Fay Anderson – författare

Max Crawford was one of Australia's pre-eminent historians. As both a participant in and observer of many decisive episodes of the era; Europe in the midst of the Depression, America and Russia at the height of World War II, postwar reconstruction and the Cold War in Australia, Crawford was regarded as a radical, and outspoken defender of intellectual autonomy. This biography considers Crawford as an historian and a public intellectual. It relates his experiences as a student at Sydney and Oxford, a struggling teacher during the Depression, as the head of the History School at the University of Melbourne, a diplomat in wartime Russia, and a Cold War victim and accuser. The study of Crawford's life provides insight into one man's experience in the midst of political turmoil and the limits of intellectual autonomy on Australian campuses, as well as the suspicion of liberal intellectuals in Australian public life, the repression of academic radicals and ASIO's attempts to stifle dissident voices. Spanning his life (1906 -1991), Crawford's political and intellectual journey suggests the changing nature of Australian progressive liberalism and the precarious state of academic freedom.

For many, the conditions and privileges of citizenship, and the access it provides to equal civil, political and social rights, are taken for granted. Yet citizenship always implies histories of inclusion and exclusion and in settler nations with colonial roots, the history of citizenship is entangled with the legacies of colonisation. Looking beyond its legal definition to the wider historical processes through which citizenship and its associated ideas of rights and belonging have been imagined, debated and found lasting form, this collection considers the unique role of visual culture in defining, contesting and advancing ideas of citizenship in settler national contexts from the 19th century to the present day.Addressing citizenship’s particular entanglements with colonial histories in contemporary settler nations, the collection considers how images have shaped the meanings and experiences of citizenship from the colonial era, through periods of mass global migration to contemporary geopolitical change and debates on Indigenous rights and recognition. Contributors explore the role visual culture has played in imagining or interrogating ideas about belonging, rights, civic identity, and the ideal citizen in societies that continue to grapple with their settler colonial origins. They ask how image-making may be used to negotiate or contest the limits of citizenship, whether as a legal or as an imagined cultural category, and the role of visual culture in building relationships between citizens, non-citizens and the state. This collection will provide a new and compelling history of citizenship and the ways it has been defined, not only by historicising citizenship’s visual imagery but by exploring its present effects and legacies.

For many, the conditions and privileges of citizenship, and the access it provides to equal civil, political and social rights, are taken for granted. Yet citizenship always implies histories of inclusion and exclusion and in settler nations with colonial roots, the history of citizenship is entangled with the legacies of colonisation. Looking beyond its legal definition to the wider historical processes through which citizenship and its associated ideas of rights and belonging have been imagined, debated and found lasting form, this collection considers the unique role of visual culture in defining, contesting and advancing ideas of citizenship in settler national contexts from the 19th century to the present day. Addressing citizenship's particular entanglements with colonial histories in contemporary settler nations, the collection considers how images have shaped the meanings and experiences of citizenship from the colonial era, through periods of mass global migration to contemporary geopolitical change and debates on Indigenous rights and recognition. Contributors explore the role visual culture has played in imagining or interrogating ideas about belonging, rights, civic identity, and the ideal citizen in societies that continue to grapple with their settler colonial origins. They ask how image-making may be used to negotiate or contest the limits of citizenship, whether as a legal or as an imagined cultural category, and the role of visual culture in building relationships between citizens, non-citizens and the state. This collection will provide a new and compelling history of citizenship and the ways it has been defined, not only by historicising citizenship's visual imagery but by exploring its present effects and legacies.

For many, the conditions and privileges of citizenship, and the access it provides to equal civil, political and social rights, are taken for granted. Yet citizenship always implies histories of inclusion and exclusion and in settler nations with colonial roots, the history of citizenship is entangled with the legacies of colonisation. Looking beyond its legal definition to the wider historical processes through which citizenship and its associated ideas of rights and belonging have been imagined, debated and found lasting form, this collection considers the unique role of visual culture in defining, contesting and advancing ideas of citizenship in settler national contexts from the 19th century to the present day. Addressing citizenship's particular entanglements with colonial histories in contemporary settler nations, the collection considers how images have shaped the meanings and experiences of citizenship from the colonial era, through periods of mass global migration to contemporary geopolitical change and debates on Indigenous rights and recognition. Contributors explore the role visual culture has played in imagining or interrogating ideas about belonging, rights, civic identity, and the ideal citizen in societies that continue to grapple with their settler colonial origins. They ask how image-making may be used to negotiate or contest the limits of citizenship, whether as a legal or as an imagined cultural category, and the role of visual culture in building relationships between citizens, non-citizens and the state. This collection will provide a new and compelling history of citizenship and the ways it has been defined, not only by historicising citizenship's visual imagery but by exploring its present effects and legacies.

For many, the conditions and privileges of citizenship, and the access it provides to equal civil, political and social rights, are taken for granted. Yet citizenship always implies histories of inclusion and exclusion and in settler nations with colonial roots, the history of citizenship is entangled with the legacies of colonisation. Looking beyond its legal definition to the wider historical processes through which citizenship and its associated ideas of rights and belonging have been imagined, debated and found lasting form, this collection considers the unique role of visual culture in defining, contesting and advancing ideas of citizenship in settler national contexts from the 19th century to the present day.Addressing citizenship’s particular entanglements with colonial histories in contemporary settler nations, the collection considers how images have shaped the meanings and experiences of citizenship from the colonial era, through periods of mass global migration to contemporary geopolitical change and debates on Indigenous rights and recognition. Contributors explore the role visual culture has played in imagining or interrogating ideas about belonging, rights, civic identity, and the ideal citizen in societies that continue to grapple with their settler colonial origins. They ask how image-making may be used to negotiate or contest the limits of citizenship, whether as a legal or as an imagined cultural category, and the role of visual culture in building relationships between citizens, non-citizens and the state. This collection will provide a new and compelling history of citizenship and the ways it has been defined, not only by historicising citizenship’s visual imagery but by exploring its present effects and legacies.

This book explores the Australian press reporting of the persecution and genocide of European Jews, and the extent to which the news of the Holocaust was known and believed, revealed and hidden, and acknowledged and minimised. Spanning the coverage of Hitler’s political ascent in the 1920s through to the Nazis’ extermination campaign, it culminates in the accounts of the trials of Nazi war criminals and the post-war transnational migration to Australia of Holocaust survivors, to a country far from universally welcoming in its reception of them. The book also tells the story of the journalists who reported on these tragic events and the editors who published them, along with the political, social and cultural context in which they worked, in an environment influenced by exclusionary ideas about race and nationality that did not necessarily inspire sympathy for Jews and their trauma. This book sheds light on the ethics of reporting human suffering, violence and genocide and – centrally – on the role of the press in shaping Australia’s collective memory of the Holocaust. It encourages readers to think critically about media power, public apathy, advocacy, and the importance of truth. Disturbing evidence of increasing antisemitism in Australia as elsewhere, along with continuing Holocaust denial, provide an additional urgency to this study.