Jane Lydon – författare

This edited collection argues for the importance of recovering Indigenous participation within global networks of imperial power and wider histories of "transnational" connections. It takes up a crucial challenge for new imperial and transnational histories: to explore the historical role of colonized and subaltern communities in these processes, and their legacies in the present. Bringing together prominent and emerging scholars who have begun to explore Indigenous networks and "transnational" encounters, and to consider the broader significance of "extra-local" connections, exchanges and mobility for Indigenous peoples, this work engages closely with some of the key historical scholarship on transnationalism and the networks of European imperialism. Chapters deploy a range of analytic scales, including global, regional and intra-Indigenous networks, and methods, including histories of ideas and cultural forms and biography, as well as exploring contemporary legacies. In drawing these perspectives together, this book charts an important new direction in research.

Bringing the histories of British anti-slavery and Australian colonization together changes our view of both. This book explores the anti-slavery movement in imperial scope, arguing that colonization in Australasia facilitated emancipation in the Caribbean, even as abolition powerfully shaped the Settler Revolution. The anti-slavery campaign was deeply entwined with the administration of the empire and its diverse peoples, as well as the radical changes demanded by industrialization and rapid social change in Britain. Abolition posed problems to which colonial expansion provided the answer, intimately linking the end of slavery to systematic colonization and Indigenous dispossession. By defining slavery in the Caribbean as the opposite of freedom, a lasting impact of abolition was to relegate other forms of oppression to lesser status, or to deny them. Through the shared concerns of abolitionists, slave-owners, and colonizers, a plastic ideology of ‘free labour’ was embedded within post-emancipation imperialist geopolitics, justifying the proliferation of new forms of unfree labour and defining new racial categories. The celebration of abolition has overshadowed post-emancipation continuities and transformations of slavery that continue to shape the modern world.

This edited collection argues for the importance of recovering Indigenous participation within global networks of imperial power and wider histories of "transnational" connections. It takes up a crucial challenge for new imperial and transnational histories: to explore the historical role of colonized and subaltern communities in these processes, and their legacies in the present. Bringing together prominent and emerging scholars who have begun to explore Indigenous networks and "transnational" encounters, and to consider the broader significance of "extra-local" connections, exchanges and mobility for Indigenous peoples, this work engages closely with some of the key historical scholarship on transnationalism and the networks of European imperialism. Chapters deploy a range of analytic scales, including global, regional and intra-Indigenous networks, and methods, including histories of ideas and cultural forms and biography, as well as exploring contemporary legacies. In drawing these perspectives together, this book charts an important new direction in research.

Fantastic Dreaming explores how whites have measured Australian Aboriginal people through their material culture and domestic practices, aspects of culture intimately linked to Enlightenment notions of progress and social institutions such as marriage and property. Archaeological investigation reveals that the Moravian missionaries' attempts to "civilize" the Wergaia-speaking people of northwestern Victoria centered on spatial practices, housing, and the consumption of material goods. After the mission closed in 1904, white observers saw the camp settlements that formed nearby as evidence of Aboriginal incapacity and immorality, rather than as symptoms of exclusion and poverty. Conceptions of transformation as acculturation survived in assimilation policies that envisioned Aboriginal people becoming the same as whites through living in European housing. These ideas persist in archaeological analysis that insists on Aboriginality as otherness and difference, and equates objects with identity. However Wergaia tradition was place-based, and, often invisibly, Indigenous people maintained traditional relationships to kin and country, resisting white authority through strategies of evasion and mobility. This study examines the complex role of material culture and spatial politics in shaping colonial identities and offers a critique of essentialism in archaeological interpretation.

Fantastic Dreaming explores how whites have measured Australian Aboriginal people through their material culture and domestic practices, aspects of culture intimately linked to Enlightenment notions of progress and social institutions such as marriage and property. Archaeological investigation reveals that the Moravian missionaries' attempts to "civilize" the Wergaia-speaking people of northwestern Victoria centered on spatial practices, housing, and the consumption of material goods. After the mission closed in 1904, white observers saw the camp settlements that formed nearby as evidence of Aboriginal incapacity and immorality, rather than as symptoms of exclusion and poverty. Conceptions of transformation as acculturation survived in assimilation policies that envisioned Aboriginal people becoming the same as whites through living in European housing. These ideas persist in archaeological analysis that insists on Aboriginality as otherness and difference, and equates objects with identity. However Wergaia tradition was place-based, and, often invisibly, Indigenous people maintained traditional relationships to kin and country, resisting white authority through strategies of evasion and mobility. This study examines the complex role of material culture and spatial politics in shaping colonial identities and offers a critique of essentialism in archaeological interpretation.

An indigenous reservation in the colony of Victoria, Australia, the Coranderrk Aboriginal Station was a major site of cross-cultural contact the mid-nineteenth century and early twentieth. Coranderrk was located just outside Melbourne, and from its opening in the 1860s the colonial government commissioned many photographs of its Aboriginal residents. The photographs taken at Coranderrk Station circulated across the western world; they were mounted in exhibition displays and classified among other ethnographic “data” within museum collections. The immense Coranderrk photographic archive is the subject of this detailed, richly illustrated examination of the role of visual imagery in the colonial project. Offering close readings of the photographs in the context of Australian history and nineteenth- and early-twentieth-century photographic practice, Jane Lydon reveals how western society came to understand Aboriginal people through these images. At the same time, she demonstrates that the photos were not solely a tool of colonial exploitation. The residents of Coranderrk had a sophisticated understanding of how they were portrayed, and they became adept at manipulating their representations.Lydon shows how the photographic portrayals of the Aboriginal residents of Coranderrk changed over time, reflecting various ideas of the colonial mission-from humanitarianism to control to assimilation. In the early twentieth century, the images were used on stereotypical postcards circulated among the white population, showing what appeared to be compliant, transformed Aboriginal subjects. The station closed in 1924 and disappeared from public view until it was rediscovered by scholars years later. Aboriginal Australians purchased the station in 1998, and, as Lydon describes, today they are using the Coranderrk photographic archive in new ways, to identify family members and tell stories of their own.

Emotions are not universal, but are experienced and expressed in diverse ways within different cultures and times. This overview of the history of emotions within nineteenth-century British imperialism focuses on the role of the compassionate emotions, or what today we refer to as empathy, and how they created relations across empire. Jane Lydon examines how empathy was produced, qualified and contested, including via the fear and anger aroused by frontier violence. She reveals the overlooked emotional dimensions of relationships constructed between Britain, her Australasian colonies, and Indigenous people, showing that ideas about who to care about were frequently drawn from the intimate domestic sphere, but were also developed through colonial experience. This history reveals the contingent and highly politicised nature of emotions in imperial deployment. Moving beyond arguments that emotions such as empathy are either 'good' or 'bad', this study evaluates their concrete political uses and effects.

Emotions are not universal, but are experienced and expressed in diverse ways within different cultures and times. This overview of the history of emotions within nineteenth-century British imperialism focuses on the role of the compassionate emotions, or what today we refer to as empathy, and how they created relations across empire. Jane Lydon examines how empathy was produced, qualified and contested, including via the fear and anger aroused by frontier violence. She reveals the overlooked emotional dimensions of relationships constructed between Britain, her Australasian colonies, and Indigenous people, showing that ideas about who to care about were frequently drawn from the intimate domestic sphere, but were also developed through colonial experience. This history reveals the contingent and highly politicised nature of emotions in imperial deployment. Moving beyond arguments that emotions such as empathy are either 'good' or 'bad', this study evaluates their concrete political uses and effects.

Bringing the histories of British anti-slavery and Australian colonization together changes our view of both. This book explores the anti-slavery movement in imperial scope, arguing that colonization in Australasia facilitated emancipation in the Caribbean, even as abolition powerfully shaped the Settler Revolution. The anti-slavery campaign was deeply entwined with the administration of the empire and its diverse peoples, as well as the radical changes demanded by industrialization and rapid social change in Britain. Abolition posed problems to which colonial expansion provided the answer, intimately linking the end of slavery to systematic colonization and Indigenous dispossession. By defining slavery in the Caribbean as the opposite of freedom, a lasting impact of abolition was to relegate other forms of oppression to lesser status, or to deny them. Through the shared concerns of abolitionists, slave-owners, and colonizers, a plastic ideology of ‘free labour’ was embedded within post-emancipation imperialist geopolitics, justifying the proliferation of new forms of unfree labour and defining new racial categories. The celebration of abolition has overshadowed post-emancipation continuities and transformations of slavery that continue to shape the modern world.

With their power to create a sense of proximity and empathy, photographs have long been a crucial means of exchanging ideas between people across the globe; this book explores the role of photography in shaping ideas about race and difference from the 1840s to the 1948 Declaration of Human Rights. Focusing on Australian experience in a global context, a rich selection of case studies – drawing on a range of visual genres, from portraiture to ethnographic to scientific photographs – show how photographic encounters between Aboriginals, missionaries, scientists, photographers and writers fuelled international debates about morality, law, politics and human rights.Drawing on new archival research, Photography, Humanitarianism, Empire is essential reading for students and scholars of race, visuality and the histories of empire and human rights.

For many, the conditions and privileges of citizenship, and the access it provides to equal civil, political and social rights, are taken for granted. Yet citizenship always implies histories of inclusion and exclusion and in settler nations with colonial roots, the history of citizenship is entangled with the legacies of colonisation. Looking beyond its legal definition to the wider historical processes through which citizenship and its associated ideas of rights and belonging have been imagined, debated and found lasting form, this collection considers the unique role of visual culture in defining, contesting and advancing ideas of citizenship in settler national contexts from the 19th century to the present day.Addressing citizenship’s particular entanglements with colonial histories in contemporary settler nations, the collection considers how images have shaped the meanings and experiences of citizenship from the colonial era, through periods of mass global migration to contemporary geopolitical change and debates on Indigenous rights and recognition. Contributors explore the role visual culture has played in imagining or interrogating ideas about belonging, rights, civic identity, and the ideal citizen in societies that continue to grapple with their settler colonial origins. They ask how image-making may be used to negotiate or contest the limits of citizenship, whether as a legal or as an imagined cultural category, and the role of visual culture in building relationships between citizens, non-citizens and the state. This collection will provide a new and compelling history of citizenship and the ways it has been defined, not only by historicising citizenship’s visual imagery but by exploring its present effects and legacies.

For many, the conditions and privileges of citizenship, and the access it provides to equal civil, political and social rights, are taken for granted. Yet citizenship always implies histories of inclusion and exclusion and in settler nations with colonial roots, the history of citizenship is entangled with the legacies of colonisation. Looking beyond its legal definition to the wider historical processes through which citizenship and its associated ideas of rights and belonging have been imagined, debated and found lasting form, this collection considers the unique role of visual culture in defining, contesting and advancing ideas of citizenship in settler national contexts from the 19th century to the present day.Addressing citizenship’s particular entanglements with colonial histories in contemporary settler nations, the collection considers how images have shaped the meanings and experiences of citizenship from the colonial era, through periods of mass global migration to contemporary geopolitical change and debates on Indigenous rights and recognition. Contributors explore the role visual culture has played in imagining or interrogating ideas about belonging, rights, civic identity, and the ideal citizen in societies that continue to grapple with their settler colonial origins. They ask how image-making may be used to negotiate or contest the limits of citizenship, whether as a legal or as an imagined cultural category, and the role of visual culture in building relationships between citizens, non-citizens and the state. This collection will provide a new and compelling history of citizenship and the ways it has been defined, not only by historicising citizenship’s visual imagery but by exploring its present effects and legacies.

With their power to create a sense of proximity and empathy, photographs have long been a crucial means of exchanging ideas between people across the globe; this book explores the role of photography in shaping ideas about race and difference from the 1840s to the 1948 Declaration of Human Rights. Focusing on Australian experience in a global context, a rich selection of case studies – drawing on a range of visual genres, from portraiture to ethnographic to scientific photographs – show how photographic encounters between Aboriginals, missionaries, scientists, photographers and writers fuelled international debates about morality, law, politics and human rights.Drawing on new archival research, Photography, Humanitarianism, Empire is essential reading for students and scholars of race, visuality and the histories of empire and human rights.

This book investigates the legacies of British slavery beyond Britain, focusing upon the colonisation of Australia and New Zealand, and explores why this history has been overlooked. After August 1833, when the British Parliament abolished slavery in the British Caribbean, Mauritius and the Cape, the former slave-owners were paid compensation for the loss of their ‘property’. New research has begun to show that many beneficiaries had ties to other parts of the British Empire, including the settler colonies of Australia, New Zealand, Canada and South Africa. Through a range of case studies, contributors to this collection trace the movement of people, goods, capital, and practices from the Caribbean to the new Australasian settler colonies. Chapters consider a range of places, people and themes to reveal the varied ways that slavery continued to shape imperial relationships, economic networks, and racial labour regimes after 1833.

This essential handbook explores the relationship between the postcolonial critique and the field of archaeology, a discipline that developed historically in conjunction with European colonialism and imperialism. In aiding the movement to decolonize the profession, the contributors to this volume—themselves from six continents and many representing indigenous and minority communities and disadvantaged countries—suggest strategies to strip archaeological theory and practice of its colonial heritage and create a discipline sensitive to its inherent inequalities. Summary articles review the emergence of the discipline of archaeology in conjunction with colonialism, critique the colonial legacy evident in continuing archaeological practice around the world, identify current trends, and chart future directions in postcolonial archaeological research. Contributors provide a synthesis of research, thought, and practice on their topic. The articles embrace multiple voices and case study approaches, and have consciously aimed to recognize the utility of comparative work and interdisciplinary approaches to understanding the past. This is a benchmark volume for the study of the contemporary politics, practice, and ethics of archaeology. Sponsored by the World Archaeological Congress

This essential handbook explores the relationship between the postcolonial critique and the field of archaeology, a discipline that developed historically in conjunction with European colonialism and imperialism. In aiding the movement to decolonize the profession, the contributors to this volume—themselves from six continents and many representing indigenous and minority communities and disadvantaged countries—suggest strategies to strip archaeological theory and practice of its colonial heritage and create a discipline sensitive to its inherent inequalities. Summary articles review the emergence of the discipline of archaeology in conjunction with colonialism, critique the colonial legacy evident in continuing archaeological practice around the world, identify current trends, and chart future directions in postcolonial archaeological research. Contributors provide a synthesis of research, thought, and practice on their topic. The articles embrace multiple voices and case study approaches, and have consciously aimed to recognize the utility of comparative work and interdisciplinary approaches to understanding the past. This is a benchmark volume for the study of the contemporary politics, practice, and ethics of archaeology. Sponsored by the World Archaeological Congress

On the 180th anniversary of the Myall Creek Massacre of 1838, acclaimed writers, historians, lawyers and artists explore the impact of one of the most horrifying events of Australian colonial history, showing why this event was and remains so important for Australia.The 1838 Myall Creek Massacre is remembered for the brutality of the crime committed by white settlers against innocent Aboriginal men, women and children, but also because eleven of the twelve assassins were arrested and brought to trial, one of the few cases of this kind in Australia. Amid tremendous controversy, seven were hanged. Myall Creek was not the last time the colonial administration sought to apply the law equally to Aboriginal people and settlers, but it was the last time that the perpetrators of a massacre were convicted and hanged. Marking its 180th anniversary, this book explores the significance of one of the most horrifying events of Australian colonialism.Foreword by Aunty Sue Blacklock and John Brown