George Santayana – författare

A collection of recent essays from the American philosopher and Chair of the Santayana Society. The subjects discussed include the philosophy of travel, the politics of religion, friendship, appearance and reality, and the false steps of philosophy.

This book brings together two seminal works by George Santayana, one of the most significant philosophers of the twentieth century: Character and Opinion in the United States, which stands with Tocqueville’s Democracy in America as one the most insightful works of American cultural criticism ever written, and “The Genteel Tradition in American Philosophy,” a landmark text of both philosophical analysis and cultural criticism. An introduction by James Seaton situates Santayana in the intellectual and cultural context of his own time. Four additional essays include John Lachs on the ways Santayana’s understanding of “the soul of America” help explain the relative peace among nationalities and ethnic groups in the United States; Wilfred M. McClay on Santayana’s life of the mind as it relates to dominant trends in American culture; Roger Kimball on Santayana’s “most uncommon benefice, common sense”; and James Seaton on Santayana’s distinction between “English liberty” and “fierce liberty.” All the essays serve to highlight the relevance of Santayana’s ideas to current issues in American culture, including education, immigration, and civil rights.

The great philosopher, essayist, poet, and novelist masterfully offers his fascinating outline of Aesthetics Theory. Drawing on the art, literature, and social sciences involved, Santayana discusses the nature of beauty, form, and expression.

From antiquity to the present, many have written on the subject of beauty, but precious few have done so with the capacity themselves to write beautifully. The Sense of Beauty is that rare exception. This remarkable early work of the great American philosopher, George Santayana, features a quality of prose that is as wondrous as what he had to say. Indeed, his summation remains a flawless classical statement. "Beauty seems to be the clearest manifestation of perfection, and the best evidence of its possibility. If perfection is, as it should be, the ultimate justification of being, we may understand the ground of the moral dignity of beauty. Be'auty is a pledge of the possible conformity between the soul and nature, and consequently a ground of faith in the supremacy of the good."The editor of this new edition, John McGormick, reminds us that The Sense of Beauty is the first work in aesthetics written in the United States. Santayana was versed in the history of his subject, from Plato and Aristotle to Schopenhauer and Taine in the nineteenth century. Santayana took as his task a complete rethinking of the idea that beauty is embedded in objects. Rather beauty is an emotion, a value, and a sense of the good. In this, aesthetics was unlike ethics: not a correction of evil or pursuit of the virtuous. Rather it is a pleasure that resides in the sense of self. The work is divided into chapters on the materials of beauty, form and expression. A good many of Santayana's later works are presaged by this early effort. And this volume also anticipates the development of art as a movement as well as a value apart from other aspects of life.The work is written without posturing, without hectoring. Santayana is nonetheless able to give expression to strong views. His preferences are made perfectly plain. Perhaps the key is a powerful belief that beauty is an adornment not a material necessity. But that does mean art is trivial. Quite the contrary, the good life is precisely the extent to which such "adornments" as painting, poetry or music come to define the lives of individuals and civilizations alike. This is, in short, a major work that can still inform and move us a century after its first composition.

George Santayana probably did more than anyone except Alexis de Tocqueville to shape the critical view of American culture. The great philosopher and writer coined the phrase "genteel tradition," introducing it to a California audience in 1911. The phrase caught fire, giving a name to the culture of the republic. Santayana's address appears in this collection of influential essays about the country he lived in from 1872 to 1912. Because he remained European in spirit, the Spaniard brought a sharp detachment to his observations. He points out the American split between thought and action, theory and practice, the traditional and the modern, the arts and business, the high-brow and the popular. He also examines the excessive moralism in national life, which baffles Europeans. These nine essays touch on American idealism and materialism and American endeavor, sacred and profane.

This book is a collection of fifty-five essays and fragments by George Santayana, from the Santayana collections of the Columbia University Library and the Humanities Research Center at the University of Texas.Although the essay included are largely philosophical in nature, none is narrowly technical. The general reader should be able to understand most of the pieces, as well as enjoy their literary quality and profit by the insights and wisdom they provide. The philosopher may draw courage from the speculative spirit of the essays and benefit by Santayana's steadfast vision and his sensitivity to distinctions.For the serious student of Santayana's thought, this volume will prove indispensable. It contains sustained philosophical studies of causation (the only ones by Santayana anywhere), substantial elaborations of Santayana’s ideas on the relation of sensation to thought, and reflections on the nature of freedom and the spiritual life. In addition, Santayana develops here a new theory of “critical instants” and elaborates on his ideas of the nature of consciousness and its relations to time.Sections on the philosophy of nature and the philosophy of mind are followed by groups of essays on ethics, the philosophy of politics, and the freedom of mind—in which, according to Santayana, the blessing of the good life consists. The book concludes with brief notes on Bergson, Democritus, and Leibniz and a longer essay on the thought of Vaihinger.