematic look at rivaling memories of the Matanza reveals the close association between historical narratives and political action. The book is complemented by a valuable appendix of primary documents that reveal the evolving memories of these important events in 1932.

El Salvador’s civil war began in 1980 and ended twelve bloody years later.It saw extreme violence on both sides, including the terrorising and targetingof civilians by death squads, recruitment of child soldiers, and the death anddisappearance of more than 75,000 people. Examining El Salvador’s vibrantlife-story literature written in the aftermath of this terrible conflict—includingmemoirs and testimonials—Erik Ching seeks to understand how thewar has come to be remembered and rebattled by Salvadorans and what thatmeans for their society today.Ching identifies four memory communities that dominate nationalpostwar views: civilian elites, military officers, guerrilla commanders, andworking class and poor testimonialists. Pushing distinct and divergent stories,these groups are today engaged in what Ching terms a “narrative battle”for control over the memory of the war. Their ongoing publications in themarketplace of ideas tend to direct Salvadorans’ attempts to negotiate thewar’s meaning and legacy, and Ching suggests that a more open, coordinatedreconciliation process is needed in this postconflict society. In the meantime,El Salvador, fractured by conflicting interpretations of its national trauma,is hindered in dealing with the immediate problems posed by the nexus ofneoliberalism, gang violence, and outmigration.