Gianfranco Marrone - Böcker

To place animals within the realm of nature, means inserting them among the articulations of culture and the social. Semiotics has never avoided this chiasmus, choosing to deal from the outset with the problem of the languages of animals following the old admonition of Montaigne: it is not that animals do not talk, it is us who do not understand them.Recent research in the field of the anthropology of nature and sociology of sciences and techniques allow to think about the Zoosemiotic issue in a different way. Instead of transplanting the language structures – gestures, LIS, etc. – for a semiotic study of the forms of the human and social meaning, it seems more apt to look at their discourse, and as such, the actual interactions, communicative and scientific as well as practical and functional, between humans and non-humans. This book aims to investigate precisely this hypothesis, known here as Zoosemiotics 2.0, working on several fronts and levels:· Anthropology· Languages of the image and visual representations, from art history to cinema· Old and new media. From literature to comics, from cartoons to TV documentaries but also advertising, music, Web and social networks. All those cultural products that talk about the role of human and non-human in society implicitly proposing (and in some way imposing) a form of articulation of such a relationship.· Food and feeding rites· Animalist, vegetarian and vegan movements · Philosophy: metaphysics, ethics, aesthetics

This books aims to demonstrate how semiotic models of textual analysis can be used to study any social reality or cultural process. In addition, it shows how semiotic models work by using examples from everyday life and social praxis, communicative processes and modes of consumption, online interactions and cross-media procedures, political experiences and scientific universes.

The Semiotic Turn is a milestone in semiotics. Written by Paolo Fabbri (1939-2020) at the end of the millennium, it orients semioticians in their purpose to critically analyze different cultural and social worlds. Given the influence of Fabbri's thought on semioticians worldwide, this English translation introduces Fabbri’s work to English-speaking audiences. It includes previously unpublished texts by Fabbri and an introduction by the editor.